Back to John Oswald

by 5:4

Yesterday’s listening was a return to an old favourite: John Oswald. i’ve been interested in him since my early 20s, when i heard a work of his performed by the Kronos Quartet at Birmingham’s Symphony Hall (Mach i believe it was called). His “plunderphonic” style is remarkable, and when i first heard Plexure it produced a similar reaction to Venetian Snares: shock, amusement, bewilderment and exhilaration. But today i was listening to something from his very different, electroacoustic style: his 2003 work Aparenthesi. It’s difficult to believe it’s by the same composer; a gorgeous, intense, patient and rapturous meditation, similar to some of The Hafler Trio‘s work. The slowly-shifting soundscape is surprisingly engaging, and i found myself very moved by it.


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