Yesterday was the feast of the Epiphany, and it strikes me as strange that there is so little music written for Epiphanytide. Advent and Christmastide are overflowing with possibilities, but composers have clearly not been inspired by this season. It might be that it’s been somewhat vague until more recent times; certainly, the Anglican church has only got its structure and approach sorted in the last 5 years. But i think it’s an extremely powerful period of time, especially as it moves towards its conclusion with the Feast of the Presentation (Candlemas) on 2 February. My own Nunc dimittis was intended as an anthem for that occasion, rather than for regular weekday Evensongs, and thankfully it’s only ever been performed as such.
Yesterday’s listening was a return to an old favourite: John Oswald. i’ve been interested in him since my early 20s, when i heard a work of his performed by the Kronos Quartet at Birmingham’s Symphony Hall (Mach i believe it was called). His “plunderphonic” style is remarkable, and when i first heard Plexure it produced a similar reaction to Venetian Snares: shock, amusement, bewilderment and exhilaration. But today i was listening to something from his very different, electroacoustic style: his 2003 work Aparenthesi. It’s difficult to believe it’s by the same composer; a gorgeous, intense, patient and rapturous meditation, similar to some of The Hafler Trio‘s work. The slowly-shifting soundscape is surprisingly engaging, and i found myself very moved by it.