Search Results for: Estonia in Focus weekend

Estonia in focus weekend: Erkki-Sven Tüür – Prophecy (UK Première)

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Another of the works at the BBC Symphony Orchestra’s Maida Vale concert of Estonian music on 4 July was Erkki-Sven Tüür‘s 2007 accordion concerto Prophecy, which received its first UK performance with Olari Elts conducting and Mika Väyrynen (for whom it was written) as soloist. Any composer who writes a concerto has to make a decision about the nature and significance of the relationship between soloist and orchestra, and in the case of Prophecy the entire structure of the piece …


Estonia in focus weekend: Helena Tulve – Extinction des choses vues (UK Première)

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In the UK, while it’s not that difficult to find performances of music from many parts of the world, opportunities to hear music from Estonia – with the obvious exception of Arvo Pärt – are extremely rare. So the decision of the BBC Symphony Orchestra to include in their season a concert devoted to Estonian music – celebrating the one-hundredth anniversary of the country’s independence – came as a surprise and a very real treat. The concert took place on …


Estonia in Focus weekend: Maria Kõrvits – through (World Première)

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The second piece i’m looking at in this Estonia in Focus weekend is through, a new work for seven players by Maria Kõrvits. In some respects it’s reasonable to think of through as a ‘mood piece’, drawing for inspiration on a series of short lines taken from the opening paragraphs of Virginia Woolf’s 1931 experimental novel The Waves: Stalks rise from the black hollows beneath. I hold a stalk in my hand. I am the stalk. My roots go down …


Estonia in Focus weekend: Mirjam Tally – Vårtidens ljus (World Première)

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Towards the end of next week i’ll be heading off to Tallinn once again for the annual Estonian Music Days, and will be exploring what happened in some depth once i return. So in anticipation of that, for my next Estonia in Focus weekend i’m looking at a couple of new works that received their first performances just last month. i’ve been enjoying the latest new piece by one of Estonia’s most well-known composers Mirjam Tally, a choral work that’s particularly appropriate …


Estonia in Focus weekend: Helena Tulve – The Night-Sea Journey (World Première)

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To conclude this weekend i’m returning to the music of Helena Tulve and to another world première, which took place last November during one of Estonia’s main contemporary music festivals, AFEKT. A 17-minute work for saxophone, percussion and piano, in a way all one needs to say about it is encapsulated in its title, The Night-Sea Journey. The music is entirely directed toward the implied narrative of that title, inhabiting a nocturnal world of shadows and moonlight, progressing – in my mind, anyway …


Estonia in Focus weekend: Erkki-Sven Tüür – Symphony No. 9 ‘Mythos’ (World Première)

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i’m now turning my attention this weekend to Erkki-Sven Tüür, a composer whose work in many respects sounds distinctly different from a lot of Estonian contemporary music (and as i’ve previously mentioned, he remarked to me last year that he feels himself to be something of an outsider). To get the 100th anniversary festivities of Estonia’s declaration of independence up and running, Tüür was commissioned to compose a new work, which received its world première a few weeks back. The combination …


Estonia in Focus weekend: Helena Tulve – You and I (World/Estonian Premières)

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In a couple of weeks’ time, on 24 February 2018, it will be an especially significant day for Estonia, marking the 100th anniversary of the country’s declaration of independence, something they’ve had to fight hard to retain through the twentieth century. Estonia is a country i’ve got to know a lot better during the last couple of years, and much of its contemporary music is almost entirely unknown and unheard outside its immediate vicinity (for various reasons, which i’ve touched …


Estonia in Focus weekend: New Estonian Choral Music, Tõnu Kõrvits – Moorland Elegies, Galina Grigorjeva – Nature Morte

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To bring this first Estonia in Focus weekend to a close, some excellent CDs of Estonian contemporary choral music have been released in the last few months. Together they admirably demonstrate the considerable range and richness of compositional thought typical of the country’s new music scene. For a broad but in-depth overview of this scene, there’s a superb new anthology released by the Estonian Music Information Centre, the primary and superbly supportive outlet for the country’s musical output (at present, the …


Estonia in Focus weekend: Galina Grigorjeva – Vespers (World Première)

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A major new choral work was premièred at this year’s Estonian Music Days in Tallinn, by one of the country’s most celebrated composers. Born in the Ukraine, Galina Grigorjeva relocated to Estonia 25 years ago and has since become essentially adopted by the country as one of its own. On 6 April, Vox Clamantis, conducted by Jaan-Eik Tulve, gave the first performance of Grigorjeva’s Vespers. It’s an ambitious, 30-minute work in seven movements, each of which sets words (in English) drawn either …


Estonia in Focus weekend: Cyrillus Kreek – Psalms 121, 137, 141

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Estonia’s highly imaginative approach to choral music is not in any way a recent development. The country’s most dominant figure of the earlier twentieth century is Cyrillus Kreek (1889–1962), who in addition to being a composer was also a choral conductor and a collector of both Estonian and Swedish folk music. Not only did he make countless arrangements of these songs and hymns throughout his life, but they permeated Kreek’s own choral compositions which, while they display the superficially aloof demeanour …


Estonia in Focus weekend: Tatjana Kozlova-Johannes – To My End and to Its End… (World Première)

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A few months back, i reported on the goings-on at the Estonian Music Days, the second year running that i’d attended the festival. During this time, i’ve become increasingly interested in the country’s new musical endeavours, which for various reasons – both our fault and theirs – remain almost entirely unknown and unheard here in the UK (in one of my articles i outline some reasons why). i’m therefore going to address that by devoting a couple of long weekends to …


World Music Days 2019, Estonia (Part 4)

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Aside from the chamber concerts, by far the most dominant force at this year’s World Music Days in Estonia was choral music. i’ve written before of my admiration of Estonia’s choral tradition – both the standard of its choirs (including, in my view, two of the very best in the world, Vox Clamantis and the Estonian Philharmonic Chamber Choir) and the approach to choral writing by many of its composers, new and old – but this year, as with everything …


Estonian Music Days 2018 (Part 3)

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Over the last few years, i’ve been repeatedly impressed – no, flabbergasted – at the ingenuity, imagination and beauty that seem to typify Estonian choral music as well as distinguish it from pretty much everywhere else. It’s by no means the most experimental music to come out of the country, but the subtle way many Estonian composers explore and redefine notions of consonance and dissonance, as well as ways to structure a musical narrative, are consistently impressive. However, by way …


Estonian Music Days 2018 (Part 1)

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A few days ago i returned from spending a week in the city of Tallinn, experiencing most of this year’s Eesti Muusika Päevad, the Estonian Music Days, the country’s most important festival devoted to contemporary music. In previous years i’ve commented on the perception that what one hears during EMD often seems remarkably removed from the conventions and traditions that we associate with new music in western Europe, and in tandem with this, that the development of Estonian contemporary music can appear …


Four aspects of Erkki-Sven Tüür: Spectrums

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Birthdays and anniversaries provide an excellent opportunity to stop and look back, and contemplate everything that’s happened along the path of time that leads to here and now. This week – on Wednesday, in fact – marked the 60th birthday of Estonia’s most unconventional and irrepressible composer, Erkki-Sven Tüür. i’ve been listening to the most recent CD of his music, Spectrums, and considering how this impressive cycle encapsulates different aspects of his musical personality. In some ways, the four parts …


King’s Place, London: Theatre of Voices – Baltic Voices

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Personality and connection tend to go hand in hand. This is just as true for getting to know a person as it is for getting to know a piece of music: we’re drawn towards or pushed away according to the ways in which its personality – its qualities and characteristics, the way it behaves – is conveyed to us. I was reflecting on this during last Friday’s concert at King’s Place featuring Paul Hillier’s vocal group Theatre of Voices, performing …


Mixtape #51 : Silence (Requiem)

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November is a somewhat sombre month, and not only because the days are getting a lot colder and darker here in the UK. This year’s remembrance ceremonies have had extra potency due to the centenary of the end of the First World War, so i’ve taken this as my cue for the next 5:4 mixtape. It’s titled ‘Silence (Requiem)’, though i should stress that i haven’t created it as a commemoration, homage or tribute to anyone or anything specific – …


Erkki-Sven Tüür – Illuminatio/Whistle and Whispers from Uluru/Symphony No. 8, Arvo Pärt & Alfred Schnittke – Choral Works, Arvo Pärt – The Symphonies

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Returning to one of my occasional themes, there have been some interesting releases of Estonian music in the last few months. In February, i wrote about the Ninth Symphony by one of the country’s most dynamic composers, Erkki-Sven Tüür, so it’s nice timing that the Ondine label has brought out a disc featuring his Symphony No. 8, performed by the Tapiola Sinfonietta conducted by Olari Elts. The disc also features two slightly older, large-scale pieces, Tüür’s 2008 viola concerto Illuminatio and …


Best Albums of 2017 (Part 2)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page * So here they are, the best of the best of 2017. Your CD racks and audio libraries would be so much better off with these incredible gems nestling among them.


Best Albums of 2017 (Part 1)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page * i started last year’s Best Albums of the Year list  concerned about whether or not such lists were a good, viable or indeed practical idea. This year finds me with no such reservations: lists are fun, lists are informative and inspirational, lists are just cool, dammit, and above all this particular list – in spite of its unavoidably provisional nature …