CD/Digital releases

New free EP from Nine Inch Nails et al.

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Almost a year on from their last tour EP, there’s now a new 6-track EP from Nine Inch Nails, together with their tour buddies, Jane’s Addiction and Streetsweeper (the new project from Rage Against The Machine’s Tom Morello). Titled the NINJA 2009 Tour Sampler EP, it features two tracks from each artist and, considering the quite different styles of each act, hangs together surprisingly well.

Jane’s Addiction contribute first, with “Chip Away”, a wild, pounding, tribalesque track that never lets up for a second, even during a momentary shift to hand-claps and rim shots. They pick up their instruments for “Whores”, a fairly formulaic rock number that is, nonetheless, pretty compelling.

NIN’s “Not So Pretty Now” clearly comes from the sonically anæmic With Teeth era; despite being an exciting track, it’s predictable and not one of Trent’s finest achievements (which of course means it’s in keeping with With Teeth). “Non Entity”, on the other hand, is superb; the tempo is sluggish but somehow driving, and as the textures develop, the song seems to be a perfect synthesis of ideas from numerous NIN releases, including Ghosts. It’s the best track on the EP. Read more

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A shining example of synth-ballad: Röyksopp – Junior

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There was a time, not so very long ago, when adverts seemed to be full to bursting with music by, first, Moby (Play), then Goldfrapp (Felt Mountain) and then Röyksopp (Melody A.M.). Such exposure does little to help these or any other albums, at best distracting from, at worst suffocating, their genuine achievements. It’s good, therefore, to hear Röyksopp’s new album, Junior (released on 23 March), before it’s made its way into the wider world; i’m hopeful that the band will resist the advertising community this time, as it’s a release well worth hearing on its own terms. Read more

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Future Imperfect: Freezepop – Form Activity Motion

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Dear oh dear. It wasn’t terribly long ago that i was lauding Freezepop‘s most recent album, Future Future Future Perfect, and it was with some excitement that i approached their brand new release, a remix EP, the title of which would do Kraftwerk proud: Form Activity Motion. Essentially, just two songs have been chosen for the venture: “Frontload” and “Thought Balloon”, two of the best songs from the album—and this is where the problems start. In choosing a pair of such high quality songs, they’re immediately laying down the gauntlet to remixers to do something that can live up to those originals… a gauntlet that is most emphatically not picked up. One of the most prominent problems with these attempts is that they’ve clearly been created by people with minimal understanding of the harmonic direction of the originals. It’s hardly sophisticated stuff, of course, but in both songs it’s quite subtle, and certainly very effective; in many of the remixes, the harmonic progressions have been bowdlerised as though they’d been left in the hands of beginner music students. Read more

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Update: Steven Wilson – Insurgentes

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Further to my recent post about Steven Wilson‘s fantastic album Insurgentes, there have been developments. For those fancying themselves as a budding remixer, Wilson has made available material from the opening track, “Abandoner”; go here for more info and the audio stems—there’s also a very nice, mellow remix on there by Engineers, well worth checking out.

Of rather more interest, though, is that there’s finally an alternative for those who missed out on the initial deluxe 2-CD edition, limited to 3,000 copies. Of course, if you really want to, it’s possible to find copies on eBay, but you’ll end up paying in the region of £150-200 for it. On the other hand, the Japanese edition has recently been released, on an HQ CD, with a 40-page booklet, and—crucially—the second CD containing the additional tracks not available elsewhere. There don’t appear to be many copies floating around yet, but prices are much more reasonable, around £40-50. For two such auctions, simply look for ‘Insurgentes’ on Ebay or just go here or here, or if you want to save even more money (but may have to wait longer), take your chances with cdJapan here.

And finally, an HD version of the new “Harmony Korine” video can be seen here.

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“a hush, almost sacred”: Steve Peters – Here-ings

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As will have been obvious from my two “Best of” posts at the end of last year (here and here), i’m very taken with the work of sound artist Steve Peters. i’ve been spending a lot of time with his work of late, and one release has particularly impressed me in all sorts of ways. Peters is clearly a composer with both an acutely sensitive ear as well as an innate sensibility to the contexts in which sound occurs; nowhere is this better illustrated than in Here-ings.

Subtitled ‘a sonic geohistory’, Here-ings takes the relatively unusual form of a book and CD, the former illuminating the contents of the latter through a combination of prose and poetry (also by Peters), plus photographs contributed by Margot Geist. Essentially, the project consisted of Steve Peters spending a great deal of time at a site in New Mexico called The Land, set aside for site-specific art that engages with the environment surrounding it. Feeling that he would prefer to let the place ‘speak for itself’ rather than asserting his own creative impulse, over the course of a year, Peters made a series of hour-long field recordings at The Land, each occupying a different hour of the day, totalling 24 hours of material. Furthermore, each hour was recorded at a different location within The Land, so his recordings succinctly capture the entirety of The Land, throughout a year, conflated into a day’s worth of sound. Read more

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Like a ton of feathers: Morten Riis – Digital Sound Drawings

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Many moons ago, i wrote a retrospective of the work of Ryoji Ikeda, composer of some the finest raw digital music yet created. It’s an unfortunate corollary that Ikeda, like all great innovators, has a sizeable cluster of imitators (‘flattery’ be damned), many of whom form part of the now woefully tautological output from the once interesting Raster-Noton label. But something quite new appeared today, from the Crónica netlabel that i’ve praised so highly in the past. Out today is the fifth of their ‘Unlimited Releases’ series: Digital Sound Drawings by the Danish composer Morten Riis. The short programme note speaks of these six compositions being “composed through the drawing of images and their direct conversion into sound”, which brings to mind the well-known spectral imagery occasionally used by, among others, Aphex Twin, Venetian Snares and Plaid (about which more can be read here). Riis’ compositions are quite different, however, more akin to ‘sculptures’ than anything else, something that becomes strikingly apparent when the music is listened to using audio editing software, as recommended by the composer. i found this a fascinating way to listen, proving revelatory about the sound structures Riss has created. Read more

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An absolute must-have: Steven Wilson – Insurgentes

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It may only be two-thirds of the way through January, but already i’m fairly sure that i’ve heard the album that’ll be my best of the year: Steven Wilson‘s Insurgentes. Wilson is the musician behind, among other acts, Porcupine Tree and Bass Communion, and Insurgentes—the first album he has released under his own name—brings together the best elements of those projects and much else besides. Strictly speaking, it was released last year, in a limited edition of 3,000 copies; the retail version was to have been released at the end of February this year, but appears to have been pushed back to March. However, in true Trent Reznor style, if you pre-order, you’re immediately given a link to download the entire album in mp3 format (256Kbps) to tide you over. Read more

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