Digital reviews

A spine-tingling fusion: Alone Architect

Posted on by 5:4 in Digital reviews | 3 Comments

A release i’ve been anticipating for a while came out recently: the self-titled debut EP from Alone Architect. Much of the best electronica-fuelled songwriting in recent times has emanated from Canada, & Alone Architect is no exception, being the project of Montreal musician Jeff Feldman. Feldman posted a couple of teaser tracks online some weeks back, one of which featured the unique vocalisations of Elsieanne Caplette, chanteuse of the outstanding duo Elsiane. The song in question, “The Incision”, proved absolutely captivating, & promised big things for Feldman’s forthcoming EP; it does not disappoint.

The EP comprises six tracks whose brand of electronica is dark bordering on nocturnal. But it’s not yet another generic exercise in pseudo-post-apocalyptic knob-twiddling; on the contrary, rhythmic drive & overt lyricism pervade Feldman’s darkness, adorning it with splashes of colour & lightening its heavy undertones. Opening track ‘Moth to Flame’ exhibits both, although with a sense of distance. Feldman spends some time establishing layers of accompaniment (drawing heavily on the spectre of late ’70s Jean-Michel Jarre), & when his voice finally enters, the lyrics are bent out of shape almost to the point of obscurity. However, this is more than just a song—the absence of a chorus in its structure reinforces the point—& its climactic moments are carried by music alone, the words falling silent. It’s followed by the goth-inflected “Not Alone”, sung by Angela Boismenu whose voice seems to combine the best aspects of Cher & Amy Lee. Laid back in tempo, it nonetheless packs no little punch in the choruses, a punch that Feldman ramps up as the song progresses. Lyrically, despite the convolution of its poetry there’s real passion here, made all the more potent by a switch to triplet rhythms in the middle 8 & the abrupt fragility at the start of the coda. Read more

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Navigating the sounds of the cosmos

Posted on by 5:4 in Digital reviews | 6 Comments

It’s been with no little excitement that i’ve watched the Curiosity Rover landing on Mars this week. Astronomy has been a back-burner interest of mine since i was a boy &, not surprisingly, i’ve been especially fond of the sound recordings produced by NASA from the data received by Voyagers I & II as they’ve travelled through & beyond the solar system. So i was intrigued last year to see an independent release of something called Voyager: Sounds of the Cosmos, a large-scale compilation of these NASA recordings, made available in three versions of increasing length, titled ‘Grand Tour Edition’, ‘Standard Edition’ & ‘Legacy Edition’ respectively. However, as i’ve spent more time with it, i couldn’t shake the feeling i’d heard these before, so i did some elementary investigating. It turns out—& the compiler, one Philip Graham, admits this on the Wikipedia page—that the compilation is a bootleg of earlier NASA releases, some of which are still readily available. However, new track titles have been invented & there’s also a bit of duplicity & misguidedness going on, so for the benefit of others who love these sounds as much as i do, i thought i’d just flag up the facts regarding this material, in order to make an informed choice possible.
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