Interviews

Proms 2019: pre-première questions with Alexia Sloane

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This afternoon’s Prom is the first of the festival’s usual parallel strand taking place at Cadogan Hall. Primarily featuring early choral music performed by vocal group VOCES8, the concert also includes the first performance of Earthward by British composer Alexia Stone. As an introduction to the piece, and to Stone’s work in general, here are their answers to my pre-première questions, along with the programme for the piece. Many thanks to Alexia for their responses. Read more

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Proms 2019: pre-première questions with Zosha Di Castri

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This evening, the 2019 Proms festival begins in earnest. As on many previous occasions, they’ve opted to get things started with a world première, which this year is by Canadian-born, US-based composer and sound artist Zosha Di Castri. As an upbeat to that, here are her answers to my pre-première questions together with the programme note for her piece, Long Is the Journey, Short Is the Memory, which will be given its first performance by the BBC Singers and BBC Symphony Chorus with the BBC Symphony Orchestra conducted by Karina Canellakis. Many thanks to Zosha for her responses.

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The Dialogues: Anna Þorvaldsdóttir

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i’m excited to present a new instalment in my series The Dialogues. On this occasion, i’m in conversation with Icelandic composer Anna Þorvaldsdóttir, whose music has become increasingly well-known in recent years. In the UK, her work has started to appear with more frequency on concert programmes, and there’s a chance to hear her most recent orchestral work, METACOSMOS, at the Proms over the summer (and a CD including the piece will be coming out around the same time). While her reputation is growing, detailed explorations and studies of her work are pretty scarce, so our Dialogue will, i hope, substantially increase understanding of Anna’s musical outlook, intentions and methods.

We met at her home at the end of November last year, and i want to express my appreciation to Anna, her husband Hrafn, and to their beautiful cat Mosi (who sharp-eared listeners will briefly hear at one point) for their generous time and hospitality. i’m also very grateful to Sam Wilcock at Music Sales for festooning me with assorted scores and recordings to help with my research and preparation for the Dialogue. For more information about Anna’s music, check out her website, she also has a YouTube channel featuring a number of pieces, and there’s plenty available on Spotify.

As in all the Dialogues, i’ve included numerous excerpts of Anna’s music throughout to illustrate and elaborate upon the various topics of our discussion. A list of these excerpts, and the times when they occur, can be found below, together with links to buy the music. The Dialogue can be downloaded from the below link or streamed via Mixcloud. Read more

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Proms 2018: pre-première questions with Nina Šenk

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Tomorrow afternoon’s Prom concert from Cadogan Hall is being given by soloists from the Berlin Philharmonic Orchestra, and it promises to be quite a lustrous affair, featuring music by Debussy, Ravel and the great Lili Boulanger. It also includes the world première of Baca, a new chamber work by Slovenian composer Nina Šenk, so in preparation for that, here are her answers to my pre-première questions, together with the programme note for the piece. Many thanks to Nina for her responses. Read more

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Proms 2018: pre-première questions with Agata Zubel

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Tomorrow morning’s Prom concert, given by the European Union Youth Orchestra, includes the first UK performance of Fireworks, a recent work by Polish composer Agata Zubel. In anticipation of that, here are her answers to some of my pre-première questions (i’ve provided some information in lieu of answers for the final three questions), together with her programme note for the piece. Thanks to Agata for her responses. Read more

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Proms 2018: pre-première questions with Suzanne Farrin and Simon Holt

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Tomorrow afternoon’s Prom concert at Cadogan Hall features percussionist Colin Currie with the JACK quartet. Alongside two classic works by Xenakis, they’ll be performing two world premières, Simon Holt‘s Quadriga and Suzanne Farrin‘s Hypersea. In anticipation of these first performances, here are their answers to my pre-première questions, together with the respective programme notes for their pieces. Many thanks to Suzanne and Simon for their responses. Read more

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Proms 2018: pre-première questions with Jessica Wells

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Tomorrow’s afternoon Prom concert in Cadogan Hall promises to be something a little different. Titled Ancient Rituals and New Tales, the event is a showcase for Egyptian oud player Joseph Tawadros. In addition to his own music Tawadros will also be giving the world première of Australian composer Jessica WellsRhapsody for solo oud. In preparation for that, here are her answers to my pre-première questions, together with the programme note for the piece. Many thanks to Jessica for her responses. Read more

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