Lent Series

Hoping against hope: Thomas Adès – Gefriolsæ me

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It was at a concert in the spring of 1995 that i first encountered the music of Thomas Adès. The piece was Living Toys, and it was significant to my own development as a composer; i came away from the concert with a new vigour, determination and excitement about the music i wanted to create. Tom and i became mild acquaintances, and i even went to spend an afternoon with him in Cambridge, to discuss my work. While i don’t follow his music as closely as then, i still find it fascinating, and feel he’s one of this country’s more interesting composers.

A CD of Living Toys was released in 1998, and tucked quietly onto the end of that disc is a short work for male voices, entitled Gefriolsæ me. The text is an Anglo Saxon rendering of part of a verse from Psalm 51, a psalm that, due to its powerful penitential sentiments, is closely associated with Lent:

Gefriolsæ me of blodum, God hælu mine.
(“Deliver me from bloodguiltiness, O God my saviour.”) Read more

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Passionate, gut-wrenching, but humble: Bach – St John Passion

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Two weeks ago, i was fortunate enough to be at the performance of J. S. Bach‘s St John Passion, given by Ex Cathedra in Birmingham Town Hall. i’ve loved this work since i was a teenager, when a friend lent me a recording of the arias and chorales. It was the one by John Eliot Gardiner, a recording that captures every nuance of the drama as it unfolds, in all its beauty and terror. i bought this recording many years ago, while living in The Hague, and it was also during this time that i attended a performance of Bach’s St Matthew Passion in the central Gröte Kerk. The Matthew, while wonderful, is far less demanding (both for performer and listener alike), and it seems appropriate that Bach approaches John’s words with such a radical outlook, as his gospel is surely the most transcendent and impassioned, emotionally, psychologically and theologically. A plethora of composers have explored the Passion accounts, but Bach’s St John Passion still, i feel, outclasses most of them; i am no staunch supporter, nor indeed even an avid listener of Bach, but he taps into something here with an honesty and clarity of vision that is extraordinary. Read more

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