Mix Tapes

Mix Tape #30 : Prime Numbers

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For the new 5:4 Mix Tape, i’m not so much exploring a theme as a conceit. Mathematics has been a recurring feature of both my compositional and recreational activities lately, so for this new mix tape i’ve compiled a selection of music the titles of which incorporate the first 21 prime numbers. It was, i should say, quite a challenge, but the result is, i think, a highly stimulating mixture of exquisite non-sequiturs and unexpected aural connections. The mix is in part characterised by the presence of line, from a host of oblique angles, including jazz (Tartar Lamb II), avant-garde (John Zorn), math rock (Three Trapped Tigers), neo-Wendy Carlos retrosynthtronics (Laibach), indeterminacy (Kenneth Kirschner), counterpoint in extremis (Conlon Nancarrow), bassline-driven electronica (Last Step), post-romantic ecclesiastical dreaminess (Marcel Dupré) and lo-fi intimacy (Kid Koala). Elsewhere texture predominates, either with a harmonic underpinning (Ochre, Celer, Nine Inch Nails (but only just), Dick Mills, V/Vm) or from a percussive/glitch/noise perspective (At Jennie Richie, Ryoji Ikeda, Paul D. Miller, Bass Communion, @c). Read more

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Mystery Mix Tape #3

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It’s been two years since we’ve had one of these, so the new 5:4 mix tape is another of the mystery variety. Once again, no hints whatsoever about the music contained herein—although regular readers really ought to know a few of the tracks—but if anyone sufficiently bright and sparky knows all 28 of them, i’ll gladly dish out some CDs as a prize. and before you fire it up, Shazam really won’t help you very much. Enjoy!

MP3 [1:29:57 | 146Mb]


Mix Tape #29 : Best Albums of 2013

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A very HAPPY NEW YEAR to you all!

i want to say a big thank you to everyone who’s followed 5:4 in the last year, and especially to those of you who’ve posted comments and tweets in response. There are lots of exciting things planned for 2014, so watch this space.

In the meantime, continuing the 5:4 annual tradition, here’s the new mix tape, celebrating the music in my Best Albums of the Year list. A little something from each album, seamlessly stitched together and lasting a little under 3 hours. Enjoy!—and if you do enjoy what you hear, links to purchase the music can be found on the previous two days’ articles.

Here’s the tracklisting in full:

Read more

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Mix Tape #28 : Speech

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For the last Mix Tape of 2013, i’ve decided to explore music in which speech is paramount. Within a musical context, spoken words can jar in much the same way as an actor breaking the fourth wall, unsettling us by (ostensibly at least) withholding abstraction in favour of direct reference. The range of pieces included in the mix is more eclectic than usual, drawing on offcuts, afterthoughts and outtakes (Hecq, Frankie Goes to Hollywood, Kreng, Aphex Twin), filtered renderings, recreations and re-imaginings of speech (Cabaret Voltaire, Charles Dodge, John Hudak, Gregory Whitehead, Marc Behrens, Jean-Michel Jarre) as well as forms of non-singing (AGF and the peerless William Shatner). But most of the tracks exploit the spoken word through fascinating essays in obscure narrative, by turns sinister (Eugene S. Robinson), prosaic (Jóhann Jóhannsson, Anne-James Chaton), sexual (Andrew Liles), wistful (Steve Peters), intimate (Edward Ka-Spel), surreal (Olga Neuwirth, irr. app. (ext.)), poetic (John Wall/Alex Rodgers), combative (Frank Zappa) and philosophical (Adrian Moore).

A little over two hours of speech-inspired music and sound art; here’s the tracklisting in full: Read more

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Mix Tape #27 : Drone

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It’s 1 July, so here’s the new mix tape, focussing on the intense genre of drone. Drone music suffers the same kind of malaise as more generalised ambient music—immobility and drift as tacet apologias for a dearth of imagination and subtlety of ideas. But these 21 tracks offer an insight into something altogether more profound, plumbing the depths of immobility and stasis, teasing out faint, furtive tendrils of exotica. They represent a broad sonic palette, in terms of colour, dynamic and texture, incorporating elements from dark ambient and noise as well as more experimental electronics.

In all, two hours of droning wonder; here’s the tracklisting in full: Read more

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Mix Tape #26: Easy Listening

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For the new 5:4 mix tape i’ve opted for something a little different. i don’t tend to have musical ‘guilty pleasures’ as such, but one of my passions that i rarely talk about is for the plethora of easy listening LPs that were released in abundance during the 1960s and early ’70s. To an extent they were a development from the assortment of effervescent idioms that had exploded in popularity through the 1950s, particularly the Afro-Cuban and Brazilian dances such as the bossa nova, rumba and salsa, but jazz—including mild use of scat—was also central to the easy listening scene, along with instrumental versions of popular hits. Far more sophisticated and imaginative than the relatively restrained parallel ‘beautiful music’ genre that was eventually so heavily promulgated by the Muzak corporation, the similarities nonetheless meant that easy listening unavoidably become intertwined with ‘elevator music’. For this and for other reasons, easy listening has often been judged rather harshly, and it’s true that, charges of commercial exploitation aside, it is music very much of its time, not all of which has aged well. Even i can’t really listen to it without being instantly transported back to the late 1970s when my parents would fill their respective houses with the strains of Herb Alpert, Bert Kaempfert, Mantovani, et al. Yet while nostalgia no doubt plays a part in my love of this music, above all i adore the way it vividly captures the slick, lounging sophistication and late-night sleazy dreaminess that seems so quintessential of the time. The standard of the arrangements, too, was often outstanding, a quality easily overlooked when the genre is dismissed out of hand.

In choosing a selection for this mix tape, i’ve selected personal favourites that i think typify the guts and the glory of easy listening (with a couple of more Muzak-related numbers thrown in). Almost all of them are vinyl rips, but only in a couple of places have i cleaned up the audio, as to do otherwise would be to lose something vital. i don’t expect the names will be familiar to anyone with less than a passing interest in the genre, but Mantovani and Nelson Riddle should stand out (Riddle remains one of the finest arrangers of the 20th century; if you’ve listened to much Sinatra, you’ve heard his work); i had to include the great Hugo Montenegro as well—everything he touched seemed to turn to gold—and if the name Johnny Williams doesn’t immediately ring bells, this was before he met up with Spielberg and became the most significant film composer since cinema began. Another composer of soundtracks, David Whitaker, who died last year, is represented by a track with one of the most gorgeous introductions of the genre. i’ve also included a couple of contemporary pastiches by Jerry Martin and Marc Russo, composed as part of the marvellous soundtrack to the computer game The Sims.

In all, just over an hour of music, best heard late at night with the lights low while sipping on a Blue Hawaii. Below is the tracklisting in full—and if this mix whets your appetite, you could do a lot worse then head over to the superb In-Flight Entertainment blog, where lovingly-made rips of many of these otherwise unavailable albums can be found. Read more

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Mix Tape #25 : Best Albums of 2012

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Today marks 5:4‘s fifth anniversary, and so i’d like to take this opportunity to thank all of you who regularly read, share and respond to the articles and music explored here. Since 2008, the blog has grown from being an occasional hobby (reading the earliest articles, that fact is rather painfully obvious) to something that now receives significantly more time and attention. i very much hope that 5:4 can grow and become even more interesting and useful in the next five years; all comments, criticisms, suggestions and other feedback is always very warmly encouraged.

But to return to the present, and to continue our annual tradition, here is a new mix tape featuring one track from each of the forty entries on my Best Albums of the Year list. The mix includes more extreme dynamic variety than in previous years, so while i’ve done a little to mitigate that, be warned that at times the music veers between extremely soft and very loud indeed. As ever, if you like what you hear in the mix, please support the artists and buy the music; links are included on the last two days’ posts.

i’ve remarked in the past on the provisional nature of all ‘Best of’ lists, and so to keep things current, i’ve updated the summaries of the Best Albums/EPs of the Years, to reflect further listening than had been possible at the time; the revised lists can be found under The Lists on the main menu.

The mix tape lasts a little under 3½ hours; here’s the tracklisting in full: Read more

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