Mix Tapes

Mix Tape #24 : Noir

Posted on by 5:4 in Mix Tapes | 1 Comment

It’s time for a new Mix Tape, and once again it reflects my current predilections and listening habits. Film noir, and particularly its musical analogues, are much on my mind at present, so the new Mix Tape reflects that, drawing on 23 examples of muted monochrome. The similarities between these pieces are often very strong, yet the range of language used is considerable. The Kilimanjaro Darkjazz Ensemble, Tor Lundvall, David Lynch and This Will Destroy You opt for heavy-laden music pulled by a sluggish pulse, throwbacks to the past from the cusp of an apocalyptic future. Tangentially related, Ulver, Demdike Stare and Asher find regularity in the artefacts that litter the surface of their hauntological materials. Gareth Davis and Frances-Marie Uitti, Aphex Twin, Paul D. Miller (DJ Spooky) and Cosey Fanni Tutti and Philippe Petit all offer a kind of fin de siècle melodic scrutiny, while First Human Ferro, Access to Arasaka, Angelo Badalamenti and Sleepy Town Manufacture and Unit 21 grimly obsess over chord progressions, some fragile, some aching with nostalgia.
Naked City go further by doing less, unable to move much beyond a bleak repeating chord, while Andrew Liles (remixed here by Jonathan Coleclough) is similarly inert, viscous music drifting slowly in a void. Johan Söderqvist, Deaf Center, Ben Lukas Boysen (Hecq) and The Stranger (Leyland Kirby) tease out the tacet malevolence ubiquitous within noir’s unique atmosphere. Jonathan Coleclough retreats into a despair of off-silent impenetrabilia, but the most substantial example of that comes at the centre of the mix. The apparent ‘absences’ in Rebecca Saunders‘ music are as significant and disorienting—if not more than—the sounds themselves, pulling the listener into a sightless struggle against, seemingly, reality itself.

Two hours of silhouettes and shadows; here’s the tracklisting in full: Read more

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , ,

Mix Tape #23 : Modern Troubadours

Posted on by 5:4 in Mix Tapes | 4 Comments

Creatively, my thoughts have been heavily focussed on song in the last couple of months, so i’ve made that the focus of the new 5:4 Mix Tape. Songs as we think of them today more or less conform to a generic, prefabricated mould that’s often at odds with their lyric content. Not all artists are prepared to compromise so readily, though, and the sixteen songs on this Mix Tape represent a rather more rare breed of song. i think of these artists as modern troubadours, for whom the the content of their song is such that it demands a break from convention, and the opportunity for a more experimental type of expression.

These songs, which range in duration between 7 and 17 minutes, encompass a wide variety of approaches to the art of song. Some, such as those by Deerhoof and maudlin of the Well, take experimental and progressive rock as their starting point, while Frankie Goes To Hollywood and Transvision Vamp opt for episodic epics, betraying the legacy of ‘Bohemian Rhapsody’. Janelle Monáe‘s approach is to create what amounts to a 9-minute musical, while Kevin Barnes’ of Montreal beg, borrow and steal from a plethora of pop, dance and rock idioms to convey his typically bizarre narrative. By contrast, Dead Can Dance tell their tale via a hypnotic, circling music that pushes the words firmly into the foreground; despite the complexity of their electronic backdrop, Ulver achieve the same result by speaking their lyrics. Julia Holter makes her words count, summarising them in the first three minutes and allowing them to radiate for another ten; Fovea Hex do something similar in their rethinking of folk music. Others have more to say and take longer to do it; Jenny Hval puts herself on a kind of musical knife-edge, fragile before a pale, sparse backdrop, while David Sylvian surrounds himself with a network of improvised lines and motes that would be impenetrable if they weren’t so scattered. Tori Amos turns to her trusty Bösendorfer in what is still her longest song to date, whereas Joanna Newsom (in her longest song) has her complex harp epicentre heavily enriched by lush orchestrations provided by Van Dyke Parks. Beginning and ending the mix are songs by perhaps the great troubadour of our age, Scott Walker, a pair of songs from his last two albums that explore a depth of lyrical expression that’s pretty much unique in the history of song. Read more

Tags: , , , , , , , , , , , , , , ,

Mystery Mix Tape #2

Posted on by 5:4 in Mix Tapes | 3 Comments

From now on, the 5:4 Mix Tapes will appear every three months, and here’s the next one. There’s only been one ‘mystery’ mix tape, so i thought it was high time we had another one. As last time, i’m not letting on what’s on this mix, but if anyone should happen to guess them all (there are 21 tracks), i’m sure i could rustle up some kind of reward.

MP3 [1:30:00 | 156Mb]

Tags:

Mix Tape #22 : Best Albums of 2011

Posted on by 5:4 in Best of the Year, Mix Tapes | 3 Comments

A very HAPPY NEW YEAR to you all! 5:4 is four years old today, & as in previous years, here’s a new mix tape showcasing the music from my best albums of 2011. One track from each of them—in total, 3½ hours of eclectica to start the new year in real sonic style. Do, please, support all the artists if you like what you hear (& you will!); links to buy their excellent music are included on the previous few days’ posts.

Here’s the full tracklisting (click the image for high-res artwork):

Uh Huh Her – Wake To Sleep (from Nocturnes)
This Will Destroy You – Black Dunes (from Tunnel Blanket)
Philippe Petit – 03 nyctalopia (from Nyctalopia)
Kate Havnevik – Mouth 2 Mouth (from You)
Aleks Kolkowski & Ute Wassermann – nor’easter (from Squall Line)
Kate Wax – Maze Rider (Live From The Cave) (from Dust Collision)
Arlene Sierra – Surrounded Ground – III. Egress (from Arlene Sierra Vol. 1)
John Cage – 109 [One8 and 108] [excerpt] (from 108/109/110)
Autechre & The Hafler Trio – ha3oe [excerpt] (from ae3o3)
David Lynch – Bass D Dark Stairway (from INLAND EMPIRE (Original Motion Picture Score))
Patrick Wolf – House (from Lupercalia)
Roly Porter – Al Dhanab (from Aftertime)
Braids – Plath Heart (from Native Speaker)
Deerhoof – Super Duper Rescue Heads! (from Deerhoof vs. Evil)
Talvihorros – Beta (from Descent Into Delta)
Christopher William Anderson – An End To Calm (from Moskenstraumen)
Stephan Mathieu – A Static Place Ia [excerpt] (from A Static Place)
Frank Zappa – Worms From Hell (from Feeding The Monkies At Ma Maison)
Leyland Kirby – Eventually, it eats your lungs [excerpt] (from Intrigue & Stuff Volume 2)
Celer – Part II [excerpt] (from Noctilucent Clouds)
Merzbow – Kamadhenu (Part 1) [excerpt] (from Kamadhenu)
Ulver – Providence (from Wars of the Roses)
Chubby Wolf – Deeper and the Damage From (from Los que No Son Gentos)
aTelecine – The Smuggler (Draft One) (from A Cassette Tape Culture Phase Two)
Akita / Gustafsson / O’Rourke – Two Bird [excerpt] (from One Bird Two Bird)
Tartar Lamb II – Polyimage of Known Exits: 3rd Movement [excerpt] (from Polyimage of Known Exits)
Hecq – With Angels (from Avenger)
Jenny Hval – Engines in the City (from Viscera)
Björk – Hollow (from Biophilia)
Ektoise – There and Here (from Kiyomizu)
Svarte Greiner – Twin [excerpt] (from Twin)
Access to Arasaka – Ixion (from Geosynchron)
Grutronic and Evan Parker – Mesomerism In Rhythm [excerpt] (from Together In Zero Space)
Xela – Charm [excerpt] (from Exorcism)
Black Swan – White Mourning (from The Quiet Divide)
Fovea Hex – Falling Things (Where Does A Girl Begin?) (from Here Is Where We Used To Sing)
Indignant Senility – Side B [excerpt] (from Blemished Breasts)
Monty Adkins – Memory Box (from Fragile.Flicker.Fragment)
Three Trapped Tigers – Magne (from Route One Or Die)
The Mount Fuji Doomjazz Corporation – Function (from Anthropomorphic)

Mix Tape #22: (Best Albums of 2011)

MP3 [347Mb]

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Mix Tape #21 : Noise

Posted on by 5:4 in Mix Tapes | 2 Comments

With noise is born disorder […] In noise can be read the codes of life, the relations among men. Clamor, Melody, Dissonance, Harmony […] when it becomes sound, noise is the source of purpose and power, of the dream—Music.

Stirring words from the opening chapter of Jacques Attali’s marvellous book Noise: The Political Economy of Music, and noise is the focus of the new 5:4 Mix Tape. As such, i suppose it could be deemed the least accessible of these mixes, although my interpretation of noise here extends beyond fortissimo walls of abrasion; there’s a lot more to noise than just that.

Three of Alva Noto‘s miniature renderings of computer files pepper the mix, blurring the distinction between active and passive compositional intent. To some extent, the same could be said of Richard James’ AFX track ‘Ktpa2’, one of a pair of ferocious static blasts that remain his most brutal music to date. Most of the tracks included here, though, are less single-minded than these, and drag a variety of æsthetic manners into their obstreperous orbits. Three Trapped Tigers (whose first album is one of this year’s most outstanding releases) explore a complex amalgam of math rock and glitch, while Ukranian soundscapists First Human Ferro put noise at the core of their paradoxically radiant dark ambient. Japanese experimentalist Lethe takes hard metallic field recordings in abandoned resonant spaces as his starting point, while Nine Inch Nails do what they do best tucked away deep in the bowels of a studio. Noise is a sine qua non of all music with a hauntological aspect, heard here in the hissy nostalgia of Black Swan and the searing, gritty glitter of The Stranger (in my view, Leyland Kirby’s most riveting persona). My own work the Ceiling stared at me but i beheld only the Stars is a large-scale conflict between noise and pitched material; the excerpt included here is from the centre of the piece, where bell-like pitches first emerge. One could hardly have a noise mix tape without Merzbow; i’ve included part of the opening track from one of his latest albums, a typically kaleidoscopic feast of electronic mayhem. At the end comes a fittingly curt signing-off by Thomas Bangalter, from his soundtrack to Gaspar Noé’s film Irréversible. Read more

Tags: , , , , , , , , , , , , , , , , , , ,

Mix Tape #20 : Dancefloor

Posted on by 5:4 in Mix Tapes | Leave a comment

Happy Easter!. Having finally emerged from the dark days of Lent, i thought it would be fitting to have a new mix tape, with an upbeat theme. As i’ve mentioned on previous occasions, dance music has always been a parallel love of mine alongside the avant-garde, and this mix tape will, i hope, prove to be an irresistable selection. As always, there’s a mix of old and new, the oldest being around 13 years old, the newest released last month.

Delphic were included in the BBC Sound of 2010, not exactly a good sign to be sure, and while they’ve failed (as yet) to distinguish themselves, this song isn’t at all bad, and this remix makes it perfect. Above and Beyond are, in my view, the champions of contemporary trance music, and they feature on this mix tape four times; “Stealing Time” is one of the standout tracks from their lovely album Tri-State, released 5 years ago. Connected to Above and Beyond via their Anjunadeep label is Michael Cassette; this is his latest single, a delicious throwback to 1980s synths. Ahead of Delphic in that dreaded BBC 2010 list was Marina Diamandis, better known as Marina and the Diamonds; she’s proved herself to be a real talent, and while “I Am Not A Robot” is pop perfection as it stands, this hard-to-find remix is outstanding. If you’ve never heard of Bloodgroup, they’re an up and coming band from Iceland, specialising in a rather unusual brand of electropop (with occasional similarities to The Human League); this track comes from their latest album and is a good introduction to their music. Read more

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Mix Tape #19 : Best of 2010

Posted on by 5:4 in Best of the Year, Mix Tapes | 3 Comments

HAPPY NEW YEAR!

It’s 1 January, which means it’s 5:4‘s birthday, and today we’re three years old. Having spent several days looking back on last year’s most outstanding releases, what better way could there be to start the new year than with a new mix tape, featuring one track from each of my forty best albums of 2010. As you’d expect, it’s another extremely eclectic mix, and this time lasts a little over three-and-a-half hours. If you like the mix (and how could you not?!), please support the artists and buy their excellent music.

Here’s the tracklisting in full (click the image for high-resolution artwork): Read more

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,