Mix Tapes

Mix Tape #10 : Melancholia

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Lent—’tis the season to be dolorous, and so the tenth 5:4 mix tape has melancholia as its theme. Both songs and instrumental music are included, taken from a diverse selection of artists and composers.

It begins with the opening of one of the best of William Basinski‘s Disintegration Loops, “d|p 3”. While as a whole these albums constitute a thoroughly over-egged pudding, this track conjures up a rather wistful sort of atmosphere, like a sad sunset. The Kilimanjaro Darkjazz Ensemble create fabulous nocturnal music, stylishly flecked with jazz mannerisms. All of Burial‘s work is shaded by melancholy; “Night Bus” is one of his shortest tracks, bereft of beats, its melody etching out the contours of a furrowed brow. Biosphere seems to capture remoteness in his work better than most, and “Poa Alpina” (from the remarkable Substrata album) is infused with this, underpinned by a deep bass that makes the music sound, literally, heavy. Fellow Norwegian Deathprod ploughs even darker troughs, and “Dead People’s Things” is like music from the end of time, postdiluvian, exhausted, its haunting melody falteringly singing surrounded by ruins. Perennial favourite of mine, Andrew Liles, has produced nothing so strikingly unusual as his “Concerto for Piano and Reverberation”; i included part of the opening in my Piano mix tape, but felt compelled to include it here as it creates such a black, velvety atmosphere, laden with gravitas. Franz Liszt‘s large-scale sacred work Via Crucis is modelled on the Stations of the Cross; two excerpts from the twelfth are featured here. It explores the moment of Christ’s death, beginning with his desperate cry, “Eli, Eli, lama sabacthani” and concluding with a gorgeous setting of the chorale, “O Traurigkeit, O Herzeleid” (which inspired my own setting). Thomas Adès‘ early string quartet, Arcadiana, has “O Albion” as its penultimate movement, and is a poignant comment on a lost world; Adès once described this movement to me as having two “chest pains”, the moments where the harmony shifts so painfully. Read more

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Mix Tape #9 : Best of 2008

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Today 5:4 is one year old, and to celebrate that—and continue the celebration of the best albums of last year, here’s a new mix tape, featuring tracks from each of those albums. Not surprisingly, it’s the most eclectic mix so far, and also the longest, just a few seconds shy of 3 hours. Start 2009 with the best of 2008—enjoy!

Here’s the tracklisting in full: Read more

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Mix Tape #8 : Versions

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After far too long a hiatus, here’s a new mix tape, this time exploring some of my favourite cover versions. To be clear, none of these tracks are what i’d call ‘remixes’, which i think of as a separate, quite different discipline; these are good ol’-fashioned covers of some great original songs.

t.A.T.u.’s version of The Smiths‘ “How Soon Is Now?” stands out on their first album, 200Km/h in the Wrong Lane, partly because it’s the only cover version, but more because of how utterly good it is. While i always was a fan of The Smiths, i’d actually far prefer to listen to t.A.T.u.’s rendition of it, their vocals somewhat less restrained than Morrissey’s. “Here’s Where The Story Ends” has been covered by many artists, and i’ve included the most recent, by Tin Tin Out featuring Shelley Nelson. Their version of the song is rather passionless, but this remix of it (the “Canny Remix”) saves the day, a dance version that shows off Nelson’s superb voice admirably. An old classic, “Blue Moon”, is given a fantastic big band treatment by Cybill Shepherd, taken from the soundtrack to the 80s TV series, Moonlighting. Shepherd’s voice is simply astounding, in what is my favourite version of this timeless song. Tori Amos makes several appearances in this mix, simply because she takes a more imaginative approach to her covers than any artist i’ve come across, always presenting the song in a new light, teasing out new connotations from the original. First up is her utterly deconstructed version of 10cc‘s epic ballad, “I’m Not In Love”, taken from her album of covers, Strange Little Girls. All sentimentality has been stripped, the music standing bare and heavy, with a palpable sense of menace; it’s beautiful and gently horrifying all at the same time. Read more

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Mix Tape #7 : Ambient

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To conclude the little series of posts about the “ambient tradition”, here’s a new mixtape devoted to this special genre. It’s the hardest mix i’ve made so far; the temptation was, perhaps, never to stop, to create a compilation that could play into infinity—which is, after all, the point towards which the best ambient music inexorably tends. Some of the composers i’ve written about are included, but not all; the music of neither Steve Roden nor John Hudak lends itself well to this kind of mix, best heard in their own, very particular, contexts. Therefore, some additional names surface here, about whom i’ve hitherto been silent, but no less excited. Read more

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Mix Tape #6 : Piano

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For years, the piano has been to me an object of fascination and awe; its range of capabilities, expressive potential and timbral variety are breathtaking. Also for years, these qualities were the very things preventing me from attempting to compose something for it. Listening to piano music is a supreme joy, and so this new Mix Tape is a concoction of some of the more interesting examples that have been occupying my ears of late. It also represents some of my favourite composers, all of them bringing something unique to the instrument. Read more

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Mix Tape #5 : Beats

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If music was my first love, then my fascination with rhythm was the first part of that attraction; beat-driven music—particularly early hip-hop and electro—dominated my earliest teenage years. My taste in beats has evolved since that time, of course, and the selection represented here (which may well come as little surprise to regular readers) is a selection of relatively recent music. Each of them has something distinctive, something that separates it from the terrible plethora of dance music that predominates the current musical landscape (at least, the popular landscape); each of them, too, is in my opinion one of the very best tracks by that artist. Read more

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Mix Tape #4 : Miniatures

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This new Mix Tape began life as one of my playlists on iTunes, which simply specified that it should only include tracks under two minutes in duration. Surprisingly, 815 tracks from my music library fulfil this criteria, amounting to over 15 hours of music. Not surprisingly, this playlist makes for an eclectic and surreal listen, while at the same time providing a kind of ‘distillation’ of the music that i love. Here then, is a selection from that playlist, with a slight emphasis on music i’ve listened to more recently; almost 70 minutes of music stitched together with the aid of a variety of delightful advertisement spots by the wonderful and very innovative Raymond Scott. What this lot tells you about my music collection is anyone’s guess…

Here’s the complete tracklisting: Read more

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