Search Results for: Estonian Music Days

Estonia in Focus weekend: Mirjam Tally – Vårtidens ljus (World Première)

Posted on by 5:4 in Premières, Thematic series | Leave a comment

Towards the end of next week i’ll be heading off to Tallinn once again for the annual Estonian Music Days, and will be exploring what happened in some depth once i return. So in anticipation of that, for my next Estonia in Focus weekend i’m looking at a couple of new works that received their first performances just last month. i’ve been enjoying the latest new piece by one of Estonia’s most well-known composers Mirjam Tally, a choral work that’s particularly appropriate …


Proms 2017: Erkki-Sven Tüür – Flamma (UK Première)

Posted on by 5:4 in Premières, Proms | 1 Comment

i’ve written a fair bit about Estonian music this year, and in many ways composer Erkki-Sven Tüür breaks the mould. There’s not, of course, just one approach to be found in contemporary music in Estonia, yet significant evidence of outside musical influences (as i’ve noted previously) can be difficult to find. But this is not the case in Erkki-Sven Tüür’s music. Indeed, so emphatically is it not the case, that a few months back, talking with Erkki-Sven about his work during the …


Estonia in Focus weekend: Galina Grigorjeva – Vespers (World Première)

Posted on by 5:4 in Premières, Thematic series | 1 Comment

A major new choral work was premièred at this year’s Estonian Music Days in Tallinn, by one of the country’s most celebrated composers. Born in the Ukraine, Galina Grigorjeva relocated to Estonia 25 years ago and has since become essentially adopted by the country as one of its own. On 6 April, Vox Clamantis, conducted by Jaan-Eik Tulve, gave the first performance of Grigorjeva’s Vespers. It’s an ambitious, 30-minute work in seven movements, each of which sets words (in English) drawn either …


Estonia in Focus weekend: Cyrillus Kreek – Psalms 121, 137, 141

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Estonia’s highly imaginative approach to choral music is not in any way a recent development. The country’s most dominant figure of the earlier twentieth century is Cyrillus Kreek (1889–1962), who in addition to being a composer was also a choral conductor and a collector of both Estonian and Swedish folk music. Not only did he make countless arrangements of these songs and hymns throughout his life, but they permeated Kreek’s own choral compositions which, while they display the superficially aloof demeanour …


Estonia in Focus weekend: Tatjana Kozlova-Johannes – To My End and to Its End… (World Première)

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A few months back, i reported on the goings-on at the Estonian Music Days, the second year running that i’d attended the festival. During this time, i’ve become increasingly interested in the country’s new musical endeavours, which for various reasons – both our fault and theirs – remain almost entirely unknown and unheard here in the UK (in one of my articles i outline some reasons why). i’m therefore going to address that by devoting a couple of long weekends to …


Gigs, gigs, gigs: Spring 2017

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There are lots of exciting events coming up in the next few months, approaching new music from a plethora of different angles. Next month the Royal Opera House will be giving the first UK performances of Thomas Adès‘ The Exterminating Angel, based on Luis Buñuel’s splendidly off-kilter movie. Premièred last summer in Salzburg, it’ll be receiving half a dozen performances at Covent Garden from late April to Early May. With a libretto by Tom Cairns, featuring the likes of (among many others) Anne …


Proms 2016: looking forward (but not much)

Posted on by 5:4 in Premières, Proms | 13 Comments

i’ve recently returned from a trip to Tallinn to experience some of the annual Estonian Music Days (my reviews can be read over on Bachtrack). In a bit of spare time one afternoon, i finally got around to examining the forthcoming Proms season, and i don’t think it’s entirely due to the fact i was in the midst of a genuinely bold, experimental festival that, from the perspective of new music, Proms 2016 seems so poor bordering on lamentable. In …