HCMF 2013 revisited: James Clarke – 2013-V (World Première)

Posted on by 5:4 in HCMF, Premières | 1 Comment

If there’s one thing that unites almost the entirety of the contemporary music spectrum, it’s a fondness for allusive titles. There isn’t anything inherently wrong with that, of course, but it can have the unfortunate side effect of encouraging too many listeners to switch off a portion of their critical faculties, under the illusion that all that needs to be done is to match aspects of the content to the title & the piece will thus have been ‘understood’. But at HCMF 2013, Brian Ferneyhough—no stranger to titles as multi-faceted as his music—remarked on the disjunct of sorts between title & content, speaking of his personal need for something titular before any meaningful compositional work can begin, yet stressing the fact that this subsequent process involves significant quantities of improvisation & spontaneity, indicating the title in no way dictates or necessarily even guides the subsequent material. Nonetheless titles, whatever the composer’s intent, conjure up something that simply cannot be ignored when listening to the music. To obviate this potential programmatic distraction, James Clarke has adopted an altogether more aloof approach. A glance at his list of works reveals a striking change from 2006 onwards, his composition titles moving from the exotic (Twilight / Dämmerung) to the obtuse (Untitled No.1) to the clinical (2006-K – ‘K’ indicating that the work was composed for Klangforum Wien), redolent of those given by Xenakis to his stochastic works of the 1950s. This has been Clarke’s approach ever since, a simple statement of the year & a letter hinting at some aspect of the instrumental line-up, thereby avoiding all allusive implications. Read more

Tags: , ,

HCMF 2013 revisited: Raphaël Cendo – Rokh I (UK Première)

Posted on by 5:4 in HCMF, Premières | Leave a comment

One of the most memorable performances at HCMF 2013 arose out of what appeared beforehand to be pretty restricted forces: bass flute, violin, cello & prepared piano, members of the French Ensemble Linea. Yet in Rokh I, the first of a three-part, 30-minute cycle, Raphaël Cendo enables this quartet to become one of the most startlingly elemental pieces of chamber music i’ve ever witnessed.

In Huddersfield, of all places, one hardly expects instruments to be played only in a traditional fashion. But Rokh I goes further; by avoiding almost anything resembling convention, Cendo practically redefines what music is, turning it on its head in fact. Cendo’s extended techniques seem like nothing of the kind, but merely the most basic & fundamental—even obvious—ingredients for the intensely focussed, self-referential entity that is Rokh I. The work’s point of inspirational origin is the terrifying mythological bird of prey found in Indian, Persian & Asian literature (perhaps most memorably in the One Thousand and One Nights). Cendo establishes the sonic credentials of the creature in the most dazzlingly vivid way, a counterpoint of violence formed from a myriad gestures, slides, twangs, thwacks, ruffles, slaps, heavily compressed pitches, grindings, pops, clusters & whooshes. It’s as though we’ve become the miniaturised inhabitant of the great creature’s nest, confronted by activity on a massive & potentially very destructive scale. Read more

Tags: ,

HCMF 2013 revisited: Cecilie Ore – Come to the Edge! (World Première)

Posted on by 5:4 in HCMF, Premières | Leave a comment

Memories & afterthoughts of the exhilarating &, at times, revelatory experiences from HCMF 2013 haven’t really stopped swirling around my mind, so i’m going to begin 2014 by revisiting some of the most interesting highlights, starting with a world première given by the BBC Singers, directed by Nicolas Kok.

Even though it’s only two months since Cecilie Ore‘s Come to the Edge! was premièred, a great deal has changed. Chiefly, the focus of the work’s subject matter—the ludicrous imprisonment of the Russian punk band Pussy Riot—has become a historical event, as the pair of group members who remained incarcerated were released shortly before Christmas. However, the main thrust of Cecilie Ore’s abiding question—”how civilised are we?”—persists with, if anything, greater intensity. Few would attribute the band members’ release to an honest change of heart from a benevolent ruler; on the contrary, Vladimir Putin’s vain attempt to smooth over the world’s dismay at his increasingly dictatorial attitudes only illustrates the difference between being civilised & merely appearing to be civilised. Read more

Tags: ,

Mix Tape #29 : Best Albums of 2013

Posted on by 5:4 in Best of the Year, Mix Tapes | 2 Comments

A very HAPPY NEW YEAR to you all!

i want to say a big thank you to everyone who’s followed 5:4 in the last year, & especially to those of you who’ve posted comments & tweets in response. There are lots of exciting things planned for 2014, so watch this space.

In the meantime, continuing the 5:4 annual tradition, here’s the new mix tape, celebrating the music in my Best Albums of the Year list. A little something from each album, seamlessly stitched together & lasting a little under 3 hours. Enjoy!—& if you do enjoy what you hear, links to purchase the music can be found on the previous two days’ articles.

Here’s the tracklisting in full:

Read more

Tags: , , , , , , , , , , , , , , , , , , , , , , , , ,

Best Albums of 2013 (Part 2)

Posted on by 5:4 in Best of the Year | 5 Comments

Bringing 2013 to an end, here’s the final part of the best albums of the year. Go on, give your ears a treat, they deserve it. Read more

Tags: , , , , , , , , , , , , , , , , , , , , ,

Best Albums of 2013 (Part 1)

Posted on by 5:4 in Best of the Year | 2 Comments

Continuing my round-up of the best music of the year, here’s the first part of the most outstanding albums of 2013; part two will be coming tomorrow. Read more

Tags: , , , , , , , , , , , , , , , , , , , ,

Best EPs of 2013

Posted on by 5:4 in Best of the Year | Leave a comment

So, having listened to no fewer than 261 EPs & albums released this year, it’s time to distil that listening into the annual Best of the Year lists. As always, we’ll start with the ten most exceptional EPs. Read more

Tags: , , , , , , , , ,