“We like to give you the maximum, from which you can subtract.” Aaron Einbond’s closing words before the first concert at the Noise In And As Music conference, organised by Einbond and Aaron Cassidy, which took place at Huddersfield University’s Centre for Research in New Music (CeReNeM) last weekend. Einbond’s …
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For the last mixtape of 2013, i’ve decided to explore music in which speech is paramount. Within a musical context, spoken words can jar in much the same way as an actor breaking the fourth wall, unsettling us by (ostensibly at least) withholding abstraction in favour of direct reference. The …
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Now that a fortnight has passed since the deafening broohaha of the Last Night, it’s time to look at how you, esteemed readers, have voted in the 5:4 Proms polls. 545 votes were cast this year, and having crunched the results in a variety of ways, here’s a summary of …
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All good things etc., and this year it fell to composer Anna Clyne—and the BBC Symphony Orchestra, conducted by Marin Alsop—to get underway the biggest party-masquerading-as-a-concert of them all, the Last Night of the Proms. In calling her short work Masquerade, Clyne is presumably alluding chiefly to the carnival atmosphere …
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The penultimate première of this year’s Proms almost didn’t happen last Thursday, when two of the trio of percussionists failed to turn up, resulting in seven or eight rather tense minutes while presumably a host of minions dashed about behind the scenes attempting to find and drag them onstage. It …
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What is this “I”: is it my physical presence, is it the temporality in which I stand and pass away, is there an independence of my thoughts from that which I am, or is my entire being merely a fiction of me myself? This metaphysical conundrum is the starting point …
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Last Wednesday’s world première of Param Vir‘s new Proms commission, Cave of Luminous Mind, gave particular pause for thought in light of its position in the season. Twice recently we have been presented by works from composers of Indian descent (Nishat Khan and Naresh Sohal), works seeking at least in …
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FestivalsPremières
Proms 2013: John Woolrich / Tansy Davies – Variations on an Elizabethan Theme (World Premières)
by 5:4Last Saturday’s Proms matinee focused on a work created 60 years ago to mark the Queen’s coronation. Instigated by Benjamin Britten, he and five other composers each wrote a variation for string orchestra based on the Irish tune ‘Sellenger’s Round’; titled Variations on an Elizabethan Theme, the complete suite was …
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FestivalsPremières
Proms 2013: Frederic Rzewski – Piano Concerto (World Première); Gerald Barry – No other people. (UK Première)
by 5:4Prophets, visionaries, seers, they’re an acquired taste, are they not? Often they get relegated to an idealistic niche characterised as “head in the clouds”—yet a more careful survey reveals that most luminaries are among the most earthly-wise and practical of people. This difficult-to-digest paradox coloured much of the music at …
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FestivalsPremières
Proms 2013: Sofia Gubaidulina – The Rider on the White Horse (UK Première)
by 5:4The beauty and diversity of nature has been a recurring theme in this year’s new music at the Proms, whereas religious sentiment has been entirely absent—until, that is, last Tuesday’s performance of Sofia Gubaidulina‘s The Rider on the White Horse. Culled and reworked from her 2002 oratorio St John Easter …
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FestivalsPremières
Proms 2013: Nishat Khan/Pete Stacey – The Gate of the Moon (Sitar Concerto No. 1) (World Première)
by 5:4It’s interesting to be considering the next Proms première in the wake of having seen, last night, Bollywood’s latest blockbuster offering, Chennai Express. Bollywood’s glory—and at its best, that is definitely the right word—is in its uniquely convoluted appropriation and reinvention of western tropes, served in a form that, to …
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On the one hand, the BBC’s decision not to provide online programme notes in any form for this year’s Prom concerts is as hard to understand as it is unequivocally idiotic. On the other hand, it forces listeners to engage with music on its own terms, without the cosy couch …
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It’s rare for the Proms not to feature music by Mark-Anthony Turnage (he’s only been absent from five of the last twenty seasons), and this year’s commission comes from the Royal Philharmonic Society, requesting a work to sit alongside their most famous commission, the climactically hysterical behemoth that is Beethoven’s …
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FestivalsPremières
Proms 2013: Diana Burrell – Blaze; Edward Cowie – Earth Music I – The Great Barrier Reef (World Premières)
by 5:4Last Monday saw a world première at each of the day’s Prom concerts. Having recently returned from Norway myself, the afternoon concert in Cadogan Hall was especially welcome, featuring the Norwegian brass group tenThing, led by Tine Thing Helseth; for them Diana Burrell had composed a new work, Blaze. The …
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One of the most striking things about several of this year’s Proms commissions is their scale, with three works of over 40 minutes’ duration. Thomas Adès’ Totentanz was the first, and the second—The Cosmic Dance by the Punjab-born British composer Naresh Sohal—received its first performance last Friday by the Royal …
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In previous years, some readers will have noticed that there have always been a few Proms premières about which i haven’t written. Jazz-related works, being somewhat removed from my zone of interest and expertise, are ignored, along with re-discovered works from many decades ago (e.g. Britten’s Elegy for strings, receiving …
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Having hitherto bewailed the fact that more challenging composers (Finnissy, Lachenmann et al.) are kept at bay from the Proms for decade after decade, last Monday’s new work came from Colin Matthews, a composer almost wildly over-represented at the festival; Matthews’ new work, Turning Point, was the 22nd of his …
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Last Thursday’s Prom saw the world première of a piece that went through no little trial to be completed. While working on Joybox, with only 40 bars remaining to be composed, John McCabe was struck down with a brain tumour; for many people that would be that, for the time …
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Just over a week ago, the Proms was introduced to a brand new orchestra, the National Youth Orchestra of the United States of America, bringing to an end their inaugural concert tour. Having come via Moscow and St Petersburg with Valery Gergiev at the helm, and with works by Tchaikovsky …
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My recent travels in Norway – focused in and around the environs of second city Bergen – yielded plenty of jaw-droppingly splendorous landscape, but nothing in the way of contemporary music. Neither of the city’s CD stores betray any knowledge of the existence of Arne Nordheim, Maja Ratke and the …