Melodies from a quixotic ringmaster: Get Well Soon – Vexations

Posted on by 5:4 in CD/Digital releases | 1 Comment

If you were to combine the chamber pop trappings of Belle and Sebastian, the song-writing inventiveness (but not the sarcasm) of The Divine Comedy and top it off with the vocal stylings of Thom Yorke, the result might start to resemble Get Well Soon. The man behind this quixotic project is Konstantin Gropper, a classically-trained songwriter who’s been lurking in the wings from as far back as 2005, but in the last couple of years has begun to demonstrate in increasingly powerful fashion the weight and intensity of his musical imagination. 2008 brought two impressive releases, the kaleidoscopic album Rest Now, Weary Head! You Will Get Well Soon—which took three years to make, and threw together a courageously wide range of sources and manners, yet somehow found a way to make them all gel—and the outstanding Songs Against The Glaciation EP, an epic rollocking ode to life on the sea, picked out in songs that veer between soft, sublime delicacy and more hectic, rock-out gestures. Gropper’s vocals—treading a confident path between emphatic assertion and languid drawl—bring to these disparate sonic collisions a unifying force, like the ringmaster of a potentially unruly circus. But, surprisingly, that doesn’t mean he dominates the proceedings; in some songs, indeed, his contributions feel extremely succinct, stating their case briefly, allowing the instruments both to prefigure and extend his thoughts. Read more

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Podcast #1 – Antichrist Soundtrack

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After thinking about it for far too long, here’s the first 5:4 podcast, devoted to an exploration of the soundtrack to Lars von Trier’s film Antichrist. If you’ve not yet seen the film, be warned that the plot is discussed at length, and in some detail (occasionally graphic). The podcast lasts just under an hour, and is available in FLAC and MP3 formats.

FLAC [175Mb]
MP3 [105Mb]

The soundtrack is only available as a digital download, from the below sites:
Play.com (recommended – 320Kbps)
iTunes store (presumably 256Kbps)
Zentropa (only 192Kbps)

Further links about the movie:
Official website
Infinite Thought
Les Films du Losange
Wikipedia

Podcast #1 – Antichrist Soundtrack by 5:4 on Mixcloud

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Interrobang

Posted on by 5:4 in Concerts, i, Premières | Leave a comment

Apologies for the rather lengthy pause here on 5:4; for the last couple of weeks i’ve been snowed under with numerous things. The most important of them is the début concert by my new contemporary music ensemble, Interrobang, taking place in the Recital Hall of Birmingham Conservatoire next Monday (1 February), at 7.30pm. The programme is as follows:

Kenneth Hesketh – Fra Duri Scogli for six players
Paul Dolden – The Vertigo of Ritualized Frenzy. Resonance #4 for bassoon and tape [World Première]
Joanna Bailie – Charh for six players
Galina Ustvolskaya – Symphony No. 5 “Amen” for reciter and five players
Joanna Bailie – Five Famous Adagios for clarinet and string trio
Paul Dolden – The Heart Tears itself Apart with the Power of its own Muscle. Resonance #3 for 10 strings and tape [UK Première]

So… a pretty demanding collection of pieces, but all of them highly engaging, and often pretty mind-blowing. i know 5:4 has a pretty international readership, but anyone not too far from Birmingham, do come along if you can—it’s going to be a spectacular occasion, and lots of fun! Tickets are £5.50 (concessions £3).

An article about Paul Dolden, planned a long time back, will be coming soon, as will—i hope—the first 5:4 podcast.

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New CD: The Stuff of Memories

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My new CD, The Stuff of Memories, will be released at the end of this week; it comprises two electronic works made during the summer of 2009. Both address a related aspect to that explored on my previous CD, Triptych, May/July 2009; while that piece focussed on the (perforce flawed) act of remembrance, the present works are directly concerned with the fabric of the memories themselves.

Ostensibly simple pieces, they each take their starting point from existing musical material (other works of mine), which has then been worked on extensively, worn and worried into its final forms. The emphasis, though, is very much on what remains, a celebration of the joy and fragility of the surviving original material, its voice continuing to sing through layers of damage and erosion.

The first piece, Memories are made of this, is dedicated to the Somerset artist Pat Clayton. The piece was in part inspired by her beautifully elaborate artworks, purposely aged and dirtied objects (often books and boxes); simultaneously naturalistic and artificial, they resemble items of flotsam washed up on a beach, waterlogged and etched with sand.

The second piece, becauseshewas (veteris vestigia flammæ) is dedicated to Will Long, of the duo Celer, whose experimental ambient creations readers of 5:4 will know i greatly admire. The title is a reference both to the circumstances pertaining to the original underlying material, as well as to Will’s wife Dani, who passed away in July 2009. The Latin quotation is from the account of Dido and Aeneas in Virgil’s Aeneid; it translates as “the traces of an old fire”, but i prefer John Dryden’s more poetic rendering: “the sparkles of my former flame”.

This release is a limited edition of 50 numbered copies. The price, including shipping, is:

UK – £10.50 | Europe – £11 | Worldwide – £12

For more information, to hear excerpts and to order a copy, go here.

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Mix Tape #14 : Best Albums of 2009

Posted on by 5:4 in Best of the Year, Mix Tapes | 4 Comments

A VERY HAPPY NEW YEAR TO YOU ALL!.

Today marks the 2nd birthday of 5:4, so a big thank you to all of you who are regular readers for your time and interest in this blog. Following yesterday’s run-down of my favourite 40 albums from 2009, here’s the accompanying mix tape, featuring a track from each album. It’s probably the most diverse mix tape yet on 5:4, and lasts a little under four hours. 2010’s going to have to try pretty hard to surpass this remarkable music—enjoy!

Here’s the tracklisting in full: Read more

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Best Albums of 2009

Posted on by 5:4 in Best of the Year | 6 Comments
* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Embarking on another list such as this, i’m reminded again of what i think of as “Paul Morley’s Dictum”; in his superb book Words and Music he writes of the provisional nature of all “best” lists, describing how they could (and perhaps should) change, perhaps quite radically, from day to day. i think he’s absolutely right, and there are many albums released in 2009 that i haven’t heard, so feel free to treat the following as the gospel truth with a pinch of salt. Put it this way, it’s true now, at the end of the year, and that’s perhaps as good as anything else. There really has been a dazzling display of imagination and innovation this year, of which these forty are, in my view, the best. Read more

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Best EPs of 2009

Posted on by 5:4 in Best of the Year | 1 Comment

As December draws to a close, it’s time once again to cast our collective eye back over the last 12 months. Before we get to the highlights, it’s only fair to say that 2009 has been filled with more than its fare share of disappointments. Kraftwerk finally succeeded in releasing The Catalogue, the “re-mastered” versions of their output, although success is hardly the word for a project that managed to inflict so much bombast on the music, bludgeoning it into the 21st century; only a few of the albums came through unscathed. Dangermouse and Sparklehorse managed to distract attention away from how genuinely awful was their album Dark Night of the Soul by whipping up a frenzy about that great über-menace the Corporate Record Label; for once, a label did listeners a favour, consigning this vacuous lame duck to peer-to-peer oblivion. A-ha attempted a revivification of their image, returning to ’80s synths, but in a context so compressed as to be almost impossible to listen to; Foot Of The Mountain must take the award for the most horrifically over-compressed album in recent times, although the fact it only has a single good song (“The Bandstand”) lessens the blow somewhat. Muse got delusions of orchestration, turning their quirky and usually impressive ideas into something damp and actually rather camp; The Resistance was hardly the best name for such a lacklustre album. Even the powerhouse that is Lydia Lunch seems to have lost her way, Big Sexy Noise only living up to the last of those epithets, and not in a good way. And one of the best songwriters of them all, Neil Hannon, rested firmly on his laurels with The Duckworth Lewis Method, his tongue so far into his cheek that it must be causing facial damage. It’s a shame that Hannon so often resorts to comedy and pastiche (forever lurking audibly in the wings of his Divine Comedy output); album highlight “The Age of Revolution” proves what the project might have been capable of, while “Jiggery Pokery” is absolutely horrific. But for me, the worst album of 2009 was a tie; Joe Goddard proved he’s simply rubbish both in and out of Hot Chip, his first effort, Harvest Festival, among the most dreadful experiences i’ve had this year. And what exactly led Tori Amos, one of the most interesting singer-songwriters of the last decade, to release the monstrosity that is Midwinter Graces? it is, literally, shockingly bad.

But let’s turn away from such infernal offerings, and move in a more paradisical direction. Thankfully, 2009 has also been filled with an abundance of excellent releases, and that’s where our attention should be fixed, beginning with the best EPs of the year. Read more

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