Alexia Sloane

Proms 2019: Hans Zimmer – Earth; Alexia Sloane – Earthward (World Premières)

Posted on by 5:4 in Festivals, Premières | 2 Comments

The most significant love-hate musical relationship of my life has been – and continues to be – with film scores. Few idioms have the power to elevate, charm, horrify, astonish and amaze us more while at the same time displaying the irresistible propensity to eschew all originality and imagination in favour of the most derivative bluster and cheese. For me, the epicentre of this love-hate relationship has for many years been centred on Hans Zimmer. He’s someone whose work i’ve appreciated and enjoyed in the past: i think True Romance was the first time i really took notice of his work, and what he did for Inception is hard to beat. But his most recent work – especially his collaborations with director Christopher Nolan, each film of which Zimmer has emphatically marred – has been an ever more reductionist descent into some of the most unoriginal, flaccid, bombastic and manipulative histrionics ever created: musica generica, made all the more horrendous to experience due to its inherent terror of ever falling silent. It’s not just nature, it seems, that abhors a vacuum; Zimmer has clearly convinced himself that if the noises he’s generating (yes: generating, not composing) stop for even a moment, then all hope of maintaining the film’s impetus is lost.

Read more

Tags: , , , , , , , ,

Proms 2019: pre-première questions with Alexia Sloane

Posted on by 5:4 in Festivals, Interviews | Leave a comment

This afternoon’s Prom is the first of the festival’s usual parallel strand taking place at Cadogan Hall. Primarily featuring early choral music performed by vocal group VOCES8, the concert also includes the first performance of Earthward by British composer Alexia Stone. As an introduction to the piece, and to Stone’s work in general, here are their answers to my pre-première questions, along with the programme for the piece. Many thanks to Alexia for their responses. Read more

Tags: , , ,