Andrew Liles

Mixtape #3 : Bells

Posted on by 5:4 in Mixtapes | Leave a comment

Being Easter week, it seems appropriate that this new mixtape should focus on the sound of bells. As usual, the following selection reflects my recent listening, with one or two old favourites thrown in for good measure; one hour of gloriously eclectic resonance and reverberation. Bathe in the overtones…

Here’s the full tracklisting: Read more

Tags: , , , , , , , , ,

From the ridiculous (via noise) to the sublime

Posted on by 5:4 in CD/Digital releases, Miscellaneous | Leave a comment

When any series comes to an end, it’s an emotional experience, and so it was yesterday when the last two CDs in Andrew Liles‘ 12-CD Vortex Vault series dropped through my letterbox. Black Pool and Black End mark the conclusion of an amazingly prodigious cycle of discs, released once a month, beginning at the end of 2006. Andrew Liles’ music was one of my biggest discoveries from last year, recommended to me by the equally remarkable Matt Waldron (irr. app. (ext.)). There’s a fascinating mix of both the beautiful and the disturbing in his music, with highly evocative (and sometimes, very funny) titles, including “Bamboo Sheep”, “An Unspoken Narrative Regarding Institutional Abuse”, “Ghost Breath – A Lament For A Bear Cub Called Медвежонок”, “Taking Bumblebee to France for the Afternoon”, “36-23-33½” and “Matthew Doesn’t Like Bananas in his Ice Cream”. These titles are often frivolous, but sometimes rather more deliberate: “The Jean Michel and Vangelis Taboo Liaison”, for example, explores the kinds of sounds beloved of those two “composers”. He’s capable of real gravitas too, though, and the final piece on Black End is like an electroacoustic/symphonic finale to the series (quixotically broken up into 94 tracks!). Read more

Tags: , , ,

2007: memories and echoes; 2008: first sounds

Posted on by 5:4 in Best of the Year | Leave a comment

There were many, many musical highlights in 2007, but a lot of disappointments too, which i guess is unavoidable, considering the amount of music i listen to throughout the year. Probably the worst of the lowlights of the year was Avril Lavigne‘s The Best Damn Thing, an unfortunate title considering it was one of the most appalling things i’ve heard in a long time; it seems she’s not averse actually to steal musical ideas from other people these days (Peaches in particular). As for the highlights, the brightest and best were:

Andrew LilesVortex Vault series and New York Doll
irr. app. (ext.): Ozeanische Gefühle, Perekluchenie and Cosmic Superimposition
Joanna Newsom‘s Ys
Fovea Hex‘s Neither Speak Nor Remain Silent trilogy
The Hafler Trio‘s Hljóðmynd, How To Slice A Loaf Of Bread, The Explanation, The Discussion, An Answer and Whistling About Chickens
Belle and Sebastian‘s The Life Pursuit
Björk‘s Volta
Nine Inch NailsYear Zero
Orphan Fairytale‘s Whose Words Are My Words (with Mudboy) and Speaking Spooky
CocoRosie‘s Noah’s Ark and La maison de mon rêve
IAMX‘s The Alternative, and finally
Pan Sonic‘s Katodivaihe Read more

Tags: , , , , , , , , , , , ,
« Previous   1 2 3 4