Antony and the Johnsons

Mix Tape #8 : Versions

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After far too long a hiatus, here’s a new mix tape, this time exploring some of my favourite cover versions. To be clear, none of these tracks are what i’d call ‘remixes’, which i think of as a separate, quite different discipline; these are good ol’-fashioned covers of some great original songs.

t.A.T.u.’s version of The Smiths‘ “How Soon Is Now?” stands out on their first album, 200Km/h in the Wrong Lane, partly because it’s the only cover version, but more because of how utterly good it is. While i always was a fan of The Smiths, i’d actually far prefer to listen to t.A.T.u.’s rendition of it, their vocals somewhat less restrained than Morrissey’s. “Here’s Where The Story Ends” has been covered by many artists, and i’ve included the most recent, by Tin Tin Out featuring Shelley Nelson. Their version of the song is rather passionless, but this remix of it (the “Canny Remix”) saves the day, a dance version that shows off Nelson’s superb voice admirably. An old classic, “Blue Moon”, is given a fantastic big band treatment by Cybill Shepherd, taken from the soundtrack to the 80s TV series, Moonlighting. Shepherd’s voice is simply astounding, in what is my favourite version of this timeless song. Tori Amos makes several appearances in this mix, simply because she takes a more imaginative approach to her covers than any artist i’ve come across, always presenting the song in a new light, teasing out new connotations from the original. First up is her utterly deconstructed version of 10cc‘s epic ballad, “I’m Not In Love”, taken from her album of covers, Strange Little Girls. All sentimentality has been stripped, the music standing bare and heavy, with a palpable sense of menace; it’s beautiful and gently horrifying all at the same time. Read more

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Mix Tape #1 : Late Night

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There was a discussion on Radio 4 yesterday, about a possible link between creativity and the late night. i have no opinion on this, except insofar as i have had some highly productive late night composing sessions. A lot of my listening to music takes place at night, however, and i think it’s a very special time indeed to engage with it. To that end, and just for fun, i’ve compiled my own little “mix tape” containing a number of the things i’m listening to at the moment (some old, some new; many mentioned in my posts over the last few months), tracks which heighten in intensity when listened to (preferably, very) late at night. 68 minutes of wonder, seamlessly stitched together for your pleasure…

Here’s the full tracklisting: Read more

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2007: memories and echoes; 2008: first sounds

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There were many, many musical highlights in 2007, but a lot of disappointments too, which i guess is unavoidable, considering the amount of music i listen to throughout the year. Probably the worst of the lowlights of the year was Avril Lavigne‘s The Best Damn Thing, an unfortunate title considering it was one of the most appalling things i’ve heard in a long time; it seems she’s not averse actually to steal musical ideas from other people these days (Peaches in particular). As for the highlights, the brightest and best were:

Andrew LilesVortex Vault series and New York Doll
irr. app. (ext.): Ozeanische Gefühle, Perekluchenie and Cosmic Superimposition
Joanna Newsom‘s Ys
Fovea Hex‘s Neither Speak Nor Remain Silent trilogy
The Hafler Trio‘s Hljóðmynd, How To Slice A Loaf Of Bread, The Explanation, The Discussion, An Answer and Whistling About Chickens
Belle and Sebastian‘s The Life Pursuit
Björk‘s Volta
Nine Inch NailsYear Zero
Orphan Fairytale‘s Whose Words Are My Words (with Mudboy) and Speaking Spooky
CocoRosie‘s Noah’s Ark and La maison de mon rêve
IAMX‘s The Alternative, and finally
Pan Sonic‘s Katodivaihe Read more

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