Aphex Twin

Mixtape #18 : Hallowe’en

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Caught up as i am this Hallowe’en weekend in a flurry of horror movies, it seemed only right to make the new 5:4 mixtape suitable for the occasion. For this Hallowe’en mix, i’ve trawled my library for music that’s particularly unsettling—so don’t expect to hear ‘The Monster Mash’ or anything like that.

Not surprisingly, a number of soundtracks are featured, of very different styles and manners. The opening of Johan Söderqvist‘s score for Let the Right One In is a masterpiece of foreboding tension; Joe LoDuca explores rapid-fire percussive sounds in this nervy section of his music for the classic The Evil Dead (and the image on the artwork is a beautiful still taken from the equally beautiful blu-ray transfer of Sam Raimi’s brilliant Evil Dead II). Christopher Young draws on evocative metallic clangs and the ominous tinkles of a music box for his Hellraiser soundtrack, going to the opposite extreme for its sequel, Hellbound, the overture of which aspires to the operatic. Angelo Badalamenti—featured twice—establishes an almost immobile, horribly enclosed mood in his music for season 2 of Twin Peaks and, even more so, Mulholland Drive. The extreme, though, is Lars von Trier and Kristian Eidnes‘ soundtrack to Antichrist, one of the most unconventional ever created, and certainly one of the best. Jerry Goldsmith‘s score for Basic Instinct functions like a vast orchestral suite, often eschewing dramatics for music that slowly builds with masterly restraint; Thomas Bangalter—in a break from being one half of Daft Punk—accompanied one of the most horrific scenes of film violence with this ludicrously effective and queasy bit of sound; and David Lynch‘s own music for his exhibition The Air is on Fire is an impossibly deep and dark ambient cycle, occasionally—as here—introducing elements of hauntology. Read more

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Mixtape #6 : Piano

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For years, the piano has been to me an object of fascination and awe; its range of capabilities, expressive potential and timbral variety are breathtaking. Also for years, these qualities were the very things preventing me from attempting to compose something for it. Listening to piano music is a supreme joy, and so this new mixtape is a concoction of some of the more interesting examples that have been occupying my ears of late. It also represents some of my favourite composers, all of them bringing something unique to the instrument. Read more

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Mixtape #5 : Beats

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If music was my first love, then my fascination with rhythm was the first part of that attraction; beat-driven music—particularly early hip-hop and electro—dominated my earliest teenage years. My taste in beats has evolved since that time, of course, and the selection represented here (which may well come as little surprise to regular readers) is a selection of relatively recent music. Each of them has something distinctive, something that separates it from the terrible plethora of dance music that predominates the current musical landscape (at least, the popular landscape); each of them, too, is in my opinion one of the very best tracks by that artist. Read more

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Mixtape #3 : Bells

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Being Easter week, it seems appropriate that this new mixtape should focus on the sound of bells. As usual, the following selection reflects my recent listening, with one or two old favourites thrown in for good measure; one hour of gloriously eclectic resonance and reverberation. Bathe in the overtones…

Here’s the full tracklisting: Read more

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