Mixtape #53 : Best Albums of 2018

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Happy New Year everyone!

Many thanks to all of you who have read, followed, commented, shared, promoted and otherwise supported the blog during the previous year, most especially to my beloved band of Patrons. i’m starting 2019 in the usual way, with a new mixtape featuring something from each of the brilliant albums in my Best of 2018 list. Being such an eclectic list, the ‘narrative’ of this mixtape is one that unavoidably veers between quite wildly dissimilar styles and aesthetics, but to my ear that only makes it all the more interesting and fun.

40 tracks (well, technically 41: Jóhann Jóhannsson’s were short so i included two) that testify to and celebrate the range and scale of musical wonders created during 2018 – the full tracklisting is shown below, and links to buy each album can be found in the previous two days’ articles. As always, the mixtape can be downloaded or streamed. Read more

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Best Albums of 2018 (Part 1)

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Right, let’s cut to the chase: forget all those other narrow, limited, parochial and partisan Best Albums lists, here’s the only list you need: my round-up of the 40 albums that have charmed, enthralled, awed and amazed me the most during 2018. In case anyone was in any doubt, it’s been a very good year.

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Mixtape #49 : Untitled

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For the latest 5:4 mixtape, i’ve turned my attention to that most elusive of artistic statements, the untitled work. When i set out to assemble a shortlist of pieces in my library that had adopted the word ‘untitled’, it wasn’t immediately obvious what i’d find. Yet, with one or two exceptions and to varying extents, untitled tracks tended to yield a very particular type of soundworld: generally dark and/or monochrome in terms of their tone, tenor or palette, with slow, patient use and deployment of sound, often including extended periods of quietness, overall lending the music a pensive, deliberate quality. Above all, i found these pieces to be music highly abstract in character, and while use of the word ‘untitled’ can often provoke frustration when we encounter it in works of art (“doesn’t the artist know what they’re trying to say?”), the intangibility of such music seems to strongly justify the suitability of this word. However, artists use the word ‘untitled’ in ways that are as playful and deceptive as they can be aloof and distancing, and for this mixtape i’ve therefore included not only tracks that are simply untitled but also tracks that use the word ‘untitled’ as part of a longer title as well as untitled segments of larger titled works.

In the first hour, having begun with something of a red herring by Hecq, i’ve concentrated on calmer, darker examples that tend to focus on explorations of texture, from both static and variegated perspectives. Near the centre of the mix is the unexpurgated 15-minute Untitled Drone by Aidan Baker that isn’t just the highlight of his wonderful 2009 album Blue Figures, but one of the most beautifully coruscating exercises in slow-burning ambient that i’ve ever heard. In the wake of this, in the second half i’ve explored untitled tracks that are generally brighter and more colourful, introducing more beat- and pulse-based pieces, some of which even feature vocals (a real rarity in the world of ‘untitled’ music, it seems), and more overt use of instrumental sounds, both raw and cooked.

Throughout the mix, there’s a wide temperature range demonstrated in these pieces, from the warmth (not always gentle) and/or balmy intimacy found in pieces by, among others, Subsea, Zbigniew Karkowski & Kelly ChurkoJames Clarke, Sea Oleena, Ochre, Aphex Twin and 36 to the varying forms of chilly remoteness, some of it seriously aggressive, exhibited by the likes of Noto, CD-R, AutechreHelena Tulve, Nordvargr, Lethe and Christopher McFall & Ben Fleury-Steiner. And that playfulness i mentioned before – plus a fair amount of inscrutability – can be heard manifesting particularly in tracks by Natasha Barrett, John Wall & Alex Rodgers, Marc Behrens, DJ Yo-Yo Dieting, Øyvind Torvund and John Oswald.

Ultimately, though, i don’t want to labour these descriptive terms or indeed the putative aesthetic connections i’ve been making between them, as they may belie the fact, as i said at the outset, that these are above all strikingly abstract pieces of music, and their ostensible lack of a title (if indeed that is what it is) is perhaps all that needs to be said about them.

Two-and-a-half hours of unidentified musical objects; here’s the tracklisting in full, together with links to obtain the music (interesting to note how many of them are available free of charge: another ‘untitled’ connection…?). Due to the inherent ambiguity of some of the track titles, where relevant i’ve also included in the tracklisting the track numbers. As always, the mixtape can be downloaded via the link below or streamed via MixCloud. Read more

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Mixtape #47 : Travelogue

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For my July mixtape, i’ve decided to take myself on an impromptu trip around mainland Europe. With the help of Google Maps, i’ve plotted a course that’s somewhat circuitous but which manages to take in most of the continent. Starting in Holland (I Was A Teenage Satan WorshipperRyoji Ikeda), we move down through Belgium (Autechre) and France (Andrew Liles) to the coast of Portugal (John Oswald). Coming back through Spain (Fergus KellySPC ECO) and detouring into France again (Karsten PflumZbigniew Karkowski) brings us to Monaco (John Debney), followed by a more prolongued period in Italy (Susanne SundførYelleJohn Williams). Then we head north through Switzerland (Johnny Williams) for a longer stay in Germany (The Noisettes, Cluster, Bath40, Marc Behrens), before heading south again, through the Czech Republic (White Sea), glancing off Italy one final time (Muséum) and then down to the southern reaches of Croatia (FURT plus) and Bosnia and Herzgovina (Francis Dhomont), ending up for a bit of R&R in Greece (Three Drives).

The journey through eastern and northern Europe initially takes us through Bulgaria (Brian Eno), Romania (The Noisettes) and Hungary (Alexandre Desplat), then we veer across to Austria (James Newton Howard) before heading north rapidly through Poland (Kate HavnevikJoy Division) as far as Latvia (Markus Reuter). A brief jaunt in Russia follows (Cabaret VoltaireBersarin Quartett), whereupon we head for the Nordic countries via Estonia (Velvcsze), passing through Finland (Brothomstates) before travelling across the Baltic Sea (Somatic Responses) to Sweden (Lady & Bird), Denmark (Iain ArmstrongScott Walker) and Norway (Isaiah Ceccarelli). The epilogue to the journey involves leaving the mainland, flying first to the Faroe Islands (Zinovia) and finally arriving in Iceland (J.Viewz).

At a mere two hours’ duration, the mix is one hell of a whistle-stop tour; here’s the tracklisting in full, together with links to obtain the music: Read more

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Mixtape #37 : Best Albums of 2016

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i’m starting 2017 in the usual way, with a mixtape bringing together one track from each of the forty albums on my best of 2016 list. i’m sure posterity will come to regard last year as something of a trough in human history, but this mixtape does at least testify to the fact that it also contained some truly marvellous wonders. i hope you find these three hours of music a nice distillation of the aural magic that was made in 2016; links to buy each of the albums can be found in the last two days’ articles.

The mixtape can be downloaded or streamed via MixCloud; here’s the tracklistening in full: Read more

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Best Albums of 2016 (Part 2)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Here they are, then: the best of the best of 2016, each and every one of them packed full of the rarest imagination, invention and ingenuity. i can’t recommend them highly enough.
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Mixtape #36 : Best Albums of 2015

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A very HAPPY NEW YEAR to you all!

In keeping with 5:4 tradition, here’s the new year Mixtape showcasing music from each of my Best Albums of 2015. Three hours that demonstrate something of the sonic wonders that materialised last year. Enjoy! — and there are links to buy each of the albums featured in the last two days’ articles.

As usual, the mixtape can either be downloaded or streamed via MixCloud. Here’s the tracklisting in full: Read more

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