A very Happy New Year to you all! As always, i want to begin 2021 by thanking all of you around the world who have followed and supported 5:4 during the last year, most especially and above all to my growing number of esteemed and beloved Patrons. i don’t think…
Bára Gísladóttir
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i’m sure i’m not alone in being somewhat impatient to see the back of 2020. It’s been a horribly testing and demoralising year, and of course there’ll be some way to go into 2021 (and likely beyond) before life starts to settle into whatever version of ‘normal’ eventually prevails. But…
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At the more intriguing end of the Icelandic contemporary music continuum is HĪBER, a new album of electroacoustic pieces by Bára Gísladóttir. When writing about Bára’s performance at this year’s Dark Music Days (with Skúli Sverrisson), i remarked how “what we heard in the first five minutes … was essentially…
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As i mentioned previously, allusions to or evocations of nature were few and far between at this year’s Dark Music Days, indicating the strength and diversity of Iceland’s more searching, abstract approach to composition. This seemed to be precisely the point of Sigurður Árni Jónsson’s Illusion of Explanatory Depth, premièred…