Behzad Ranjbaran

Proms 2014: Behzad Ranjbaran – Seemorgh – The Sunrise (European Première) & Jörg Widmann – Flûte en suite & Teufel Amor (UK Premières)

Posted on by 5:4 in Festivals, Premières | 1 Comment

Despite BBC Television’s astonishingly stupid recent efforts to reinforce this myopic dogma, new music does not and never has existed in a hermetically sealed, separate space, set apart from the entirety of music that has gone before it. Composers might sometimes wish it did (echoing Beckett’s “All that goes before forget”), but it’s a moot point; audiences—especially Proms audiences—cannot fail to approach contemporary music saturated with the knowledge and memories of a myriad earlier musical experiences, classical or otherwise. Excising new works from the BBC’s television broadcasts of Proms concerts isn’t merely a craven act of crowd-pleasing complaisance, treating music as little more than an emollient unction with which one can unthinkingly unwind, it’s a fundamental misunderstanding of the interconnected nature and context of the entirety of music. Composers squirm when you ask them about influences, but they’re there, sometimes very obviously so, and two of the most recent Proms premières, from Behzad Ranjbaran & Jörg Widmann, could hardly have made their earlier points of inspiration more clear.
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