Belle and Sebastian

Mixtape #50 : Remix

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The new 5:4 mixtape is a celebration of the art of the remix. However, i should stress immediately that the emphasis here is not simply on that word’s implied legacy of beats and dance-based forms of music. The scope for this particular mixtape is altogether more broad and open-minded, exploring some of the most unusual, unpredictable and unhinged ways that musicians have rethought, rearranged and reimagined both their own and others’ existing musical material.

Some tracks are more closely associated with the diverse songworlds of pop, rock and electronica – including Gazelle Twin, Nine Inch Nails, Björk, Kate HavnevikThe Irrepressibles, Marina & the DiamondsBeastie Boys, Erotic MarketSusanne Sundfør and Belle and Sebastian – though in some cases the ways that their music has been remixed establishes a sizeable distance from the original. Indeed, in the case of Björk’s ‘Crave (Odd Duck Mix)’ – a remix created by Matmos that was made available as a download from Björk’s website in 2001, and is no longer available – it’s by no means immediately obvious that the track is actually a remix of her song (from Vespertine) ‘An Echo, a Stain’.

Away from songs, i’ve included a number of tracks that occupy dream-like soundworlds of varying levels of stability, comfort and drift. At the more abrasive and/or disquieted end of the spectrum are the likes of Fovea HexAM and the UV, Jóhann Jóhannsson, Shinkei + Mise_en_scene, The Kilimanjaro Darkjazz EnsembleBrian ReitzellKim Cascone and Ektoise, while more sublime environments are found in the music of Ryuichi SakamotoAndrew LilesJonathan Coleclough & Colin PotterCarl Sagan’s GhostMissy MazzoliBen Frost, Sylvain Pohu and Christina Vantzou. Something of an odd one out in the mix as a whole is the track by World’s End Girlfriend, a wonderfully bonkers oddity by an artist whose work i’ve never managed properly to get my head around.

Structurally, it’s pretty much a stream of consciousness, with me more than usually just following my nose, and as a consequence the mixtape veers quite wildly between periods of calmness and seriously ramped-up intensity. Having said that, i’ve started and ended with a pair of tracks that complement each other as an effective overture and finale to the mix as a whole. Access to Arasaka‘s remix of Klangstabil marries elements of dark ambient with glitched beats and electronics, whereas Techdiff‘s grime and dubstep-infused remix of Hecq & Exillon‘s ‘Spheres of Fury’ is quite simply the most accomplished and downright exhilarating remix i’ve ever heard by anyone, retaining an obvious connection to the original while transmogrifying it into a structurally dramatic foray through a series of rhythmically discrete episodes, culminating in the equivalent of a firework display of beats triggered by a barrage of interconnected machine guns. Just amazing.

Two hours of radical reinterpretations; here’s the tracklisting in full, together with links to obtain the music. As usual, the mixtape can be downloaded or streamed via MixCloud. Read more

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Mixtape #46 : Body

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For the new 5:4 mixtape, i’ve turned to that which is closest to us all: the human body. Not a particularly promising theme, you might think, but once i began digging through my music library the sheer quantity of body references quickly became overwhelming (take your pick whether that says something about music in general or my collection in particular). i’ve structured the mix in four sections, each begun with a track concerning the whole body: part one rises from the feet up to the waist and hips, part two moves up the arms from the fingertips to the shoulders and chest, then there’s an interlude focusing on the heart (the only part of the mix to delve inside the body), and finally part three ascends from the chin to the top of the head. Appropriately enough for a body-oriented mix, it’s a little tongue-in-cheek from time to time, and because of what i wanted to include i’ve relaxed my usual rule of only featuring an artist once.

The range of music encountered on the journey is as broad as you’ve come to expect from these mixes, encompassing electronica and dance (Above & Beyond, Goldfrapp, Art Of Noise, Sunken Foal, Freezepop, Peaches, Venetian Snares, Depeche Mode, Erotic Market, Ryoji Ikeda, Bloodgroup, Gazelle Twin, Prurient, Body Sculptures, Man Without Country, Purity Ring, The Flashbulb, Björk, Kate Wax), film and TV scores (John Williams, Jerry Goldsmith, Cliff Martinez, Joseph Trapanese, Aria Prayogi & Fajar Yuskemal, tomandandy, Jay Chattaway, Angelo Badalamenti & David Lynch, Howard Shore, Jim Williams, Jed Kurzel, James Newton Howard, Mica Levi, Jerry Goldsmith), light music (Paddy Kingsland, Bass Communion, Pochonbo Electronic Ensemble, The Real Tuesday Weld), pop of various chamber, rock, lyrical and plastic hues (Belle and Sebastian, Transvision Vamp, Chromatics, Björk, Anna Madsen, OY, Lene Alexandra, Chvrches, Goldfrapp, Sleep Party People, Kate Havnevik, Braids, CocoRosie), ambient (Venetian Snares, Chubby Wolf, Nordvargr, Not, Pinkcourtesyphone, David Wenngren & Christopher Bissonnette, Moss Covered Technology), leftfield and experimental (Frank Zappa, Squarepusher, Waldron, Stapleton, Sigmarsson, Haynes & Faulhaber, Grutronic, irr. app. (ext.)), and electronic (Aranos, Andrew Liles, Pauline Oliveros, Hecq, The Hafler Trio, The Caretaker, John Zorn, Indignant Senility, Daniel W J Mackenzie).

Four hours of bodily bits and bobs; here’s the tracklisting in full, including links to get hold of the music. Once again, the mix can be downloaded or streamed via MixCloud. Read more

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Mixtape #19 : Best of 2010

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HAPPY NEW YEAR!

It’s 1 January, which means it’s 5:4‘s birthday, and today we’re three years old. Having spent several days looking back on last year’s most outstanding releases, what better way could there be to start the new year than with a new mixtape, featuring one track from each of my forty best albums of 2010. As you’d expect, it’s another extremely eclectic mix, and this time lasts a little over three-and-a-half hours. If you like the mix (and how could you not?!), please support the artists and buy their excellent music.

Here’s the tracklisting in full (click the image for high-resolution artwork): Read more

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Best Albums of 2010 (Part 2)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Bringing the year to a very happy end, here’s the second twenty of my forty Best Albums of 2010:

20 | Anders Brødsgaard – Galaxy
In terms of CD releases, precious little contemporary instrumental music has made any kind of impression this year, which i find rather worrying. Not so with Anders Brødsgaard, whose 40-minute orchestral work Galaxy, composed over 10 years ago, finally found a release on the innovative Danish Dacapo Records label. A work of that scale, composed as a single movement span, is likely to put off some people, but it’s such a relief to hear music not constrained by the kind of generic limitations that afflict so much new music. Brødsgaard lives up to his cosmic title; drawing on a plethora of compositional ideologies, and structuring them on a spiral, he’s created one of the richest orchestral works i’ve heard in a long time.

19 | Get Well Soon – Vexations
Neil Hannon pissed away his credentials as a pop sophisticate long ago, and the mantle has fallen to Konstantin Gropper, whose Get Well Soon project has been gradually making a name for itself over the last few years. His unique brand of instrumental pop, akin to Belle and Sebastian but more bullish, is brilliantly displayed on Vexations, the lyrics of which are worthy of a lengthy discussion in their own right. i wrote at length about this album back in March, and my views have, if anything, intensified; ever serious but always accessible, Gropper’s melodies are utterly exquisite, augmented by the deftest of instrumental accompaniments. Read more

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Mixtape #16 : Vox Masculus (In Memoriam Ian Curtis)

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Thirty years ago, Ian Curtis, lead singer and prime mover of Joy Division throughout its short-lived existence, took his own life. i can’t and won’t claim to have known anything about this at the time (being a mere six years old, my own musical journey had barely begun, let alone made it as far as the emerging post-punk scene), and i continued to know nothing of Joy Division until around 1982, when the combination of buying the 12″ vinyl of “Blue Monday” (on a whim; i liked the artwork) and my growing fondness for the more gothic end of the growing indie scene made me conscious of Joy Division’s significance. Undoubtedly worthy albums, Unknown Pleasures and the posthumous Closer only begin to hint at where the band might have gone next; whether it would have led down the same path as that taken by New Order is impossible to guess. The death of a celebrity interests people for all the wrong reasons; what matters is that Curtis was a fascinating creative individual, whose talents as a singer and a lyricist had only just begun to reach fruition. It seems entirely appropriate, therefore, to dedicate this new mixtape – focusing on male vocalists – to Ian Curtis’ memory. Read more

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2007: memories and echoes; 2008: first sounds

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There were many, many musical highlights in 2007, but a lot of disappointments too, which i guess is unavoidable, considering the amount of music i listen to throughout the year. Probably the worst of the lowlights of the year was Avril Lavigne‘s The Best Damn Thing, an unfortunate title considering it was one of the most appalling things i’ve heard in a long time; it seems she’s not averse actually to steal musical ideas from other people these days (Peaches in particular). As for the highlights, the brightest and best were:

Andrew LilesVortex Vault series and New York Doll
irr. app. (ext.): Ozeanische Gefühle, Perekluchenie and Cosmic Superimposition
Joanna Newsom‘s Ys
Fovea Hex‘s Neither Speak Nor Remain Silent trilogy
The Hafler Trio‘s Hljóðmynd, How To Slice A Loaf Of Bread, The Explanation, The Discussion, An Answer and Whistling About Chickens
Belle and Sebastian‘s The Life Pursuit
Björk‘s Volta
Nine Inch NailsYear Zero
Orphan Fairytale‘s Whose Words Are My Words (with Mudboy) and Speaking Spooky
CocoRosie‘s Noah’s Ark and La maison de mon rêve
IAMX‘s The Alternative, and finally
Pan Sonic‘s Katodivaihe Read more

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