Belle and Sebastian

Mix Tape #19 : Best of 2010

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HAPPY NEW YEAR!

It’s 1 January, which means it’s 5:4‘s birthday, and today we’re three years old. Having spent several days looking back on last year’s most outstanding releases, what better way could there be to start the new year than with a new mix tape, featuring one track from each of my forty best albums of 2010. As you’d expect, it’s another extremely eclectic mix, and this time lasts a little over three-and-a-half hours. If you like the mix (and how could you not?!), please support the artists and buy their excellent music.

Here’s the tracklisting in full (click the image for high-resolution artwork): Read more

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Best Albums of 2010 (Part 2)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Bringing the year to a very happy end, here’s the second twenty of my forty Best Albums of 2010:

20 | Anders Brødsgaard – Galaxy
In terms of CD releases, precious little contemporary instrumental music has made any kind of impression this year, which i find rather worrying. Not so with Anders Brødsgaard, whose 40-minute orchestral work Galaxy, composed over 10 years ago, finally found a release on the innovative Danish Dacapo Records label. A work of that scale, composed as a single movement span, is likely to put off some people, but it’s such a relief to hear music not constrained by the kind of generic limitations that afflict so much new music. Brødsgaard lives up to his cosmic title; drawing on a plethora of compositional ideologies, and structuring them on a spiral, he’s created one of the richest orchestral works i’ve heard in a long time.

19 | Get Well Soon – Vexations
Neil Hannon pissed away his credentials as a pop sophisticate long ago, and the mantle has fallen to Konstantin Gropper, whose Get Well Soon project has been gradually making a name for itself over the last few years. His unique brand of instrumental pop, akin to Belle and Sebastian but more bullish, is brilliantly displayed on Vexations, the lyrics of which are worthy of a lengthy discussion in their own right. i wrote at length about this album back in March, and my views have, if anything, intensified; ever serious but always accessible, Gropper’s melodies are utterly exquisite, augmented by the deftest of instrumental accompaniments. Read more

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Mix Tape #16 : Vox Masculus (In Memoriam Ian Curtis)

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Thirty years ago, Ian Curtis, lead singer and prime mover of Joy Division throughout its short-lived existence, took his own life. i can’t and won’t claim to have known anything about this at the time (being a mere six years old, my own musical journey had barely begun, let alone made it as far as the emerging post-punk scene), and i continued to know nothing of Joy Division until around 1982, when the combination of buying the 12″ vinyl of “Blue Monday” (on a whim; i liked the artwork) and my growing fondness for the more gothic end of the growing indie scene made me conscious of Joy Division’s significance. Undoubtedly worthy albums, Unknown Pleasures and the posthumous Closer only begin to hint at where the band might have gone next; whether it would have led down the same path as that taken by New Order is impossible to guess. The death of a celebrity interests people for all the wrong reasons; what matters is that Curtis was a fascinating creative individual, whose talents as a singer and a lyricist had only just begun to reach fruition. It seems entirely appropriate, therefore, to dedicate this new mix tape—focussing on male vocalists—to Ian Curtis’ memory. Read more

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2007: memories and echoes; 2008: first sounds

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There were many, many musical highlights in 2007, but a lot of disappointments too, which i guess is unavoidable, considering the amount of music i listen to throughout the year. Probably the worst of the lowlights of the year was Avril Lavigne‘s The Best Damn Thing, an unfortunate title considering it was one of the most appalling things i’ve heard in a long time; it seems she’s not averse actually to steal musical ideas from other people these days (Peaches in particular). As for the highlights, the brightest and best were:

Andrew LilesVortex Vault series and New York Doll
irr. app. (ext.): Ozeanische Gefühle, Perekluchenie and Cosmic Superimposition
Joanna Newsom‘s Ys
Fovea Hex‘s Neither Speak Nor Remain Silent trilogy
The Hafler Trio‘s Hljóðmynd, How To Slice A Loaf Of Bread, The Explanation, The Discussion, An Answer and Whistling About Chickens
Belle and Sebastian‘s The Life Pursuit
Björk‘s Volta
Nine Inch NailsYear Zero
Orphan Fairytale‘s Whose Words Are My Words (with Mudboy) and Speaking Spooky
CocoRosie‘s Noah’s Ark and La maison de mon rêve
IAMX‘s The Alternative, and finally
Pan Sonic‘s Katodivaihe Read more

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