Bernard Parmegiani

Forum Wallis 2019 (Part 1)

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It’s impossible to be aware of everything that’s going on in new music. For me, that fact is usually associated with new CD releases, but i’ve come to realise it’s just as true for concerts and festivals. Apropos: Forum Wallis, a five-day festival of contemporary music that takes place annually in the Swiss mountains. i suspect i’m not the only person on whose radar Forum Wallis has never properly registered, but having recently returned from my first experience of the festival, it clearly deserves to be not only more widely-known but loudly celebrated, and take its place among the annual round of new music festivals that, if at all possible, are not to be missed.

Quite apart from its musical objectives, you could hardly ask for a more stunning location to experience new music. Forum Wallis takes place in the small town of Leuk, situated in the south-west of Switzerland on the banks of the river Rhône, surrounded on each side of the valley by soaring Alpine peaks. Having begun in 2006, the festival has evolved under the leadership of composer-performer Javier Hagen such that its focus is divided between instrumental and electronic music, both of which are explored in the old-meets-new architectural space that is Schloss Leuk, the town’s wonderfully restored castle. Read more

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LCMF 2014: The Music of Bernard Parmegiani

Posted on by 5:4 in Concerts | 3 Comments

Festivals acquire a significant part of their character from geographical context, and London Contemporary Music Festival could hardly have picked a better location for their three-day exploration of the music of Bernard Parmegiani. Second Home, a new performance space in Shoreditch, is just off the road—and thereby infused with the smells and atmosphere—from Brick Lane, a perfect environment for Parmegiani’s music, laden with its own unique blend of spice, heat and fragrance. Parmegiani’s death late last year was more than just a profound blow to fans of acousmatic music, it was a better-late-than-never wake-up call to the realisation that the entire world of electronic music, in all its multiplicitous guises, had lost one of its most forward-looking practitioners, blessed with a combination of imaginative and technical skill largely unmatched by his contemporaries (and many of his successors). That wouldn’t sound like such a bold statement if more people were aware of the astonishments to be found in Parmegiani’s music. Hot on the heels of BEAST’s celebration last month, LCMF have provided considerable additional momentum to the urgency for an in-depth re-appreciation and appraisal of Parmegiani’s output, an appraisal that surely cannot fail to reveal him as a compositional pillar of the twentieth century, and perhaps electronic music’s most radical visionary to date. Read more

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An acousmatic revelation: BEAST – Pioneers of Sound, Birmingham

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Last weekend Birmingham was treated to what will surely be regarded as one of the highlights of the 2014 electronic music calendar. Presented by Birmingham ElectroAcoustic Sound Theatre (BEAST), Pioneers of Sound was a 3-day festival primarily exploring works by three of the central figures of acousmatic music, François Bayle, Francis Dhomont and Bernard Parmegiani. What made the weekend so special and so poignant was that only two of that triumvirate could be there to present their music; the absence of Parmegiani (who died last November at the age of 86) was conspicuous and keenly felt throughout the weekend. Read more

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