Bora Yoon

Mixtape #32 : Best Albums of 2014

Posted on by 5:4 in Best of the Year, Mixtapes | Leave a comment

HAPPY NEW YEAR everyone!

Many, many thanks to all of you who have followed the blog through the last 12 months, particularly to all those who have commented and tweeted in response or retort. As usual, here’s my new year mixtape featuring a track from all forty of my Best Albums of the Year. i said yesterday how 2014 had been a breathtaking year, and listening to this 3-hour condensed version of its best music, i really think that becomes obvious.

Enjoy! – and assuming you do, please support the artists wherever possible; links to purchase each of the albums can be found on the last two days’ articles.

Here’s the tracklisting in full, followed by the download link; and you can also stream the mixtape via Mixcloud. Read more

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Best Albums of 2014 (Part 1)

Posted on by 5:4 in Best of the Year | 1 Comment
* Please note this list has how been superseded by the one on the Best Albums of the Years page *

And so to the main course: the countdown of my forty best albums of the year; part 2 will follow tomorrow. Read more

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CD roundup (gli altri)

Posted on by 5:4 in CD/Digital releases | 9 Comments

Having recently examined the more interesting soloistic and orchestral new releases, it’s time to give an overview of the best of the rest, music that doesn’t fit quite so easily into nice categories. First, released today on the Innova label, is Sunken Cathedral, the new album from Korean-American composer and singer Bora Yoon. Described as “a sonic journey through the chambers of subconscious”, the collection of songs that comprise Sunken Cathedral are a testament to Yoon’s fascination with sound design, married to a vocal approach that evokes a kind of ecstatic mysticism (or should that be mystical ecstasy?). It’s a quality writ large at the outset, refitting Hildegard of Bingen into a soft ambient driftscape, but throughout the album it reveals itself in increasingly subtle and unexpected ways. Yoon’s ear is clearly very fine-tuned; a dreamy setting of the Latin In Paradisum text is encased in the sounds of a scrawling pen, dogs barking, gentle bow tappings on a viola, jangling chimes, the rustling of Bible pages, a pair of Buddha machines and — my favourite — “subwoofing spoons”. It’s heady, even intoxicating stuff, with absolutely no sense of novelty to any of it; each sound, literally, rings true. Read more

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