brass

Gérard Grisey – Mégalithes (UK Première)

Posted on by 5:4 in Premières | 1 Comment

In the last few years i’ve written about a number of pieces that languished ignored and unplayed for decades, and earlier this year another such work received its first UK performance, which was also—as far as anyone can tell—only the second time it had been heard. That fact is somewhat surprising considering that the work in question was Mégalithes, by the renowned French composer Gérard Grisey, whose work has long enjoyed an enthusiastic following throughout Europe, in part due to his innovative approach to sound, which became known as spectral music. Mégalithes predates those developments, however, composed in 1969 when Grisey was just 23 years old. The combination of that striking title and its scoring for 15 brass instruments (4 trumpets, 4 trombones, 6 horns and tuba, distributed around the performance space) suggests not so much a composition as a granite-hewn edifice. Yet Grisey’s motivation was neither hard nor impersonal; described as an “oeuvre composée à la mémoire des victimes du Biafra”, Mégalithes commemorates the million-plus innocent victims massacred in the Nigerian Civil War, which took place through the last three years of the 1960s.
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Proms 2013: Diana Burrell – Blaze & Edward Cowie – Earth Music I – The Great Barrier Reef (World Premières)

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Last Monday saw a world première at each of the day’s Prom concerts. Having recently returned from Norway myself, the afternoon concert in Cadogan Hall was especially welcome, featuring the Norwegian brass group tenThing, led by Tine Thing Helseth; for them Diana Burrell had composed a new work, Blaze. The evening performance was given by the BBC Philharmonic under Gianandrea Noseda, including the première of the first work in a new orchestral cycle by Edward Cowie, Earth Music I – The Great Barrier Reef. Read more

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Proms 2012: Gavin Higgins – Der Aufstand & Gavin Bryars – After the Underworlds (World Premières)

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Almost two weeks ago, the Royal Albert Hall was filled with the timbrally distinctive strains of Great Britain’s National Youth Wind Orchestra and National Youth Brass Band. From a new music perspective, the concert seemed dominated by pairs: two orchestras and two conductors (James Gourlay and Bramwell Tovey), performing world premières from a brace of Gavins; and despite having discrete inspirations, these two new pieces sat extremely well together—indeed, they seemed to explore aspects of the same essential idea, but from very different moments. Read more

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Proms 2012: Mark-Anthony Turnage – Canon Fever (World Première)

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The 2012 Proms season was launched this evening with the world première of a new work from Mark-Anthony Turnage. Titled Canon Fever, the piece is an unabashed concert-opener, as Turnage explains:

What constitutes a good concert opener? […] The music is irreverent; it doesn’t behave itself, it wakes the audience up. I hate well-behaved fanfares, the sort with clever little harmonic sidesteps and neat academic counterpoint. Give me messy, give me dirty. […] I wanted [Canon Fever] to be virtuosic but also slightly tongue-in-cheek and, hopefully, fizzy. […] I wanted to pack a lot in but not be too careful, so I let it spew out all over the place; there is a cascade of notes that fill up to breaking point. I could have been perverse and added metal scaffolding (brake drums and old-style hunting horns) but I wanted something useful, something that could be played by any orchestra, anywhere. (from an article in yesterday’s Guardian)

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