In 2018, when exploring the music of Rebecca Saunders in that year’s Lent Series, i made the following remark regarding recordings of her music: The fact that i’ve explored Rebecca Saunders’ recorded output over four articles suggests that she’s well represented by recordings of her work. But almost half of …
chamber music
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It’s reasonable to expect extreme variety and diversity at Ultima, though many of the more conventional concert events i experienced at this year’s festival were a surprisingly mixed bag, qualitatively speaking. The most taxing was unfortunately a concert celebrating the award of this year’s Arne Nordheim prize to Jan Martin …
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It’s a real pleasure to be able to present another instalment in my ongoing occasional series The Dialogues. This time, my guest is UK composer Naomi Pinnock, whose music has been a persistent highlight on my radar for the last decade or so. We’d been talking about recording this for …
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Chamber music implies a particular kind of intimacy, and that’s overwhelmingly the case on a new album of music by Russian-born composer Lera Auerbach. Part of its intensity comes from the fact that the performers are Avita Duo, comprising pianist Ksenia Nosikova and her violinist daughter Katya Moeller. This in …
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As an appendix to my coverage of this year’s Estonian Music Days, i want to highlight three new anthologies of Estonian contemporary music. Focusing on chamber, choral and orchestral music respectively, and featuring a diverse collection of ensembles and vocal groups, they complement and expand upon a previous series of …
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The smallest-scale events at this year’s Estonian Music Days were a pair of chamber concerts at each end of the festival. Irina Zahharenkova’s keyboard recital at the Arvo Pärt Centre encompassed extremes of musical invention. The most egregious were two works dating from the early 1990s by a Russian guitarist …
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Even at the first concert of the first day of Borealis 2022, i was realising how much the festival felt different from the norm. i go to a lot of festivals (notwithstanding the upheavals of the last two years), and for the most part, aside from cultural distinctions, they’re all …
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The word ‘solastalgia’ was invented in 2003 by philosopher Glenn Albrecht as a concept to describe the lived experience of negative environmental change. This indicates a variety of contexts – both actual and potential – in which one directly experiences grief and pain from the perception that one’s sense of …
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The next work i’m featuring in this year’s Lent Series is one that, in the six years since i first heard it, has completely changed my opinion about it. At the world première of John Woolrich’s Swan Song, i felt that “the fragmented delivery of transient moments of something cantabile …
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Lent SeriesPremières
Elis Hallik – Some Paths Will Always Lead Through the Shadows (World Première)
by 5:4The next piece in my Lent Series is concerned with not just the possibility but the occasional necessity of having to progress through darkness. Some Paths Will Always Lead Through the Shadows was composed by Elis Hallik in 2021, and takes as inspiration words by poet Doris Kareva: Bitter and …
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The Lent Series continues today with a short, darkly ruminative work for baritone and ensemble by British composer Colin Matthews. It’s a setting of the poem ‘It rains’ by war poet Edward Thomas, one of two poems that Thomas composed in 1917 concerned with rain. ‘It rains’ is a wistful …
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It’s Rebecca Saunders‘ birthday, so behind today’s Advent Calendar door is a short work of hers investigating slide guitar techniques. Composed in 2018, Study For Metal Bottle Necks comes across as rather different in tone from the majority of Saunders’ work. The usual liminal balance between abstraction and emotional heft …
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Behind yesterday’s Advent Calendar door was an angel bathed in glory; today, characters and a context rather less salubrious. Broad St. Burlesque is an homage to the street in Birmingham that its composer, Zoe Martlew, not inaccurately describes as “the city’s principal party slag drag”. The piece was commissioned by …
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Today is Finnish Independence Day – Hyvää Itsenäisyyspäivää! – and to mark the occasion, behind today’s Advent Calendar door is a short work by Pekka Jalkanen. Kuulen lumen tulon (I hear snow coming) is the first part of Jalkanen’s 2017 triptych November, the three movements of which are for one, two …
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Today’s Advent Calendar piece is a short work for string quintet by Bulgarian composer Dobrinka Tabakova. Composed in 2014, Organum Light takes its inspiration, as the name suggests, from mediæval chant. Part of its allure arises from the conjoining of melody and harmony; the music continually begs the question of …
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How have i never heard the music of Aleksandra Gryka before? That’s the question i’ve kept wondering while exploring Interialcell, a new CD featuring five works of hers performed by Klangforum Wien. It’s left me disappointed at making what is, for me, such a very late discovery (her worklist goes …
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Some composers you encounter all the time; others not so much. i’ve only come into contact with Marcin Stańczyk‘s music on one occasion: back in 2017, at the UK première of some drops… for double-bell trumpet and ensemble. Until, that is, just recently, when i began immersing myself in a …
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i’ve been spending quite a bit of time lately with two interesting recent releases of Icelandic music. The first is a short album (an EP really) featuring a string quartet by Anna Thorvaldsdottir titled Enigma. The first thing that struck me, long before actually listening to the music, is that it’s …
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What music “means” – to the composer, and to the listener – is always a fluid, unpredictable thing, and it’s debatable to what extent we have much control over it. For the last few years, as summer has drawn to a close i’ve found myself listening to a short work …
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In my last article i explored a CD featuring an overview of the string music of Penderecki, and it’s been interesting to reflect further on aspects of that in relation to Filz, a new album devoted to German composer Enno Poppe – featuring Ensemble Resonanz, and conducted by Poppe – which …