The theme of the new 5:4 mix tape is one i’ve been wanting to explore for a long while: the organ. It’s an instrument with which i’ve had a pretty infatuated relationship since my teenage years, both as a listener and as a very occasional practitioner (organ was my second study alongside composition during my first degree, and for a few years i co-directed a church choir). People tend to have a certain idea of what they think organ music is like. People tend to be wrong. i hope this mix tape will go some way to illuminate what the organ is capable of, what it can be, when wielded with real imagination. As always, the mix consists of personal favourites, encompassing a pretty wide range of approaches to the instrument. i’ve structured the mix in four sections, each lasting roughly half an hour. Read more
Mix Tape #38 : Organ
Tags: Bjørn Andor Drage, Camille Saint-Saëns, Charlemagne Palestine, Charles Tournemire, David Briggs, Eduard Khagagortyan, Edwin Lemare, Gustav Mahler, György Ligeti, Jakob Ullmann, John Zorn, Judith Bingham, Kaikhosru Shapurji Sorabji, Louis Vierne, Marcel Dupré, Naji Hakim, Olivier Messiaen, Peteris Vasks, Petr Eben, Simon Johnson, Stefan Fraunberger, Thomas Adès
Interrobang – works by Ryoji Ikeda, Simon Cummings/Charles Tournemire and Steve Peters
Regular readers of 5:4 will know of my interest in the music of both Ryoji Ikeda and Steve Peters. Later this week i have the privilege of directing works by both of these composers, at the next concert given by my ensemble, Interrobang.
In the first half, we’ll be presenting the UK première of Ryoji Ikeda‘s gorgeous Op. 1, one of his only works for instrumental forces (alongside Op. 2 and Op. 3, also for strings). Op. 1 has been played by Ensemble Modern, but doesn’t seem to have been taken up by other groups, which seems strange considering how lovely it is. Also in the first half will be the first performance of my own L’Ensemble Mystique (Book One), a suite of arrangements of music by Charles Tournemire, for chamber orchestra. Tournemire’s music is all based on plainsong, and the original chants will also be sung at the concert, putting my arrangements into context. The second half is entirely given over to the UK première of Steve Peters‘ The Webster Cycles, the CD of which came almost top in my Best EPs of 2008. It’s a mesmerising piece that takes words from the Webster Dictionary and turns them into abstract melodic fragments, which overlap each other in aleatoric fashion.
The concert takes place at 7.30pm on Thursday 6 May, in the Recital Hall of Birmingham Conservatoire. There will also be a repeat performance of The Webster Cycles the following day at St Martin’s in the Bullring, starting at 12.30pm. It would be great to see any readers of 5:4 at these concerts—do make yourselves known if you’re there!
Mix Tape #11 : Joy
A very belated Happy Easter to you all! Following a hectic Easter weekend, and a few days spent in Cambridge, here’s a new mix tape for Eastertide, the theme being joy.
To start, a wonderful jazz-folk fusion number from Yellowjackets; Greenhouse is an album i’ve loved for years, and “Freda” is one of its most exciting tracks. It’s followed by the last movement from one of Michael Tippett‘s earliest mature compositions; strident and full of momentum, it briefly allows a moment or two of wistful reflection before culminating in an elated dance. Freezepop‘s latest album remains their one consistent release, and “Ninja of Love” is one of its most infectious songs. Continuing the pace like a runaway train is the opening track from Squarepusher‘s brilliant 2006 album Hello Everything, “Hello Meow”, filled with retro synths and riffs. Each album by Deerhoof has its share of instrumentals, and “Rainbow Silhouette Of The Milky Rain” bludgeons its experimental way along in rip-roaring fashion. The mix now enters a gentler mode, beginning with Imogen Heap‘s ravishing track “Just For Now”, all glorious (if realistic) optimism. And then Björk, who has surely composed some of the most unreservedly happy songs ever; “All Is Full Of Love” is here given extra treatment in the form of beats and strings, becoming if anything, more ecstatic than the original version. The “Communion” from Tournemire‘s Easter music shows him at his mystical best, placing the plainsong themes into complex, shimmering chords that hover and float in rapture. Julee Cruise, bless her, only knows extremes: her music is either abjectly mournful (“The Dying Swan”) or caught up in ecstasy, as she is here, in one of her most well-known songs. Read more
Mix Tape #4 : Miniatures
This new Mix Tape began life as one of my playlists on iTunes, which simply specified that it should only include tracks under two minutes in duration. Surprisingly, 815 tracks from my music library fulfil this criteria, amounting to over 15 hours of music. Not surprisingly, this playlist makes for an eclectic and surreal listen, while at the same time providing a kind of ‘distillation’ of the music that i love. Here then, is a selection from that playlist, with a slight emphasis on music i’ve listened to more recently; almost 70 minutes of music stitched together with the aid of a variety of delightful advertisement spots by the wonderful and very innovative Raymond Scott. What this lot tells you about my music collection is anyone’s guess…
Here’s the complete tracklisting: Read more
Tags: Adrian Moore, Ambrose Field, Andrew Liles, Anonymous, At Jennie Richie, Bad Loop, Biosphere, Charles Tournemire, Chris Watson, CSS, Deathprod, Deerhoof, Delia Derbyshire, Denise van Outen, Elsiane, Evanescence, Frank Zappa, Helios, irr. app. (ext.), Joanna Newsom, John Hudak, Johnny Hollow, Jonathan Harvey, Kenji Siratori, Modeselektor, Naji Hakim, Nikita Golyshev, Nine Inch Nails, Olivier Messiaen, Peaches, Plainchant, Raymond Scott, Regina Spektor, Revd. Barnaby Huish, Ryoji Ikeda, The Hafler Trio, The Lappetites, The Pipettes, Venetian Snares
