choral

Festival of Nine Lessons & Carols (King’s College, Cambridge): Lennox Berkeley & Judith Weir

Posted on by 5:4 in Advent & Christmas, Premières, Seasonal | 7 Comments

HAPPY CHRISTMAS!. To celebrate the feast, here’s a selection from the renowned Festival of Nine Lessons and Carols that took place yesterday at King’s College, Cambridge.

After the fifth lesson came I sing of a maiden by Lennox Berkeley, a sublime creation, its ostensible simplicity containing some lovely harmonic piquancy. Berkeley was the first composer to be commissioned to write a new anthem for this service, back in the early 1980s, beginning an admirable tradition of commissioning a new work each year. Read more

Tags: , , ,

Advent Carol Service (St John’s College, Cambridge): James MacMillan, Simon Beattie, Jonathan Dove, John McCabe – The last and greatest herald (World Première) & Peter Wishart

Posted on by 5:4 in Advent & Christmas, Premières, Seasonal | 3 Comments

A new church year is upon us, and with it comes the first choral broadcast for the season of Advent. Yesterday, Radio 3 broadcast the Advent Carol Service live from the Chapel of St John’s College, Cambridge, the choir of which has a deservedly high reputation. They’re also innovative; about 6 weeks ago, they became the first choir of this kind to make their services available as weekly webcasts; for more information go here.

The service featured several interesting contemporary pieces. James MacMillan‘s A New Song is one of his most emphatically melodious anthems; its blend of high solemnity yielding to radiance is just right for Advent. Simon Beattie‘s Advent Calendar is broadcast here for the first time; it’s an interesting piece, not entirely successful, as it lacks a clear sense of direction, but with some nicely-judged poignant harmonic writing. Jonathan Dove‘s I am the day is a simple, delicate confection with a curious patchwork quality, weaving fragments that each sound familiar yet become something new; i like it. Read more

Tags: , , , , ,

Choral Evening Prayer (Buckfast Abbey): music by Philip Moore

Posted on by 5:4 in Premières | Leave a comment

It’s been a while since i’ve featured Choral Evensong on here; they really haven’t been terribly interesting of late. However, today’s service of Choral Evening Prayer took place during the annual Exon Singers Festival from Buckfast Abbey in Devon. Buckfast is a place close to my heart; i’ve been there a number of times, and it’s a sublime, gorgeous place, with spacious gardens populated by a plethora of types of lavender, and its shop selling monastic goods from around the world, including the renowned and highly-charged liqueur Chartreuse. A thriving monastery, it’s not surprising that the worship from Buckfast should be measured and thoughtful, offered with the greatest of care, making it a dual delight for the listener, both in terms of style and content.

Focus of the service was on composer Philip Moore, former director of music of York Minster. Read more

Tags: , ,

Music for Ascension Day: Patrick Gowers – Viri Galilaei

Posted on by 5:4 in Seasonal | 3 Comments

Forty days after Easter, today marks the Feast of the Ascension. Despite being one of the four ‘pillars’ of the Church’s liturgical calendar (along with Christmas, Easter and Pentecost), this feast has never attracted composers quite as much as the others. i imagine it’s a combination of the relatively short shrift given to it in the Gospels, as well as—dare i say it—the slightly comic idea of Christ ascending into the clouds (there’s a well-known painting of this scene (i forget which), with Christ’s feet hilariously protruding from the base of a cloud). It’s no doubt the lack of alternative material that has led to Gerald Finzi‘s God is gone up becoming the sine qua non on this particular day. Not that that should take anything away from Finzi’s piece; it’s superb, and contains some of the most exquisite words ever set to music:

God is gone up with a triumphant shout:
The Lord with sounding Trumpets’ melodies:
Sing Praise, sing Praise, sing Praise, sing Praises out,
Unto our King sing praise seraphicwise!
Lift up your Heads, ye lasting Doors, they sing,
And let the King of Glory enter in.

Methinks I see Heaven’s sparkling courtiers fly,
In flakes of Glory down him to attend,
And hear Heart-cramping notes of Melody
Surround his Chariot as it did ascend;
Mixing their Music, making ev’ry string
More to enravish as they this tune sing.

Read more

Tags: , ,

Eye-watering, but not tears: Fernand Laloux – O salutaris hostia, Tantum ergo

Posted on by 5:4 in Lent Series, Seasonal | Leave a comment

i’m an occasional listener to BBC Radio 3’s broadcasts of Choral Evensong. Only occasional, because Evensong, it seems, has got itself stuck—or is deliberately kept—in a rut, where it has languished for at least 50 years (this suspicion was proved some time ago, when a 50-year old recording of Choral Evensong was broadcast, the music being identical to that typical of today’s broadcasts). It’s not just that the choices of music are predictably dull, the music itself is often so weak, that i tend only to tune in when a more discerning taste is being demonstrated. Or—despite my reservations—when the broadcast comes from a Catholic cathedral, when the standard and selection of music is usually exceptional. As it was in September 1999, when the broadcast came from the Brompton Oratory in London, celebrating Second Vespers for the feast of the Birth of the Blessed Virgin Mary. The service was extraordinary, including music by Dupré, Poulenc, Pärt and Tournemire, with the Benediction hymns, O salutaris hostia and Tantum ergo, by a composer named Laloux. These settings were remarkably beautiful, but the name was new to me, and a quick search through various musical dictionaries proved fruitless. Keen to explore the pieces with a church choir i was directing at the time, i telephoned the Oratory’s director of music, Patrick Russill, to find out more about this mysterious composer. i forget exactly what he told me, but the essence of it was that this music had only recently come to light, and hadn’t even been properly published yet, hence the lack of information. Russill claimed that, at that time, only the Oratory had permission to perform the music, so i was unable to get hold of any scores. Fortunately, however, i had recorded the broadcast and so, inspired by Mozart’s transcription of Allegri’s Miserere in similar circumstances, i was able to transcribe the Tantum ergo completely (not, sadly, enough of the O salutaris hostia, due to insufficient clarity of the inner voices), which we performed on a number of occasions. In the intervening years, Belgian composer Fernand Laloux has begun to become more widely known, his scores are now more generally available, and Patrick Russill has recorded the pieces with the Oratory choir. Read more

Tags: , , ,

Dolour and death; the Way of the Cross, unadorned: Liszt – Via Crucis

Posted on by 5:4 in Lent Series, Seasonal | 2 Comments

As i’ve said before, my love of the chorale began in my teenage years with Bach. This love grew after hearing Franz Liszt’s Holy Week cycle, Via Crucis, some years later. Not that chorales are a principal feature of the work; on the contrary, Liszt’s exploration of the Stations of the Cross is primarily a series of organ meditations, occasionally elaborated upon by choir and soloists. To that end, the work is very simple, austere and restrained, almost to the point of seeming—paradoxically—eccentric. Favouring a contemplative approach over a dramatic one, Liszt’s material is at times so bare, so rudely unadorned, that it can seem strange and disorienting, in the same way that churches and cathedrals up and down the land become shocking when, as now, their decorations and ornaments are shrouded in purple cloth. In fact, Liszt takes to the extreme the division of which i spoke yesterday, of emotional detachment, aloof and austere, and emotional engagement, involved and moved. With so much of the music being of the former kind, the appearance of the chorales is all the more striking, seeming to blaze in technicolor against pervading shades of grey. Liszt uses just two chorales, “O Haupt, voll Blut und Wunden” and “O Traurigkeit, O Herzeleid”, both of which (the latter especially) he treats to gorgeous harmonisations. But much of the music follows, literally, the difficult, faltering steps of Christ’s journey; the organ plods, staggers, collapses, laborious and wearied. On a few exquisite occasions, serenity briefly transcends the gloom, like shafts of sunlight puncturing black cloud: as Jesus meets his mother, as Simon of Cyrene assists carrying the cross, as Jesus dies upon it, and as He is taken down from it and buried. While unashamedly ascetic, this is nonetheless a profoundly moving examination of the dolour and death to which the Via Crucis leads. Read more

Tags: , , , , ,

Hoping against hope: Thomas Adès – Gefriolsæ me

Posted on by 5:4 in Lent Series, Seasonal | Leave a comment

It was at a concert in the spring of 1995 that i first encountered the music of Thomas Adès. The piece was Living Toys, and it was significant to my own development as a composer; i came away from the concert with a new vigour, determination and excitement about the music i wanted to create. Tom and i became mild acquaintances, and i even went to spend an afternoon with him in Cambridge, to discuss my work. While i don’t follow his music as closely as then, i still find it fascinating, and feel he’s one of this country’s more interesting composers.

A CD of Living Toys was released in 1998, and tucked quietly onto the end of that disc is a short work for male voices, entitled Gefriolsæ me. The text is an Anglo Saxon rendering of part of a verse from Psalm 51, a psalm that, due to its powerful penitential sentiments, is closely associated with Lent:

Gefriolsæ me of blodum, God hælu mine.
(“Deliver me from bloodguiltiness, O God my saviour.”) Read more

Tags: , , ,