Claude Vivier

Mix Tape #40 : Miniatures

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Even more than is usually the case, the new 5:4 Mix Tape is a pure stream of consciousness. i’ve returned to a theme i explored in one of the earliest mix tapes, miniatures, once again setting myself a limit of music lasting under two minutes. With a shortlist of 100+ tracks (each one a personal favourite), i then simply followed my nose, treating them as puzzle pieces for a newly-created jigsaw, or perhaps more accurately as tessera for an eccentric aural mosaic. As usual, they embrace a mixture of new and old, and stylistically it’s all over the place, though its narrative was entirely suggested by the material, sometimes dovetailing or morphing, elsewhere successive tracks acting as rude non sequiturs. Along the way you’ll encounter abrasion (Alejandro Jodorowsky, Naked CityBenjamin Wallfisch (whose IT soundtrack is gleefully insane), aTelecine), playfulness (Syd Dale, Andrew Liles, Camille), moody atmospheres (Laura Sheeran, SupersilentVangelisOlga Neuwirth, Beacon, Gareth Davis & Machinefabriek, Alva Noto, Ben Lukas Boysen), edgy lyricism (Zola Jesus, Elsiane, Gazelle Twin, Clark, Jenny Hval), convoluted beats (Don DavisZavoloka & AGFThe Flashbulb, Derek K Jeppsen, Shad[]wb[]x, Ryoji Ikeda), drama of various hues (James Newton HowardPeter AblingerVeli-Matti PuumalaClaude Vivier), dreamy ambient (Bad Loop, The Real Tuesday WeldCliff MartinezGet Well SoonMonty AdkinsAphex Twin), rich tonal yum (Marcel Dupré, Carpenters, Cyrillus KreekTõnu Kõrvits) and various other electronic, experimental or otherwise unconventional amuse-bouches (Francis DhomontFrank ZappaNicolas ObouhowAndrew Lloyd Webber (yes, really), Sophie, Steve LevineJohn ZornKenneth Kirschner). And all of this in just one hour.

48 tiny tracks ranging in duration from 1’59” to a mere 26 seconds. Here’s the tracklisting in full, together with links to obtain the music. As ever, the mix can be downloaded or streamed via MixCloud. Read more

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Mix Tape #37 : Best Albums of 2016

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HAPPY NEW YEAR!

i’m starting 2017 in the usual way, with a mix tape bringing together one track from each of the forty albums on my best of 2016 list. i’m sure posterity will come to regard last year as something of a trough in human history, but this mix tape does at least testify to the fact that it also contained some truly marvellous wonders. i hope you find these three hours of music a nice distillation of the aural magic that was made in 2016; links to buy each of the albums can be found in the last two days’ articles.

The mix tape can be downloaded or streamed via MixCloud; here’s the tracklistening in full: Read more

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Best Albums of 2016 (Part 2)

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Here they are, then: the best of the best of 2016, each and every one of them packed full of the rarest imagination, invention and ingenuity. i can’t recommend them highly enough.
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BCMG, CBSO Centre: Vivier, Davies, Finnis, Hirs, Harvey, Donatoni

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You’d have been forgiven for expecting last night’s concert given by Birmingham Contemporary Music Group—titled “Parallel Colour”—to be primarily concerned with harmony, or failing that, timbre. But in fact the overriding connection between many of the six featured works was stark economy of means. It’s a phrase that sounds intrinsically praiseworthy, yet the boundary between music sounding impressively restrained (concentrated) and oppressively constrained (dull, lifeless) is a complex one, infinitely thin and all too easy unwittingly to cross. For Jonathan Harvey, whose short solo clarinet piece Cirrus Light was given an intense and excellently controlled performance by Timothy Lines, despite considerable limits of pitch range, dynamic and articulation, the music never felt anything other than entirely free and unbounded. Read more

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Proms 2010: looking forward/back; Claude Vivier – Orion (UK Première)

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The Proms season is upon us once again, bringing with it the lively hope of new commissions and world premières. However, a cursory glance at the concert season makes for rather damp reading, the commissions going to an unadventurous gaggle including Mark-Anthony Turnage, David Matthews, Graham Fitkin, Jonathan Dove and Huw Watkins. That being said, new works from Robin Holloway, Tansy Davies and Tarik O’Regan should make for more interesting listening, along with UK premières from Gunther Schuller, Simon Holt, James Dillon and Bent Sørensen. If time allows, each new work and other concerts of note will be covered here on 5:4, together with a recording of the performance. First up is Gunther Schuller next Tuesday.

Meanwhile, here’s one of the highlights from last year’s Proms season, and a work by a favourite composer of mine, Claude Vivier. It’s the UK première of his Orion, a work that emerged following the composer’s extensive trip to the far east. With a title like Orion, it’s rather too easy to reach for an adjective like ‘cosmic’, but that word absolutely applies; its 13-minute duration has a broadness of scope that is remarkable and highly evocative. While other composers are sporadically brought to mind (Takemitsu, Messiaen, even a hint of Varése here and there), Vivier’s sound-world—as ever—is entirely his own, and it’s a ravishing, exquisite sound-world indeed, which makes it all the more surprising that his work persists in being so unknown. Admittedly, there are layers of obtusity in Vivier’s structures and textures that, for all their superficial beauty, can cause one to feel a little uncertain, even lost. But i for one am content to be taken into uncharted waters by one such as Vivier; it’s music worth a bit of trust and effort. Read more

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Mix Tape #3 : Bells

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Being Easter week, it seems appropriate that this new Mix Tape should focus on the sound of bells. As usual, the following selection reflects my recent listening, with one or two old favourites thrown in for good measure; one hour of gloriously eclectic resonance and reverberation. Bathe in the overtones…

Here’s the full tracklisting: Read more

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