Client

Mix Tape #39 : Days

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The new 5:4 mix tape takes as its theme the days of the week, charting a slow progression from Monday to Sunday. That might not sound like a particularly promising theme, but i’ve been noticing in recent months just how many tracks in my music library contain either specific or more general references to days, which led to the idea for this mix tape. Perhaps unsurprisingly, due to it being (from an aural perspective) such an abstract concept, the music in this mix tape is more than usually eclectic, but once i again i’ve been able to navigate what i think is a convincing, interconnected sonic pathway through exceptionally diverse material. This exercise was revealing in the extent to which some days of the week have received a greater amount of musical attention, while others are much more neglected. This clearly has more than a little to do with our cultural experiences and exploits: plenty of music to choose from for the weekend – when we’re more likely to be away from work, enjoying ourselves – while Tuesday and Wednesday in particular provided relatively few options (though good ones). Read more

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Client is dead; long live Northern Kind!

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Take a large helping of electronica, add more than a hint of retro, a dash of attitude, and then bestow on the combination a northern accent. The result might have been Client, Sarah Blackwood’s project for the last 5 years—were it not for the fact that Client have proved themselves an increasingly boring and inept outfit, their last two albums (particularly this year’s Command) stultifyingly bad and a major disappointment to those who, like myself, feel that Blackwood still has one of the finest voices in pop. Nay, nay and thrice nay, the result now has to be Northern Kind, a duo who’ve been active for a couple of years, and whose second album, WIRED:, was released last month.

But let’s rewind to their first album, 53°N, which dates from 2007. It’s an extremely impressive debut, both capturing perfectly the synthpop sound of the early 1980s (think Erasure) as well as sounding thoroughly modern; it’s not simply an exercise in nostalgia. Having mentioned Blackwood already, i should point out that Northern Kind’s singer, Sarah Heeley, has a voice of similar range but different demeanour; while Blackwood is like a female Ralf Hütter (that’s a compliment), Heeley has a gentle vibrato that nicely shades her singing, and prevents her sounding aloof. The first few tracks of 53°N get the ball rolling, but it’s not until track four, “Millionaire”, that the album really takes off, the musical scope and horizons seeming to expand instantly. The tempo isn’t that fast, but an incessant, gymnastic bassline pushes the song along relentlessly, supplemented with assorted synth melodies, electronic drums all over the place (think Pigeon Street), and some really great singing from Heeley. “Thoughts of You” at first sounds remarkably close to early Client (that’s also a compliment), although far more melodic, and the chorus is nothing like them, poignant and softly melancholic (Client, like so many, mistake cynicism for melancholy). These two are the standout tracks; of the rest, “Home” is a great song, bringing to mind mid-’80s Pet Shop Boys (think Actually), Heeley even sounding rather like Neil Tennant. Also notable is “Sometimes”, a hard-hitting song, with abrasive sawtooths cutting the air in and around the lyrics; “Loser”, after it, is similar but more up-tempo and lyrically aggressive. It’s a splendid first album, effectively presenting Northern Kind’s credentials—and at this point one must mention the duo’s synth-smith, Matt Culpin, who’s clearly responsible in no small point for their distinctive sound. Read more

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Client B – Acoustic At The Club Bar & Dining

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Throughout the Easter season, Client have been releasing a free EP of “Client B” (i.e. the wonderful Sarah Blackwood (whose birthday was two days ago, so the timing is apposite)) performing an acoustic set, one track being made available per week. It’s a real treat, for many reasons, not least of which being the opportunity to hear Blackwood’s beautiful voice performing in a more stripped-down context; it’s something of a reunion too, with Dubstar colleague Chris Wilkie accompanying on guitar. The tracklisting is great, a mixture of songs by Dubstar, Client, The Smiths and New Order; Sarah Blackwood sounds nervous at first, but it’s clear after a short time that she’s really enjoying herself (she introduces “True Faith” as “one of my favourite northern folk songs”!). Hearing “Not So Manic Now” and “Stars” still sends a shiver down my spine after all these years… Read more

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