CocoRosie

Mixtape #46 : Body

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For the new 5:4 mixtape, i’ve turned to that which is closest to us all: the human body. Not a particularly promising theme, you might think, but once i began digging through my music library the sheer quantity of body references quickly became overwhelming (take your pick whether that says something about music in general or my collection in particular). i’ve structured the mix in four sections, each begun with a track concerning the whole body: part one rises from the feet up to the waist and hips, part two moves up the arms from the fingertips to the shoulders and chest, then there’s an interlude focusing on the heart (the only part of the mix to delve inside the body), and finally part three ascends from the chin to the top of the head. Appropriately enough for a body-oriented mix, it’s a little tongue-in-cheek from time to time, and because of what i wanted to include i’ve relaxed my usual rule of only featuring an artist once.

The range of music encountered on the journey is as broad as you’ve come to expect from these mixes, encompassing electronica and dance (Above & Beyond, Goldfrapp, Art Of Noise, Sunken Foal, Freezepop, Peaches, Venetian Snares, Depeche Mode, Erotic Market, Ryoji Ikeda, Bloodgroup, Gazelle Twin, Prurient, Body Sculptures, Man Without Country, Purity Ring, The Flashbulb, Björk, Kate Wax), film and TV scores (John Williams, Jerry Goldsmith, Cliff Martinez, Joseph Trapanese, Aria Prayogi & Fajar Yuskemal, tomandandy, Jay Chattaway, Angelo Badalamenti & David Lynch, Howard Shore, Jim Williams, Jed Kurzel, James Newton Howard, Mica Levi, Jerry Goldsmith), light music (Paddy Kingsland, Bass Communion, Pochonbo Electronic Ensemble, The Real Tuesday Weld), pop of various chamber, rock, lyrical and plastic hues (Belle and Sebastian, Transvision Vamp, Chromatics, Björk, Anna Madsen, OY, Lene Alexandra, Chvrches, Goldfrapp, Sleep Party People, Kate Havnevik, Braids, CocoRosie), ambient (Venetian Snares, Chubby Wolf, Nordvargr, Not, Pinkcourtesyphone, David Wenngren & Christopher Bissonnette, Moss Covered Technology), leftfield and experimental (Frank Zappa, Squarepusher, Waldron, Stapleton, Sigmarsson, Haynes & Faulhaber, Grutronic, irr. app. (ext.)), and electronic (Aranos, Andrew Liles, Pauline Oliveros, Hecq, The Hafler Trio, The Caretaker, John Zorn, Indignant Senility, Daniel W J Mackenzie).

Four hours of bodily bits and bobs; here’s the tracklisting in full, including links to get hold of the music. Once again, the mix can be downloaded or streamed via MixCloud. Read more

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Mixtape #39 : Days

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The new 5:4 mixtape takes as its theme the days of the week, charting a slow progression from Monday to Sunday. That might not sound like a particularly promising theme, but i’ve been noticing in recent months just how many tracks in my music library contain either specific or more general references to days, which led to the idea for this mixtape. Perhaps unsurprisingly, due to it being (from an aural perspective) such an abstract concept, the music in this mixtape is more than usually eclectic, but once i again i’ve been able to navigate what i think is a convincing, interconnected sonic pathway through exceptionally diverse material. This exercise was revealing in the extent to which some days of the week have received a greater amount of musical attention, while others are much more neglected. This clearly has more than a little to do with our cultural experiences and exploits: plenty of music to choose from for the weekend – when we’re more likely to be away from work, enjoying ourselves – while Tuesday and Wednesday in particular provided relatively few options (though good ones).

Once again, the mixtape includes some of my favourite music, old and new, and i’ve divided it up into sections for each day, demarcated with interludes. A couple of composers appear several times: there are various excerpts from Nordvargr‘s 8-hour epic Sleep Therapy and some pieces from Gesualdo‘s Tenebrae music. i’ve drawn on my love of easy listening on a number of occasions too, featuring some delicious slices of fragrant cheese from Charlie Byrd, Orchestra and Chorus, the Polish Radio Orchestra and The Cavendish Ten. Songs of a multitude of stylistic persuasions litter the mix, encompassing electronica (Yazoo, Client, SPC ECO, Bat For Lashes, Kate Havnevik), ballad (Emiliana Torrini, Get Well Soon), dream pop (Emmy Rossum, Tori Amos, Mitski, Desire), manic pixie dream pop (CocoRosie), light rock (Chrysta Bell, Asobi Seksu), experimental chamber rock (Chrome Hoof) and lo-fi (Leah KardosRose Elinor Dougall). Devoid of words but packing diverse beats are tracks from Christ., The Flashbulb, Free*Land, Cemeteries and tomandandy. At the more abstract end of the continuum, i’ve included a range of more free-form electronics from the likes of Ulrich SchnaussColin Andrew SheffieldNovellerTetraSaddleback (Richard Skelton), Brian EnoaTelecineThe Noisettes and Stray Ghost. There’s also a burst of Thomas Newman‘s luscious score for Less Than Zero and a gorgeously potent movement from perhaps Per Nørgård‘s greatest symphony (No. 6) towards the end of the mix. i’ve featured a small selection from my now vast collection of renditions of Gloomy Sunday – one of my favourite songs, about which i really ought to write a book sometime. In case it isn’t obvious, Venetian Snares and Tsukimono are reworking Billie Holliday’s classic recording, in both cases coming up with something wonderful, whereas DJ Phoenix reinterprets the song within a torrent of squelch, grime and bass. And the whole thing kicks off with a tantalising six-minute introduction from Marco Blauuw & Yannis Kyriakides.

So, a highly eclectic week condensed into three hours of music; here’s the tracklisting in full, together with links to buy the music. As ever, the mix can be downloaded or streamed via MixCloud. Read more

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Mixtape #29 : Best Albums of 2013

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A very HAPPY NEW YEAR to you all!

i want to say a big thank you to everyone who’s followed 5:4 in the last year, and especially to those of you who’ve posted comments and tweets in response. There are lots of exciting things planned for 2014, so watch this space.

In the meantime, continuing the 5:4 annual tradition, here’s the new mixtape, celebrating the music in my Best Albums of the Year list. A little something from each album, seamlessly stitched together and lasting a little under 3 hours. Enjoy!—and if you do enjoy what you hear, links to purchase the music can be found on the previous two days’ articles.

Here’s the tracklisting in full:

Read more

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Best Albums of 2013 (Part 1)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Continuing my round-up of the best music of the year, here’s the first part of the most outstanding albums of 2013; part two will be coming tomorrow. Read more

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Mixtape #19 : Best of 2010

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HAPPY NEW YEAR!

It’s 1 January, which means it’s 5:4‘s birthday, and today we’re three years old. Having spent several days looking back on last year’s most outstanding releases, what better way could there be to start the new year than with a new mixtape, featuring one track from each of my forty best albums of 2010. As you’d expect, it’s another extremely eclectic mix, and this time lasts a little over three-and-a-half hours. If you like the mix (and how could you not?!), please support the artists and buy their excellent music.

Here’s the tracklisting in full (click the image for high-resolution artwork): Read more

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Best Albums of 2010 (Part 2)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Bringing the year to a very happy end, here’s the second twenty of my forty Best Albums of 2010:

20 | Anders Brødsgaard – Galaxy
In terms of CD releases, precious little contemporary instrumental music has made any kind of impression this year, which i find rather worrying. Not so with Anders Brødsgaard, whose 40-minute orchestral work Galaxy, composed over 10 years ago, finally found a release on the innovative Danish Dacapo Records label. A work of that scale, composed as a single movement span, is likely to put off some people, but it’s such a relief to hear music not constrained by the kind of generic limitations that afflict so much new music. Brødsgaard lives up to his cosmic title; drawing on a plethora of compositional ideologies, and structuring them on a spiral, he’s created one of the richest orchestral works i’ve heard in a long time.

19 | Get Well Soon – Vexations
Neil Hannon pissed away his credentials as a pop sophisticate long ago, and the mantle has fallen to Konstantin Gropper, whose Get Well Soon project has been gradually making a name for itself over the last few years. His unique brand of instrumental pop, akin to Belle and Sebastian but more bullish, is brilliantly displayed on Vexations, the lyrics of which are worthy of a lengthy discussion in their own right. i wrote at length about this album back in March, and my views have, if anything, intensified; ever serious but always accessible, Gropper’s melodies are utterly exquisite, augmented by the deftest of instrumental accompaniments. Read more

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2007: memories and echoes; 2008: first sounds

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There were many, many musical highlights in 2007, but a lot of disappointments too, which i guess is unavoidable, considering the amount of music i listen to throughout the year. Probably the worst of the lowlights of the year was Avril Lavigne‘s The Best Damn Thing, an unfortunate title considering it was one of the most appalling things i’ve heard in a long time; it seems she’s not averse actually to steal musical ideas from other people these days (Peaches in particular). As for the highlights, the brightest and best were:

Andrew LilesVortex Vault series and New York Doll
irr. app. (ext.): Ozeanische Gefühle, Perekluchenie and Cosmic Superimposition
Joanna Newsom‘s Ys
Fovea Hex‘s Neither Speak Nor Remain Silent trilogy
The Hafler Trio‘s Hljóðmynd, How To Slice A Loaf Of Bread, The Explanation, The Discussion, An Answer and Whistling About Chickens
Belle and Sebastian‘s The Life Pursuit
Björk‘s Volta
Nine Inch NailsYear Zero
Orphan Fairytale‘s Whose Words Are My Words (with Mudboy) and Speaking Spooky
CocoRosie‘s Noah’s Ark and La maison de mon rêve
IAMX‘s The Alternative, and finally
Pan Sonic‘s Katodivaihe Read more

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