Easily the most sonically remarkable new release to have passed through the jukebox in the last month or so is Quellgeister #2 ‘Wurmloch’ by the Austrian sound artist Stefan Fraunberger. This ongoing series of works (#1 came out two years ago, #3 is in progress) focuses on what Fraunberger summarises as “semi-ruined organs discovered in deserted Saxon churches in Transylvania”. Precisely what he does with these dilapidated organs isn’t entirely clear, but the result is that of a Frankenstein-like in extremis battle to resurrect the instrument and enable it, for one final time, to speak. Aural narratives really don’t come more stunningly heroic than this. Having wheezed into life, the organ’s reanimated corpse unleashes barrages of chords that constantly sound unnaturally forced, only sustaining as long as its innards are being ‘squeezed’ (try singing a note for far too long and you’ll get the idea). Weird tangential pitches and upper harmonics regularly bleach these chords, even occasionally suggesting there’s a melody trying to escape from beyond the grave; elsewhere the struggle (for both man and machine) becomes so intense that vast dissonant slabs of compressed noise erupt. On the one hand, it’s shambolic and desperate, but there’s an uncanny beauty both to Fraunberger’s seemingly absurd actions and to the, frankly, amazing results. Read more
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