Daniel Kellogg

Daniel Kellogg – Soft Sleep Shall Contain You: A Meditation on Schubert’s Death and the Maiden (UK Première)

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Last autumn, on 27 November, at a lunchtime concert at London’s Wigmore Hall, the renowned Takacs Quartet gave the UK Première of the American composer Daniel Kellogg‘s Soft Sleep Shall Contain You: A Meditation on Schubert’s Death and the Maiden. As that title suggests, the piece draws on material from Schubert’s quartet, specifically the theme used as the basis for the second movement.

It begins with great slowness, presenting a chromatic, descending idea that has a tendency to end in emphatic perfect fifths. It’s a plaintive opening, only gradually hinting at material from Death and the Maiden; Kellogg allows these initial dabs of sonic stuff to slide around like beads of mercury, occasionally meeting and momentarily coalescing into something recognisable—Schubert’s first chord, for example, materialises only to vanish away again immediately. Eventually, the quartet makes an overtly lyrical statement, which becomes the cue for a launch into denser material and more aggressive interplay. There’s a sense here of struggle, of grinding away at something mundane, prosaic, before another abrupt shift, now into a more rhythmically driving section. Skimming the surface, the contours of Schubert’s melody now become apparent, and later, the well-known chord sequence is heard loud and clear, while the music’s grip on tonality wavers disconcertingly. Read more

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