Darren Bloom

Cheltenham Music Festival: 21st Century String Quartet, The Hallé

Posted on by 5:4 in Cheltenham Music Festival, Concerts, Premières | Leave a comment

Here’s a suggestion: if a composer can’t summarise their programme note in fewer than a couple of hundred words, that’s a problem. Is that terribly controversial? Judging by what we were given at the Cheltenham Music Festival last Saturday, it is. This is not a local problem, though, it’s something that manifests itself all too often, composers seeking to convey at length not merely the inspiration for their music but a blow-by-blow account of what happens in it. It’s interesting that they deem this necessary. Does it suggest a lack of faith either in the audience or, more worryingly, in the music? It would be strange for a writer to introduce their novel with a breakdown of the structure and key plot-points; likewise with a programme note full of aural spoilers, it’s impossible to be drawn in and surprised by the music, as we already know what’s coming. Increasingly, programme notes seem akin to the abstracts that preface academic papers, and that’s not necessarily the ideal model for the concert hall. There are two caveats to this: first, it’s not just contemporary music that’s treated to such ‘programme essays’, and second, of course, one’s not obliged to read them at all. Of the first caveat, this is partly to do with the understandable desire for a degree of historical contextualisation, but regarding the second, i’ll come back to this shortly. Read more

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