David Fennessy

HCMF 2013: Red Note Ensemble

Posted on by 5:4 in Concerts, HCMF | 3 Comments

This year’s pilgrimage to HCMF began, as it always seems to, at St Paul’s Hall, for a concert given this afternoon by Scotland’s Red Note Ensemble, directed by Garry Walker. They performed three works, something old(-ish), something new(-ish) and something entirely new. It was the entirely new piece, David Fennessy‘s Hauptstimme for viola and ensemble, that proved itself the weakest. Britons have long ascribed drab efficiency to being a key attribute of German engineering, yet it seems to be increasingly the preserve of Irish contemporary music. In Fennessy’s case, the music was dynamically neutered, harmonically static, texturally bland—a deliberate conspiracy on behalf of the ensemble in order to present to the solo viola a wall of sound with which it could contend. i’m guessing Fennessy’s intention was to obtain aggression in such an unyielding onslaught, but in practice, it didn’t so much bare fangs as dentures, becoming monotonous, even blank, in its blunt consistency. Ultimately the texture parts and dissipates, leaving the viola alone and heralding the work’s final gambit—now that the viola can be heard, “what to say?”. The answer was endless arpeggios and oscillations, perpetuated to the point that soloist Garth Knox began to resemble a folk fiddler who had entirely forgotten the tune. Read more

Tags: , , ,