Deerhoof

Live in Prospect Park: Metropolis Ensemble and Deerhoof

Posted on by 5:4 in Concerts | Leave a comment

i’m surprised there’s not more comment on the web about the recent concert given jointly by the Metropolis Ensemble and Deerhoof, which took place in July in Brooklyn as part of the Wordless Music series. This had been hyped up a fair bit beforehand, partly because it was bringing together two groups who have a very modern outlook, but mostly because it featured a new take on The Rite of Spring. WNYC broadcast the entire concert online; surprisingly, no-one seems to have recorded it, so links to my own recording are below. Also, some excellent photos from the concert can be seen at WNYC’s Flickr page. Now, to the music…

Metropolis Ensemble’s hour-long half of the concert began with Two-Part Belief by composer Ricardo Romaneiro, for soprano and electronics. From a gently flamboyant opening, there’s an interesting initial interplay between the electronics and the powerful melodic line, delivered superbly by soprano Hila Plitmann, who is at times required to soar extremely high. The relationship quickly becomes unclear, however, and at times the electronics seem hell-bent on undermining the soprano line, which surely isn’t the intention. At best, the electronics create an evocative, shifting backdrop for the soloist, although this is often disrupted by its gestural quality. Overall, there’s something rather primitive about the electronics’ contribution in this piece; the composer’s enthusiasm is perfectly evident (and this does, actually, go some way to covering some—not a multitude—of his sins), as is his enjoyment of the sounds he’s creating; what’s lacking is real imagination. The brass make strangely occasional contributions, and it’s a huge shame they weren’t involved throughout, as the texture at these moments is truly exciting and gives a hint of what might have been. Read more

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Deerhoof: confounding & clever

Posted on by 5:4 in Miscellaneous | Leave a comment

i detest the obsession to subdivide music into genres, and what excites me so much about Deerhoof’s music is that it’s absolutely impossible to pigeon-hole. i’ve seen them called “indie rock”, “post rock”, “avant rock” and “math rock”; but i don’t worry about such things, and choose rather to revel in some of the most confoundingly brilliant, unashamedly artistic and downright clever music i’ve heard in my life. There’s an omnipresent sense of anarchy lurking in their songs, the band often sounding as though they’re barely held in check by Satomi Matsuzaki’s simplistic vocals.

Their most recent album, Friend Opportunity, starts with “The Perfect Me”, the perfect album opener: fast, irregular, harmonically ambiguous, percussion everywhere; it’s also a perfect demonstration of Deerhoof’s approach to structure, veering between utterly different episodes with absolutely no attempt at smoothing over the joins. Play it loud, very loud! “+81″‘s opening trumpet fanfare shows a willingness to bring in unexpected instruments, which sound entirely at home; the middle portion of the song is them at their most obtuse harmonically, perhaps the most peculiar series of chords i’ve ever heard away from classical art music. Though i hate the term, Deerhoof exhibit a palpable ‘retro’ quality at times, and the opening of “Believe E.S.P.” is, dare i say it, the kind of thing one might expect to hear in a ’70s porn movie. But there’s nothing remotely embarrassing about it; it’s made to fit perfectly, melding among the laid-back percussion and dark guitar/electronic stings. Read more

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Mixtape #4 : Miniatures

Posted on by 5:4 in Mixtapes | Leave a comment

This new mixtape began life as one of my playlists on iTunes, which simply specified that it should only include tracks under two minutes in duration. Surprisingly, 815 tracks from my music library fulfil this criteria, amounting to over 15 hours of music. Not surprisingly, this playlist makes for an eclectic and surreal listen, while at the same time providing a kind of ‘distillation’ of the music that i love. Here then, is a selection from that playlist, with a slight emphasis on music i’ve listened to more recently; almost 70 minutes of music stitched together with the aid of a variety of delightful advertisement spots by the wonderful and very innovative Raymond Scott. What this lot tells you about my music collection is anyone’s guess…

Here’s the complete tracklisting: Read more

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