Finland

Founded in 1888, the annual Nordic Music Days is one of the oldest contemporary music festivals in the world. It’s a peripatetic festival, moving from place to place each year, and for 2019 – surprisingly, for the first time – it moved north of the Arctic Circle, to the small…

A week ago, the Proms saw the world première of a new work by no fewer than 14 composers. Conceived by conductor Martyn Brabbins as a 60th birthday present to himself, the piece is inspired by, and modelled on, the structure and character of Elgar’s Enigma Variations. For this new…

As i previously remarked, one of the most (and one of the only) disappointing things about my first experience of the Faroe Islands’ Summartónar festival was the almost complete lack of music by Faroese composers. The inclusion of Kristian Blak – artistic director of the festival – mitigated that to…

Composers generally tend to shy away from admitting their music to be overtly autobiographical, but in the case of the latest Proms première, by Finnish composer Outi Tarkiainen, the piece is a clear extension – a manifestation, even – of the composer’s way of experiencing the world. In her answers…

This evening’s Prom, given by the BBC Philharmonic, includes the world première of Midnight Sun Variations by Finnish composer Outi Tarkiainen. In anticipation of that, here are her answers to my pre-première questions, along with the programme note of the piece. Many thanks to Outi for her responses.

One of my highlights from last year came at the end of the summer, during the final concert at the Baltic Sea Festival in Stockholm. An occasion given over to celebrating composer and conductor Esa-Pekka Salonen (which i reviewed elsewhere), the concert included a performance of Salonen’s Cello Concerto given…

The one opportunity to hear music for full orchestra at this year’s World Music Days took place on Friday evening at the Estonia Concert Hall, performed by the Estonian National Symphony Orchestra conducted by Olari Elts. The Estonian Music Days’ tradition of recent years has been to begin the Friday…

At the northernmost edge of Tallinn, looking out over the Baltic Sea towards Finland, is a huge concrete edifice called the Linnahall. Built during the Soviet occupation, it was constructed as part of the USSR’s hosting of the 1980 Olympic Games, as a coastal hub for the boating events. It’s…

Nearly but not quite everything that took place at this year’s Borealis festival was light years away from the world of conventional concert performances. The most notable exception to this was the first event i attended, at the Nykirken on Friday evening, given by Sjøforsvarets musikkorps, the Norwegian Naval Forces…

The next recommendations in my series looking at free internet music are a pair of pieces exploring extremes of computer-mangled audio. The first is a new release from Finnish composer Lassi Nikko, better known as Brothomstates, and even writing his name in the context of a new release – something i never…

Hyvää itsenäisyyspäivää, Suomi! Today is an important day for the country of Finland, marking the 100th anniversary of their declaration of independence from the Russian Republic. To mark the occasion i’m turning to one of Finland’s most celebrated composers, Kaija Saariaho, specifically to an intense song cycle she composed in…

After eight weeks of (for the most part) serious music-making, the Last Night of the Proms, quite reasonably, is primarily disposed to the aim of letting of steam and just having fun. For the contemporary composer chosen to get the evening going each year, the enormous sense of occasion –…

This evening, Finnish composer Lotta Wennäkoski‘s new work Flounce will literally become the beginning of the end, getting started the Last Night of the Proms. For the final time this year then, here are my pre-première questions, together with Wennäkoski’s answers and her programme note for the piece. Many thanks to Lotta…

Last week, i finally got round to watching a concert i’d recorded last year celebrating the music of film composer John Williams, featuring highlights from throughout his long career. For better or worse, i couldn’t help recalling that concert again and again during last night’s world première at the Proms of…

Last night’s and this morning’s concerts all featured soloists performing and interacting with electronics and/or visual elements within large-scale compositional forms. Monty Adkins‘ new 40-minute work Spiral Paths to some extent brings together the twin lines of enquiry that led to Four Shibusa (electronics with live performers) and Rift Patterns…

Nothing remotely ordinary, it often seems, can come from Scandinavia. This notion was emphatically corroborated at the Proms in the recent pair of UK premières from Iceland’s Haukur Tómasson and Finland’s Jukka Tiensuu. i can’t help wondering whether they succeeded as strongly as they did in part for essentially the…

One of the more striking premières i’ve caught in recent months took place at the Barbican’s Total Immersion event ‘New from the North’, back in March. On the one hand, it’s disappointing that these events are no longer in the least bit ‘total’ and have come very far from being…

The first UK performance of Kaija Saariaho‘s 2008 work Laterna magica took place at tonight’s Prom concert in decidedly sumptuous company, Strauss’ Also Sprach Zarathustra and Four Last Songs on one side, Sibelius’ Seventh Symphony on the other. It was a superbly-judged juxtaposition; while Saariaho’s music occupies places hard to…