flugelhorn

Proms 2011: Simon Holt – Centauromachy

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Simon Holt has been featured at the Proms on numerous occasions over the years, and yesterday his music returned to the Albert Hall with the orchestral work Centauromachy. It was given by the BBC National Orchestra of Wales, with whom Holt is Composer in Association; they were conducted by François-Xavier Roth, who also oversaw the première of the piece in November last year. The work features a pair of soloists, of distinct but not dissimilar timbres: clarinet in A and flugelhorn, played by Robert Plane and Philippe Schartz respectively.

Holt has structured the work in five movements, the shortest of which comes first, featuring the soloists alone. Titled ‘Two natures’, it serves to compare and contrast the clarinet and flugelhorn, which at first take it in turns to attempt to catch each other, scurrying around, imitating, their phrases ending together on a unison note. It’s not until the third and final phrase that they move beyond a relatively narrow pitch space, moving swiftly to occupy distinct registral areas, the clarinet initially high above the flugelhorn, then leaping below it. Following a final chirrup, the second movement, ‘Chiron’s dream’ introduces the orchestra, rapidly materialising like a grand, cinematic fade-in. When the soloists restart their activity, it’s with forceful gestures, but they quickly yield to lines that continue to cling together. A trumpet strikes up a rapport with the flugel, while the strings seek to try something out in their uppermost register, delineated by glockenspiel strikes. Everything coalesces onto a lower note, from which the soloists again recommence strongly but immediately become soft; as earlier, though, Holt keeps the material restless, suggesting a dream that’s not entirely comfortable. Read more

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