Formuls

Altered (steady) states: Kenneth Kirschner – September 27, 2016/November 17, 2016; Markus Reuter – Falling for Ascension; Formuls – entryiseasierthantheexit_exit

Posted on by 5:4 in CD/Digital releases | 1 Comment

A few years ago, when writing an extensive monograph on the music of Kenneth Kirschner, i used the term ‘steady state’ to indicate the particular way in many of his works that material is deployed and juxtaposed over extended periods of time. This latter aspect, extended time, is vital: both as a compositional approach and a listening experience, it could be described as ‘macrospective’; what happens moment by moment is of secondary importance to its long-term structural dimension. However, what makes ‘steady statism’ – to coin a phrase – so engaging is the way we as listeners are pulled back and forth between focusing on the short- and long-term actions of the music, ever aware of its essential open-endedness yet nonetheless engaged by the shifting, possibly transient, ways it is manifested on the surface.

Steady statism has connections (roots even) to, among other things, 20th century US experimentalism and ambient music, two areas that have had and continue to have significant influence on contemporary music-making. In Kirschner’s case, it remains a key part of his musical language, demonstrated in several of his most recent works (all of which are available for free download from his website). In September 27, 2016, it’s articulated via widely-spaced miniature gestures – emanating from what sounds like piano, violin, vibraphone and/or glockenspiel: possibly real, probably synthetic – each one comprising a single pitch held for a short time. Not all of the instruments play in each gesture, and the length the pitches are held is not precisely exact in each instrument, but that’s by the by; the process the work undergoes is a simple, solemn statement of these micro-ideas, each one allowed to sound for only a few seconds before the music disappears back into the darkness. The silences are roughly between 20 and 40 seconds’ duration, meaning that most of September 27, 2016 is silent, yet to my mind this only gives each of these sonic motes more potency. And there are surprises too, such as when, nine minutes in, there suddenly appear to be many more string instruments present than we suspected. Fascinating and beautiful. Read more

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