Gareth Davis

The Start of an Era: Bristol New Music 2014

Posted on by 5:4 in Concerts | 2 Comments

Ordinarily, finding yourself traipsing along cold, dark, damp streets from concert to concert of cutting edge music, you’d expect the time to be late autumn & the place to be Huddersfield. Except this time it was the streets & venues of Bristol that were the focus of attention, for the inaugural Bristol New Music festival, three days packed with an impressively diverse line-up of the great & the downright remarkable. Bigging it up last week, i opined that it looked all set to become the HCMF of the south west, & there is, as it turns out, a connection, as Huddersfield supremo Graham McKenzie has provided what he described to me as “curatorial advice” in getting BNM up & running. Yet while in some ways his fingerprints could be detected all over the weekend, Bristol had an atmosphere & a vibe quite distinct to that of Huddersfield. It’s not insignificant, i think, that the word ‘new’ has been used in favour of ‘contemporary’, the latter carrying with it stronger connotations of the concert hall. BNM did have plenty of concerts taking place in familiar concert halls—the festival is, after all, a collaboration by five of Bristol’s principal venues: Arnolfini, the Colston Hall, St George’s, Spike Island & Bristol University—but more often than not, they either weren’t presented as, or didn’t feel like, familiar concert hall events. Often this was rather refreshing; sometimes, not so much.

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Mix Tape #25 : Best Albums of 2012

Posted on by 5:4 in Best of the Year, Mix Tapes | 7 Comments

HAPPY NEW YEAR TO YOU ALL!

Today marks 5:4‘s fifth anniversary, & so i’d like to take this opportunity to thank all of you who regularly read, share & respond to the articles & music explored here. Since 2008, the blog has grown from being an occasional hobby (reading the earliest articles, that fact is rather painfully obvious) to something that now receives significantly more time & attention. i very much hope that 5:4 can grow & become even more interesting & useful in the next five years; all comments, criticisms, suggestions & other feedback is always very warmly encouraged.

But to return to the present, & to continue our annual tradition, here is a new mix tape featuring one track from each of the forty entries on my Best Albums of the Year list. The mix includes more extreme dynamic variety than in previous years, so while i’ve done a little to mitigate that, be warned that at times the music veers between extremely soft & very loud indeed. As ever, if you like what you hear in the mix, please support the artists & buy the music; links are included on the last two days’ posts.

i’ve remarked in the past on the provisional nature of all ‘Best of’ lists, & so to keep things current, i’ve updated the summaries of the Best Albums/EPs of the Years, to reflect further listening than had been possible at the time; the revised lists can be found under The Lists on the main menu.

The mix tape lasts a little under 3½ hours; here’s the tracklisting in full: Read more

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Best Albums of 2012 (Part 2)

Posted on by 5:4 in Best of the Year, CD reviews | 1 Comment

The lists reduce the vastness into controllable sizes, into the size of things that can fit into our mind, where they can expand again to the size of everything. The list is the way of fitting everything in one place at one time, so that we can take it with us, so that we can fit it all inside a microchip, a chip we can then fit inside our soul. … The list is a code for everything we are, the list is a diagram, sometimes extremely slight and incomplete, sometimes unbelievably deep and complete, of eternity.
(Paul Morley, Words and Music)

Here we go, then, with the absolute pinnacle of this year’s albums, every one of them essential listening. Read more

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Best EPs of 2012

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The list is what brings a world of chaos into some kind of pattern. The list fixes a broken world floating out into the outer world of emptiness. The list links us to ourselves, places us together, puts us in order. The list soothes us in the way it organises memory and shapes the consciousness. Everybody loves a list for making sense of the awesome nature of all the stuff that surrounds us. The list is at the heart of everything. Everything is part of a list. Humanity is one long list linking nothing with something.
(Paul Morley, Words and Music)

Paul Morley telling it how it is, & as the year starts to fade away, it’s time once again for the series of lists detailing the best of the best that’s passed through my eardrums in the last 12 months. We begin, as ever, with the ten most outstanding EPs. Read more

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Mix Tape #24 : Noir

Posted on by 5:4 in Mix Tapes | 1 Comment

It’s time for a new Mix Tape, & once again it reflects my current predilections & listening habits. Film noir, & particularly its musical analogues, are much on my mind at present, so the new Mix Tape reflects that, drawing on 23 examples of muted monochrome. The similarities between these pieces are often very strong, yet the range of language used is considerable. The Kilimanjaro Darkjazz Ensemble, Tor Lundvall, David Lynch & This Will Destroy You opt for heavy-laden music pulled by a sluggish pulse, throwbacks to the past from the cusp of an apocalyptic future. Tangentially related, Ulver, Demdike Stare & Asher find regularity in the artefacts that litter the surface of their hauntological materials. Gareth Davis & Frances-Marie Uitti, Aphex Twin, Paul D. Miller (DJ Spooky) & Cosey Fanni Tutti & Philippe Petit all offer a kind of fin de siècle melodic scrutiny, while First Human Ferro, Access to Arasaka, Angelo Badalamenti & Sleepy Town Manufacture & Unit 21 grimly obsess over chord progressions, some fragile, some aching with nostalgia. Read more

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