Gilles Gobeil

Mix Tape #36 : Best Albums of 2015

Posted on by 5:4 in Best of the Year, Mix Tapes | 5 Comments

A very HAPPY NEW YEAR to you all!

In keeping with 5:4 tradition, here’s the new year Mix Tape showcasing music from each of my Best Albums of 2015. Three hours that demonstrate something of the sonic wonders that materialised last year. Enjoy! — and there are links to buy each of the albums featured in the last two days’ articles.

As usual, the mix tape can either be downloaded or streamed via MixCloud. Here’s the tracklisting in full: Read more

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Best Albums of 2015 (Part 1)

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Pausing only to reiterate once again how fundamentally definitive and provisional are all lists, here we go with my countdown of 2015’s best albums, starting with numbers 40 to 21. Part 2 tomorrow.

40 | Andrew Liles – Miscellany – Lussuoso (Electronics: 1990 to 2015)

The first of several epics on the list, Andrew Liles’ consistently unpredictable output was dominated in 2015 by this dazzling three-hour celebration of diverse electronic works dating back a quarter of a century. As the name implies, Miscellany is a veritable hotchpotch, one with a distinct leaning toward the more raw end of electronics. But this is merely the basis for a kaleidoscope of works encompassing radiophonic mayhem, intense beat-driven numbers overlaid with John Carpenter-esque basslines and/or Wendy Carlos-esque baroque twiddling, expansive ambient vistas and delicate, multi-layered bits of melodic tracery. It all makes for an entirely bewildering yet mesmerising experience. [self-released]

39 | Benge – Forms 4 – Moor Music

The latest in Ben Edwards’ ongoing ‘Forms’ series (begun in 2013) is this fine album, created using just a single synthesiser, the Yamaha VL1-m. The sense of evocation here, mingled with elements of nostalgia and retro sensibilities, is strong, conjuring up a soundworld that’s abstract and elemental yet drenched with connotations and allusions. And on top of all that it’s really very beautiful. [self-released – free download]

38 | Kate Havnevik – &i

Punchy, imaginative pop that builds directly upon the foundations set out on her 2011 album YOU. Smooth electronica is still the music’s most prevalent quality, but Havnevik keeps it informed with gruff basslines and itchy rhythmic diversions. Her voice is as gorgeous and indeed gymnastic as ever, turning endless cartwheels and somersaults which both reinforce the emotive core and embody the anthemic frivolity of her exquisite songs. [self-released]

37 | IAMX – Metanoia

The product of a runaway success crowdfunding venture, Metanoia finds Chris Corner extending further the utterly unique IAMX sound. His songs have always inhabited the widest of extremes in order to capture faithfully life’s emotional highs and lows, embracing grit and grime as well as the most ecstatic heights of elation (that voice!), and this album is no exception. Song titles like ‘No Maker Made Me’, ‘Say Hello Melancholia’ and ‘Oh Cruel Darkness Embrace Me’ are simultaneously brave—potentially suggesting a rather off-putting emo sensibility at work—and profoundly honest; yet the beat goes on, and while there’s more than an element of danse macabre permeating these songs, the restlessness of their rhythms keeps them from becoming self-indulgent. [self-released]

36 | Alva Noto – Xerrox Vol. 3

Xerrox Vol. 3 inhabits a very personal environment, founded upon broad washes of soft ambience, overlaid with bursts of electronic babble and semi-arbitrary burblings that more-or-less coalesce into melodic shapes. The slow, sedate manner of the first two Xerrox albums often suggested the solemnity of a ceremony, but Nicolai keeps things lighter on this occasion: materials are thinly-layered and clearly demarcated, and the general tone is one of buoyancy and lift, each track practically floating on its own thermal currents […] Avoiding the tendencies so many ambient composers make when attempting to tap into the idea of outer space, Xerrox Vol. 3 instead offers something that manages to evoke immensity and things unknowable from the perspective of a lone, small individual, at once infinite and intimate.” (reviewed in June) [Raster-Noton]

35 | East India Youth – Culture of Volume

William Doyle’s second album is a little hard to pin down. “The end result is not what was in mind” he sings, and it’s tempting to hear that as a descriptor for Culture of Volume itself. At its heart is a light-footed pop sensibility—Doyle is an irresistible melody-maker—yet this sits within a context of convoluted structures that often feel like miniature operas, their drawn-out dramas telescoped into four-to-six minute time spans. Whether expressed over an unstoppable pulse or through long-form lyrical lines (as in album highlight ‘Carousel’), they make Culture of Volume one of the year’s most beguilingly off-kilter pop albums. [XL] Read more

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New releases: Gilles Gobeil, Åke Parmerud, Morton Subotnick, Tim Wright, Volker Hennes, John Wall/Alex Rodgers, Veli-Matti Puumala, Marko Ciciliani

Posted on by 5:4 in CD/Digital releases | 2 Comments

i’ve been kind of drowning in fascinating new releases lately, so i’m going to try and give something of a whistle-stop tour through some of the best. Beginning with a couple from the always wonderful Empreintes DIGITALes label. Canadian composer Gilles Gobeil is represented by Les lointains, featuring six substantial pieces created between 2008 and 2013. Gobeil’s particular take on acousmatics is extremely heavily inflected with sharp attacks redolent of industrial machinery. Big impacts litter his music, acting both as material element and structural marker; as such they become antagonistic pivot points about which each piece spasmodically turns and contorts. One ends up feeling rather small listening to these pieces, but not just due to their blunt force trauma; Gobeil also punctuates his music with periods of repose that are more void-like and ambient (albeit edgy), broad but delicate vistas that seemingly stretch into infinity, gradually becoming filled with raw material for the next episode of onslaught. The scale, the force, the immensity, the drama—it all adds up to a sequence of experiences that go beyond simply being immersive; one feels enveloped by these six pieces, surrounded on all sides by danger and beauty of utmost intensity.
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