Gunnar Geisse

The Isolation Mixtapes : G

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And the beat lockdown goes on, so here’s a new Isolation Mixtape, exploring some of the very best sounds from the years 2010–19, focusing on artists, composers and groups beginning with the letter G. As always, none of the tracks have been featured in any previous 5:4 mixtapes, and once again i’ve worked through them in chronological order. All of the previous mixtapes (Isolation and otherwise) can be found here.

Here’s the tracklisting in full, together with approximate timings and links to obtain the music. As usual, the mixtape can be downloaded or streamed via MixCloud. Read more

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Gunnar Geisse – The Wannsee Recordings

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The Wannsee Recordings is a double album by German composer and improviser Gunnar Geisse, released on the NEOS label earlier this year. In some ways, that sentence is about as certain as i can be about the album because, to be honest, i was as impressed by it as i was flummoxed by it. Usually, when an album ramps up its flummox factor it doesn’t take too long for it to become unengaging and ultimately boring, but in the case of The Wannsee Recordings, despite the fact that i regularly found myself staring at the speakers in a certain amount of disbelief, something about it kept me hooked for its complete 150-minute duration.

Let’s back up a bit: the album is essentially an anthology of 34 individual improvisations, ranging in length from 58 seconds to well over 13 minutes, performed by Geisse using a special laptop guitar rigged up to a MIDI controller and a laptop enabling the instrument to transform into a host of other instruments and sounds. Sometimes the guitar stays fairly close to its own identity, but in most cases it would be impossible to tell that what you’re hearing is emanating from a guitar. Opening track ‘VII.4 [10100111_A7_⋆167]’, for example, is described as being for “electric guitar, brass, percussion, timpani and celesta’, whereas one of the most ambitious, ‘II.4+V.4 [100100+1100111_24+67_⋆36+⋆103]’ comprises “electric guitar, saxophone, drum set, woodwinds, strings, piano, choir, noises and trombone”. It’s not stretching a point to describe these improvisations as encompassing orchestral forces and scope. Read more

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