Huddersfield Contemporary Music Festival 2002

Richard Barrett – 13 selfportraits (UK Première)

Posted on by 5:4 in Lent Series, Premières | 5 Comments

The next quartet i’m including in my Lent series is one that i’ve been grappling with for over a decade. When Richard Barrett’s 13 selfportraits was given its first UK performance at the Huddersfield Festival in 2002, i can’t have been the only person in the audience to have been struck hard by its apparent impenetrability. That’s not an epithet one would usually associate with Barrett; there’s layer upon layer of intricacy and connotation in his work, but almost always borne by material that’s both immediate and strikingly emotional. Put crudely, grasping exactly what Barrett’s on about isn’t always straight forward, but getting where he’s coming from certainly is. All of which makes the 13 selfportraits even more of an unusual and inscrutable entity.

It’s perhaps not unreasonable to find the work problematic; in his programme note, Barrett addresses this when explaining its structural aspects:

Although it does indeed consist of thirteen structural elements (of widely differing durations), these do not follow each other in sequence but are often fragmented, alternated, superimposed and so on; one of them is distributed throughout the work’s duration, ending as well as beginning it, and reappearing within and between the others. So it is neither a composition in several independent parts nor a single unfolding time span, but a combination of the two.

I am rather intrigued by the fact that exactly the same music might be described as “confused and incoherent” or on the other hand “a sequence of exquisite miniatures” depending on whether it presents itself in the form of separate “movements” or not. (Imagine, for example, playing Webern’s op.10 without any breaks between the pieces, or even overlapping them…) The present work attempts not to define itself one way or the other, so that if it does sound confused, then perhaps it might be exquisitely so.

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