Hecq

Mixtape #20 : Dancefloor

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Having finally emerged from the dark days of Lent, i thought it would be fitting to have a new mixtape, with an upbeat theme. As i’ve mentioned on previous occasions, dance music has always been a parallel love of mine alongside the avant-garde, and this mixtape will, i hope, prove to be an irresistable selection. As always, there’s a mix of old and new, the oldest being around 13 years old, the newest released last month.

Delphic were included in the BBC Sound of 2010, not exactly a good sign to be sure, and while they’ve failed (as yet) to distinguish themselves, this song isn’t at all bad, and this remix makes it perfect. Above and Beyond are, in my view, the champions of contemporary trance music, and they feature on this mixtape four times; “Stealing Time” is one of the standout tracks from their lovely album Tri-State, released 5 years ago. Connected to Above and Beyond via their Anjunadeep label is Michael Cassette; this is his latest single, a delicious throwback to 1980s synths. Ahead of Delphic in that dreaded BBC 2010 list was Marina Diamandis, better known as Marina and the Diamonds; she’s proved herself to be a real talent, and while “I Am Not A Robot” is pop perfection as it stands, this hard-to-find remix is outstanding. If you’ve never heard of Bloodgroup, they’re an up and coming band from Iceland, specialising in a rather unusual brand of electropop (with occasional similarities to The Human League); this track comes from their latest album and is a good introduction to their music. Read more

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Best EPs of 2010

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And so it finally begins, the lengthy annual retrospective of all that was best in 2010. As usual, let’s start with my run-down of the 10 Best EPs of the year:

10 | dB Soundworks – Steambirds (iOS) Soundtrack
Something of an oddity in this list, perhaps, but Danny Baranowsky’s synthetic score for the splendid iPhone game Steambirds is incredibly effective. He’s managed to capture perfectly the atmosphere and mannerisms suitable for the game’s airborne antics, bringing to mind the soundtracks of any number of British WWII films. The four-minute “Main Theme”, in particular, is full of variety, never composing by numbers, while the additional “Boss Track” takes the invention even further, supplemented by two splendid miniatures, corresponding to success or failure in the game. It’s available free (or not, if you’re feeling generous) via the dB Soundworks Bandcamp page. While you’re there, check out Baranowsky’s music for Canabalt, also stirring stuff.

9 | David Lynch – Good Day Today/I Know
Okay, hands up anyone who predicted David Lynch would bring out a single this year? Keep your hand up if you also knew it would be a delicate electronic dance number. No-one? Defying expectations with his typical enthusiasm and flair, Lynch’s twin A-side took everyone by surprise, maybe even Lynch himself. Über-processed vocals, autotuned to the nth degree, laid over a brisk, unimposing disco beat, it could all have been horribly cheesy. But Lynch somehow pulls off experiments like this, not only sounding like no-one else, but actually making it kind of cool. The more laid-back “I Know” is even better, more obviously Lynchian, ominous and rather unnerving. Read more

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Mixtape #17 : Lay the Voice to Rest, Dear Mist (In Memoriam Danielle Baquet-Long)

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How quickly a year passes. On this day, 12 months ago, Danielle Baquet-Long died, bringing to an abrupt end the remarkable musical project that she and husband Will had crafted together for several years. Of course, music, like life, goes on regardless, and the prospect of plenty more releases yet to come from both Celer and Chubby Wolf (Dani’s solo project) continues to be an exciting one.

To mark today’s sad anniversary, the new 5:4 mixtape is in Dani’s memory, bringing together a diverse selection of music that broadly falls into the ‘ambient drone’ category. Drone has entranced me since i was pretty young; in the right hands, it has a quality that always seems familiar, yet somehow achingly inscrutable and difficult to define; close and intimate, yet also impossibly distant. But this kind of music (and certainly on an occasion such as this) is perhaps best not written about in too much detail; suffice it to say the examples here range from vast, dazzling textures that seemingly envelop everything in sight to gentle half-heard whispers. Of course, Dani’s own music is included, the final (very brief) example of which gives the mixtape its name.

In total, two and a half hours of music to commemorate the life of one of ambient’s more insightful and imaginative figures. The complete playlist is as follows: Read more

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A ferocious take on dubstep: Hecq – Sura

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Despite claiming, a little over a year ago, that “the whole beat-science cant go any further for me”, Hecq has unleashed a new EP, Sura, that is a ferocious take on dubstep. Far from turning his back on beats after Steeltongued, Hecq positively bombards the ears with them, barely held in check by—as ever—his trademark ambience.

This is not the familiar shambling, lackadaisical dubstep, however; the title track is thrown into existence amidst a plethora of relentless high-hats that propel the material on. It’s over this, like a warm liquid, that Hecq’s slow chaconne builds in substance, easily swallowing these opening beat-gestures. Everything subsides, and then, literally, explodes, shards of white-hot rhythms cascading outwards as if from a welding iron. The track then, essentially, goes through the motions a second time; the chaconne briefly re-emerges, distant and hauntological, and with even more violence the metallic beats resume their onslaught. Read more

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Mixtape #15 : Late Night

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It’s been a while since the last mixtape, and i’ve decided to return to the theme of the the first two mixes, music particularly suitable for late night listening.

Steve Peters‘ work is always fascinating, and his field recording project Here-ings is a masterpiece. i wrote about it at length early last year, and its profound sense of hush, allowing the space and its environment to speak, is unparalleled, and a fitting way to start this sonic foray into the night. Lovesliescrushing have dominated my listening in 2010; their lavish 2CD box-set Girl. Echo. Suns. Veils. arrived a few weeks back, and earlier this week Crwth (Chorus Redux) arrived. As the title suggests, it’s a retake of Chorus, their superb classic from 2007, as laden with velvet gentleness as the original (the CD comes with a voucher to download the original free of charge, so you get the best of both worlds). Ambrose Field‘s Being Dufay was one of my best albums of 2009, and the whole release is arguably best heard at night, when everything else is still; this is especially true of “Sanctus”, which emerges from the solo voice into some breathtakingly beautiful textures. sc140 was a project in conjunction with The Wire magazine, where composers wrote short snippets of Super Collider code, no longer than the length of a tweet (140 characters). The result is a mixed success but Nathaniel Virgo‘s contributions are invariably engaging; the pink noise in this track, punctuated by deep booms takes on the transparency of a field recording, all rain and thunder. Read more

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Mixtape #14 : Best Albums of 2009

Posted on by 5:4 in Best of the Year, Mixtapes | 4 Comments

A VERY HAPPY NEW YEAR TO YOU ALL!.

Today marks the 2nd birthday of 5:4, so a big thank you to all of you who are regular readers for your time and interest in this blog. Following yesterday’s run-down of my favourite 40 albums from 2009, here’s the accompanying mixtape, featuring a track from each album. It’s probably the most diverse mixtape yet on 5:4, and lasts a little under four hours. 2010’s going to have to try pretty hard to surpass this remarkable music—enjoy!

Here’s the tracklisting in full: Read more

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Best Albums of 2009

Posted on by 5:4 in Best of the Year | 6 Comments
* Please note this list has how been superseded by the one on the Best Albums of the Years page *

Embarking on another list such as this, i’m reminded again of what i think of as “Paul Morley’s Dictum”; in his superb book Words and Music he writes of the provisional nature of all “best” lists, describing how they could (and perhaps should) change, perhaps quite radically, from day to day. i think he’s absolutely right, and there are many albums released in 2009 that i haven’t heard, so feel free to treat the following as the gospel truth with a pinch of salt. Put it this way, it’s true now, at the end of the year, and that’s perhaps as good as anything else. There really has been a dazzling display of imagination and innovation this year, of which these forty are, in my view, the best. Read more

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