Henrik Nordvargr Björkk

Best EPs of 2014

Posted on by 5:4 in Best of the Year | 5 Comments

It’s that time once again, so as the year starts to sputters to its close, here’s my annual round-up of the best encounters i’ve had with 2014’s crop of new releases, beginning with the top 10 EPs.

10 | Deaf Center – Recount

Feel the solemnity; Norwegian duo Erik Skodvin and Otto Totland’s latest missive comes drenched in autumnal melancholy, an aimless piano picking its way through the penumbral space that is ‘Follow Still’ while the ground shifts beneath. Ominous sounds lurk at the periphery, dispelled in second track ‘Oblivion’, a beautiful essay in the darker forms of ecstasy. [Boomkat]

9 | Monolake – X I E

Having toyed with both ambient- and beat-based materials in the last few years, Robert Henke’s new release (his first in two years) brings them together. Bookend tracks ‘Xor’ and ‘Ethernet’ are pretty delicious slivers of hectic electronica, held together by a cluster of clanging rhythmic loops, but it’s central track ‘Inwards’ that, despite being the shortest on the EP, goes deeper, a timely reminder of just how fresh ambient music can sound in Henke’s hands. [Hard Wax | Boomkat]

8 | Dwntwn – Dwntwn

Whereas dance-oriented music has been the focus on their previous EPs (The Red Room and Cowboys, both released in 2012), Dwntwn have placed much greater emphasis on song on the five tracks of this self-titled EP. ‘Til Tomorrow’ tops off its exquisite melodic writing with a gradual shift from delicacy to full-on impassioned outburst, while ‘Heroine’ folds the mildest of country touches into a heart-felt ballad packing considerable pain beneath its grace. [iTunes]

7 | Squarepusher – Music For Robots

“In this project the main question I’ve tried to answer is ‘can these robots play music that is emotionally engaging?’” The fact that much of this EP sounds essentially identical to Tom Jenkinson’s recent work, plus the ‘uncanny valley’ effect that such razor-sharp accuracy engenders (redolent of Zappa’s synclavier work) perhaps renders his question moot. Yet working with a trio of Japanese robot musicians has clearly unleashed a distinctive burst of imagination; ‘Dissolver’—a fiery quasi-extemporised workout—is arguably the finest demonstration of this unique collaboration, but ‘World Three’, involving the unlikely presence of a pipe organ, brings an oft-absent pensivity to Squarepusher’s output. [Bleep]

6 | Monty Adkins – Residual Forms

Monty Adkins’ work continues to plough increasingly deep furrows into material at the meeting point of ambient and experimental electronics. The results are uniformly beautiful, and this short piece is no exception, slow shifting chords and clouds matched by episodes of more blistered music, positioned with Adkins’ typically unerring skill so as to draw out a potent sense of inner drama. [Crónica – free download]

5 | Darren McClure – The World Is Made Of Words

Born in Northern Ireland, today based in Japan, Darren McClure’s latest release is a gorgeous and impressively focussed slab of electronics. The work’s drones seem immovable yet malleable, McClure often pushing and shaping them in such a way so as to obscure both their pitch and timbral qualities; a delicate garnishing of almost-identifiable noises on the surface keeps the music and one’s listening experience sharp. [Yugen – free download] Read more

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