Herbert Howells

Cheltenham Music Festival: A New Jerusalem

Posted on by 5:4 in Cheltenham Music Festival, Concerts | Leave a comment

Wednesday evening in Tewkesbury Abbey, in the company of Ex Cathedra conducted by Jeffrey Skidmore, was an encounter with a particular kind of British ubiquity. The music of Hubert Parry, Herbert Howells, Judith Weir and James MacMillan were brought together in an evening focussing on “A New Jerusalem”, four composers whose work, in the church and concert hall respectively, has become (for good or ill) highly pervasive. In the case of Parry and Howells, hearing them beyond the context of liturgical function revealed above all how much their approach to choral writing persists both in the legacy of 20th century church music and beyond as well as the ongoing choral evensong tradition, which for many years has sounded less like a modern expression of faith than a nostalgic clinging to values (both musical and theological) held by an ever-decreasing minority. Hearing them side by side made for an illuminating comparison. What Elgar was to the orchestra, Parry was to the choir, his music never solely about the text or topic at hand but with omnipresent obeisance to a sense of grandiose occasion looming over everything. (Put another way, what Elgar was to pomp, Parry was to circumstance.) Read more

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