Hildur Guðnadóttir

The Isolation Mixtapes : H

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This week’s Isolation Mixtape exploring some of the best music from the last decade focuses on composers, artists and groups beginning with the letter H. Two tracks from of the year’s 2010 to 2019, once again explored in chronological order. All the previous mixtapes can be found on the Mixtapes page.

Here’s the tracklisting in full, together with approximate timings and links to obtain the music. As usual, the mixtape can be downloaded or streamed via MixCloud. Read more

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Mixtape #57 : Best Albums of 2019

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Happy New Year!

i want to start this year by expressing my heartfelt thanks to all of you who have followed and supported 5:4 in the last year, particularly my delectable band of Patrons. Hot on the heels of my Best Albums of 2019 list, i’m beginning 2020 with the usual mixtape comprising selections from each of those 40 albums. It rather nicely encapsulates another year of breathtaking musical imagination and ingenuity, exploring a typically eclectic range of styles, attitudes and aesthetics.

Here’s the tracklisting in full, together with the start time for each track in the mix; links to obtain the music can be found in the previous two days’ articles. As usual, the mixtape can be downloaded or streamed. Read more

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Best Albums of 2019 (Part 2)

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Here they are, then, the best of the best albums that have brought untold levels of wonderment into my ears and mind throughout this year. i cannot recommend them highly enough – this is music at its most literally essential.

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New Music in the South West: Music and Art

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Last Sunday saw the first concert of the year given by New Music in the South West, an organisation founded a couple of years ago by composer Julian Leeks, based in Bristol. Taking place within the city’s grand Royal West of England Academy of Art, the concert was interconnected with ‘Drawn’, an annual open submission exhibition exploring the diverse facets of drawing (in the midst of which the concert took place), and ‘Four Seasons’, an exhibition of the work of Zhang Enli at the Hauser & Wirth gallery in Bruton. The concert specifically posed the questions, “How does one define the relationship between music and art? How might a work of visual art be re-imagined as music?”. Answers were offered from a collection of composers, all but one of whom have South West associations: Geoff Poole, Julian Leeks, Litha Efthymiou, Jean-Paul Metzger and (the odd one out) Hildur Guðnadóttir. Performed by the Bristol Ensemble String Quartet, the five works were stylistically contrasting and, broadly speaking, offered compelling takes on their respective inspirational origins. Read more

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