Ireland

Linda Buckley – chiyo (UK Première)

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We’re back in Ireland for the next in my Lent Series devoted to music by women composers. Linda Buckley comes from the wonderfully-named Old Head of Kinsale, in County Cork. Her studies have centred around Trinity College Dublin, where she completed her Ph.D. and now lectures. Buckley composes intrumental and electronic music, which appear to be characterised by what i can only describe as a kind of intense radiance, incorporating an overt triadic impulse and also strong tendencies toward the microtonal. Put simply, she makes the pitch domain shine in a way that both comforts and blanches, a quality that permeates her sumptuous 2011 orchestral work chiyo. Read more

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Jennifer Walshe: Detleva Verens – Scintillia

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As it’s St Patrick’s Day, who better to feature next in my Lent Series than one of the most brilliant voices in Irish contemporary music, Jennifer Walshe. In appraising Walshe’s work, it’s impressive enough to consider just the seemingly boundless intricacies of her imagination. Famously, Walshe has fabricated the existence of a group of composers under the umbrella collective Grúpat, each with their own very extensive back-stories and discrete artistic personalities. Many of Walshe’s compositions are attributed to these Grúpat figures, pseudepigrapha that demonstrate her remarkable breadth of compositional interest. But equal to this imaginative power is Walshe’s virtuosity as a vocal performer; it’s not always clear what on earth is coming out of her mouth (or indeed why), but such questions are hard to formulate when one’s grappling with her incredible dexterity and stamina, both of which have practically become the stuff of legend. Read more

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Proms 2013: Frederic Rzewski – Piano Concerto (World Première) & Gerald Barry – No other people. (UK Première)

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Prophets, visionaries, seers, they’re an acquired taste, are they not? Often they get relegated to an idealistic niche characterised as “head in the clouds”—yet a more careful survey reveals that most luminaries are among the most earthly-wise and practical of people. This difficult-to-digest paradox coloured much of the music at yesterday’s late night Prom, which, alongside Feldman’s timeless Coptic Light, featured the UK première of Gerald Barry‘s 2009 work No other people. and the first performance of Frederic Rzewski‘s new Piano Concerto, performed by the composer with the BBC Scottish Symphony Orchestra, conducted by Ivan Volkov. Read more

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Proms 2012: Elaine Agnew – Dark Hedges (World Première)

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Yesterday afternoon’s Prom brought the first performance of Dark Hedges, by the Northern Irish composer Elaine Agnew. It was given by the combined forces of the Ulster Youth Orchestra of Northern Island and the Ulster Orchestra, conducted by JoAnna Falletta, with a solo flute part played by housewives’ favourite, James Galway. Before speaking of the piece itself, it’s worth highlighting the performance, which demonstrated in startlingly vivid fashion the skill and musicianship that young players bring to new music; their playing throughout was deeply impressive. Read more

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