Creatively, my thoughts have been heavily focussed on song in the last couple of months, so i’ve made that the focus of the new 5:4 Mix Tape. Songs as we think of them today more or less conform to a generic, prefabricated mould that’s often at odds with their lyric content. Not all artists are prepared to compromise so readily, though, & the sixteen songs on this Mix Tape represent a rather more rare breed of song. i think of these artists as modern troubadours, for whom the the content of their song is such that it demands a break from convention, & the opportunity for a more experimental type of expression.
These songs, which range in duration between 7 & 17 minutes, encompass a wide variety of approaches to the art of song. Some, such as those by Deerhoof & maudlin of the Well, take experimental & progressive rock as their starting point, while Frankie Goes To Hollywood & Transvision Vamp opt for episodic epics, betraying the legacy of ‘Bohemian Rhapsody’. Janelle Monáe‘s approach is to create what amounts to a 9-minute musical, while Kevin Barnes’ of Montreal beg, borrow & steal from a plethora of pop, dance & rock idioms to convey his typically bizarre narrative. By contrast, Dead Can Dance tell their tale via a hypnotic, circling music that pushes the words firmly into the foreground; despite the complexity of their electronic backdrop, Ulver achieve the same result by speaking their lyrics. Julia Holter makes her words count, summarising them in the first three minutes & allowing them to radiate for another ten; Fovea Hex do something similar in their rethinking of folk music. Others have more to say & take longer to do it; Jenny Hval puts herself on a kind of musical knife-edge, fragile before a pale, sparse backdrop, while David Sylvian surrounds himself with a network of improvised lines & motes that would be impenetrable if they weren’t so scattered. Tori Amos turns to her trusty Bösendorfer in what is still her longest song to date, whereas Joanna Newsom (in her longest song) has her complex harp epicentre heavily enriched by lush orchestrations provided by Van Dyke Parks. Beginning & ending the mix are songs by perhaps the great troubadour of our age, Scott Walker, a pair of songs from his last two albums that explore a depth of lyrical expression that’s pretty much unique in the history of song. Read more
