Jenny Hval

Mixtape #55 : Sun

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For the latest 5:4 mixtape, inspired by the incredible heat that’s been sizzling its way across Europe recently, i’ve turned to the Sun as my theme. The mix has a somewhat different tone from my Summer mixtape from four years ago (which was, generally, intended to be quite upbeat and – well – ‘summery’), drawing on differing degrees of languorousness, dreaminess and, here and there, some searing intensity. As such, it starts rather slowly and lazily, through relatively gentle tracks by Heiko Maile, Benn Jordan, Fovea Hex, Anna von Hausswolff and Altus, before beginning to pick up some momentum. What follows includes various songs (Lady & Bird, Holly Herndon, Björk, Sigur Rós, C Duncan, Jenny Hval & Susanna, Ghost Twin), some of which are beautifully full-blooded paeans to the sun and/or poetically tap into its connotations of heat and fire. Of the non-vocal tracks, i’ve chosen some for their exuberance (Ashra, Kenny Beltrey, Deborah Pritchard), some for their potent energy (Autechre, Ulver, The Hafler Trio, Aidan Baker, Hecq, Elizabeth Anderson, Ouvrage Fermont, Wolves in the Throne Room, Brian Reitzell) and others for their ecstatic bliss (Ascoil Sun, Andrew Liles, Ben Lukas Boysen & Sebastian Plano, Sleep Party People, Christina Vantzou, 36, Liisa Hirsch). The mixtape begins and ends with short traditional songs from Trio Mediaeval that invoke the sun’s rising and setting.

Two hours of sound that bakes, basks and boils in sunlight; here’s the tracklisting in full, including time positions and links to buy the music. As always, the mixtape can be downloaded or streamed via MixCloud. Read more

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Borealis 2019 (Part 1)

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“En festival for eksperimentall musikk”. That’s the strapline for arguably Norway’s most progressive contemporary music festival, Borealis, some of which i was fortunate to attend in Bergen last week. As straplines go it’s almost laughably simple, yet its implications turned out to be impressively far-reaching. The key word, of course, is ‘eksperimentall’, and while many new music festivals are very good at challenging musical boundaries, i’ve not encountered many that have so fearlessly challenged musical hierarchies and definitions. Of the former, there was no meaningful sense in which any particular compositional, performative or presentational aesthetic, approach or outlook – no matter how conventional or radical – was in any way privileged or favoured; of the latter, on numerous occasions i found myself not merely pondering the usual questions about intention and outcome and the like, but much more fundamental matters: “can this even be regarded as music?”. Experiments – true experiments, at least – inevitably take place within a context of belief and risk, contexts that have nothing whatsoever to do with safety or comfort, and as such there was absolutely no doubting that, in the truest possible sense, everything i experienced at Borealis was to some degree “eksperimentall musikk”. Read more

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Mixtape #40 : Miniatures

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Even more than is usually the case, the new 5:4 Mixtape is a pure stream of consciousness. i’ve returned to a theme i explored in one of the earliest mixtapes, miniatures, once again setting myself a limit of music lasting under two minutes. With a shortlist of 100+ tracks (each one a personal favourite), i then simply followed my nose, treating them as puzzle pieces for a newly-created jigsaw, or perhaps more accurately as tessera for an eccentric aural mosaic. As usual, they embrace a mixture of new and old, and stylistically it’s all over the place, though its narrative was entirely suggested by the material, sometimes dovetailing or morphing, elsewhere successive tracks acting as rude non sequiturs. Along the way you’ll encounter abrasion (Alejandro Jodorowsky, Naked CityBenjamin Wallfisch (whose IT soundtrack is gleefully insane), aTelecine), playfulness (Syd Dale, Andrew Liles, Camille), moody atmospheres (Laura Sheeran, SupersilentVangelisOlga Neuwirth, Beacon, Gareth Davis & Machinefabriek, Alva Noto, Ben Lukas Boysen), edgy lyricism (Zola Jesus, Elsiane, Gazelle Twin, Clark, Jenny Hval), convoluted beats (Don DavisZavoloka & AGFThe Flashbulb, Derek K Jeppsen, Shad[]wb[]x, Ryoji Ikeda), drama of various hues (James Newton HowardPeter AblingerVeli-Matti PuumalaClaude Vivier), dreamy ambient (Bad Loop, The Real Tuesday WeldCliff MartinezGet Well SoonMonty AdkinsAphex Twin), rich tonal yum (Marcel Dupré, Carpenters, Cyrillus KreekTõnu Kõrvits) and various other electronic, experimental or otherwise unconventional amuse-bouches (Francis DhomontFrank ZappaNicolas ObouhowAndrew Lloyd Webber (yes, really), Sophie, Steve LevineJohn ZornKenneth Kirschner). And all of this in just one hour.

48 tiny tracks ranging in duration from 1’59” to a mere 26 seconds. Here’s the tracklisting in full, together with links to obtain the music. As ever, the mix can be downloaded or streamed via MixCloud. Read more

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Mixtape #37 : Best Albums of 2016

Posted on by 5:4 in Best of the Year, Mixtapes | 3 Comments

HAPPY NEW YEAR!

i’m starting 2017 in the usual way, with a mixtape bringing together one track from each of the forty albums on my best of 2016 list. i’m sure posterity will come to regard last year as something of a trough in human history, but this mixtape does at least testify to the fact that it also contained some truly marvellous wonders. i hope you find these three hours of music a nice distillation of the aural magic that was made in 2016; links to buy each of the albums can be found in the last two days’ articles.

The mixtape can be downloaded or streamed via MixCloud; here’s the tracklistening in full: Read more

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Best Albums of 2016 (Part 1)

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* Please note this list has how been superseded by the one on the Best Albums of the Years page *

i’ve long wondered whether there’s any justification—or, indeed, any point—in making end of year lists, particularly when, as usual, there’s a pile of as yet unplayed discs staring down at me from the shelf above my desk. But, for all its provisionality, the following list will serve as a good starting point for anyone wanting an eclectic, considered, non-partisan take on the best of this year’s albums. Besides, lists are cool. So to begin with, here’s the first part of my current favourite forty albums of 2016, counting down from 40 to 21. i’ve included links for the albums, each of which is the lowest price currently available; most are streamable or can at least be previewed, so if you like what you hear do please support these fine artists.
Read more

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Mixtape #32 : Best Albums of 2014

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HAPPY NEW YEAR everyone!

Many, many thanks to all of you who have followed the blog through the last 12 months, particularly to all those who have commented and tweeted in response or retort. As usual, here’s my new year mixtape featuring a track from all forty of my Best Albums of the Year. i said yesterday how 2014 had been a breathtaking year, and listening to this 3-hour condensed version of its best music, i really think that becomes obvious.

Enjoy! – and assuming you do, please support the artists wherever possible; links to purchase each of the albums can be found on the last two days’ articles.

Here’s the tracklisting in full, followed by the download link; and you can also stream the mixtape via Mixcloud. Read more

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Best Albums of 2014 (Part 1)

Posted on by 5:4 in Best of the Year | 1 Comment
* Please note this list has how been superseded by the one on the Best Albums of the Years page *

And so to the main course: the countdown of my forty best albums of the year; part 2 will follow tomorrow. Read more

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Mixtape #23 : Modern Troubadours

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Creatively, my thoughts have been heavily focused on song in the last couple of months, so i’ve made that the focus of the new 5:4 mixtape. Songs as we think of them today more or less conform to a generic, prefabricated mould that’s often at odds with their lyric content. Not all artists are prepared to compromise so readily, though, and the sixteen songs on this mixtape represent a rather more rare breed of song. i think of these artists as modern troubadours, for whom the the content of their song is such that it demands a break from convention, and the opportunity for a more experimental type of expression.

These songs, which range in duration between 7 and 17 minutes, encompass a wide variety of approaches to the art of song. Some, such as those by Deerhoof and maudlin of the Well, take experimental and progressive rock as their starting point, while Frankie Goes To Hollywood and Transvision Vamp opt for episodic epics, betraying the legacy of ‘Bohemian Rhapsody’. Janelle Monáe‘s approach is to create what amounts to a 9-minute musical, while Kevin Barnes’ of Montreal beg, borrow and steal from a plethora of pop, dance and rock idioms to convey his typically bizarre narrative. By contrast, Dead Can Dance tell their tale via a hypnotic, circling music that pushes the words firmly into the foreground; despite the complexity of their electronic backdrop, Ulver achieve the same result by speaking their lyrics. Julia Holter makes her words count, summarising them in the first three minutes and allowing them to radiate for another ten; Fovea Hex do something similar in their rethinking of folk music. Others have more to say and take longer to do it; Jenny Hval puts herself on a kind of musical knife-edge, fragile before a pale, sparse backdrop, while David Sylvian surrounds himself with a network of improvised lines and motes that would be impenetrable if they weren’t so scattered. Tori Amos turns to her trusty Bösendorfer in what is still her longest song to date, whereas Joanna Newsom (in her longest song) has her complex harp epicentre heavily enriched by lush orchestrations provided by Van Dyke Parks. Beginning and ending the mix are songs by perhaps the great troubadour of our age, Scott Walker, a pair of songs from his last two albums that explore a depth of lyrical expression that’s pretty much unique in the history of song. Read more

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Mixtape #22 : Best Albums of 2011

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A very HAPPY NEW YEAR to you all! 5:4 is four years old today, & as in previous years, here’s a new mixtape showcasing the music from my best albums of 2011. One track from each of them—in total, 3½ hours of eclectica to start the new year in real sonic style. Do, please, support all the artists if you like what you hear (& you will!); links to buy their excellent music are included on the previous few days’ posts.

Here’s the full tracklisting (click the image for high-res artwork):

Uh Huh Her – Wake To Sleep (from Nocturnes)
This Will Destroy You – Black Dunes (from Tunnel Blanket)
Philippe Petit – 03 nyctalopia (from Nyctalopia)
Kate Havnevik – Mouth 2 Mouth (from You)
Aleks Kolkowski & Ute Wassermann – nor’easter (from Squall Line)
Kate Wax – Maze Rider (Live From The Cave) (from Dust Collision)
Arlene Sierra – Surrounded Ground – III. Egress (from Arlene Sierra Vol. 1)
John Cage – 109 [One8 and 108] [excerpt] (from 108/109/110)
Autechre & The Hafler Trio – ha3oe [excerpt] (from ae3o3)
David Lynch – Bass D Dark Stairway (from INLAND EMPIRE (Original Motion Picture Score))
Patrick Wolf – House (from Lupercalia)
Roly Porter – Al Dhanab (from Aftertime)
Braids – Plath Heart (from Native Speaker)
Deerhoof – Super Duper Rescue Heads! (from Deerhoof vs. Evil)
Talvihorros – Beta (from Descent Into Delta)
Christopher William Anderson – An End To Calm (from Moskenstraumen)
Stephan Mathieu – A Static Place Ia [excerpt] (from A Static Place)
Frank Zappa – Worms From Hell (from Feeding The Monkies At Ma Maison)
Leyland Kirby – Eventually, it eats your lungs [excerpt] (from Intrigue & Stuff Volume 2)
Celer – Part II [excerpt] (from Noctilucent Clouds)
Merzbow – Kamadhenu (Part 1) [excerpt] (from Kamadhenu)
Ulver – Providence (from Wars of the Roses)
Chubby Wolf – Deeper and the Damage From (from Los que No Son Gentos)
aTelecine – The Smuggler (Draft One) (from A Cassette Tape Culture Phase Two)
Akita / Gustafsson / O’Rourke – Two Bird [excerpt] (from One Bird Two Bird)
Tartar Lamb II – Polyimage of Known Exits: 3rd Movement [excerpt] (from Polyimage of Known Exits)
Hecq – With Angels (from Avenger)
Jenny Hval – Engines in the City (from Viscera)
Björk – Hollow (from Biophilia)
Ektoise – There and Here (from Kiyomizu)
Svarte Greiner – Twin [excerpt] (from Twin)
Access to Arasaka – Ixion (from Geosynchron)
Grutronic and Evan Parker – Mesomerism In Rhythm [excerpt] (from Together In Zero Space)
Xela – Charm [excerpt] (from Exorcism)
Black Swan – White Mourning (from The Quiet Divide)
Fovea Hex – Falling Things (Where Does A Girl Begin?) (from Here Is Where We Used To Sing)
Indignant Senility – Side B [excerpt] (from Blemished Breasts)
Monty Adkins – Memory Box (from Fragile.Flicker.Fragment)
Three Trapped Tigers – Magne (from Route One Or Die)
The Mount Fuji Doomjazz Corporation – Function (from Anthropomorphic)


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Best Albums of 2011 (Part 2)

Posted on by 5:4 in Best of the Year | 2 Comments
* Please note this list has how been superseded by the one on the Best Albums of the Years page *

A list gives us the surface of something, and that leads to another list, which contains more surface, and from there, more lists, and more surface. The lists make up the surface of the universe, and the fact that the lists lead to other lists, […] list upon list leading to list upon list, it all helps supply the hidden depth in the universe. The depth where things start to get really interesting.” (Paul Morley, Words and Music)

Here’s the conclusion of my own list, with my favourite 20 albums of 2011: Read more

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