Joanna Lee

Proms 2019: Errollyn Wallen – This Frame is Part of the Painting; Joanna Lee – At this man’s hand; Jonathan Dove – We Are One Fire (World Premières)

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Three of the last four world premières at the Proms have been vocal works, two of them for unaccompanied choir, the other for voice and orchestra. One of the choral works, Jonathan Dove‘s We Are One Fire, was commissioned as a birthday present for the 90th anniversary of the BBC Symphony Chorus. Dove turned to playwright Alasdair Middleton for a text that could serve as both a response to and an echo of the sentiment in Schiller’s Ode to Joy, celebrating humanity’s “shared ancestry”. Apparently, Dove wanted to compose “something joyous and tribal, but not using (or copying) any traditional music from another country”. It’s bizarre, then, that what Dove has created is so slavishly generic in its musical language.

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Proms 2019: pre-première questions with Joanna Lee

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This afternoon’s Prom moves away from the Royal Albert Hall to Holy Sepulchre church, for a concert given by the BBC Singers. The programme is an all-English selection of works, finishing with the world première of At this man’s hand by Joanna Lee. In anticipation of that, and to provide a bit of background and context to the work, here are her answers to my pre-première questions. Many thanks to Joanna for her responses. Read more

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Proms 2015: the premières – how you voted

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Many thanks for all of your votes on this year’s Proms premières. Having closed the polls yesterday, i’ve crunched the numbers a few different ways and here’s a summary of what you, my esteemed readers, had to say about this year’s offerings.
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Proms 2015: Betsy Jolas – Wanderlied (UK Première), Shiori Usui – Ophiocordyceps unilateralis s.l. & Joanna Lee – Hammer of Solitude (World Premières)

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Last Saturday’s Proms Matinee concert given by Birmingham Contemporary Music Group, conducted by Franck Ollu, featured several world and UK premières, which together gave one pause for thought with regard to the relationship between surface materials and their deeper impulsion. Their respective points of inspirational departure were extremely varied, encompassing a peripatetic storytelling cellist, an examination of a parasitic fungus and an intense miniature song-cycle.
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